发布求助
文献互助 智能选刊 最新文献

TDR-The Drama Review-The Journal of Performance Studies最新文献

筛选
英文 中文
The Curios Carnival Curios嘉年华
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI: 10.1017/S1054204322000296
M. Tan
{"title":"The Curios Carnival","authors":"M. Tan","doi":"10.1017/S1054204322000296","DOIUrl":"https://doi.org/10.1017/S1054204322000296","url":null,"abstract":"Theatricality in music performances is often regarded as extraneous, but avantgarde toy pianist Margaret Leng Tan exploits the intermediality between theatricality and musicality to demonstrate how theatrimusicality is imperative to the creation and reception of her music. Curios (2015) is one example in which the work’s structure of meaning and the experience of the carnivalesque are evoked through such a theatrimusical dramaturgy.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"37 11","pages":"52 - 63"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41267471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“When the Last Shriek Has Died Away” “当最后的尖叫消逝”
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI: 10.1017/S105420432200034X
Julie Vatain-Corfdir
{"title":"“When the Last Shriek Has Died Away”","authors":"Julie Vatain-Corfdir","doi":"10.1017/S105420432200034X","DOIUrl":"https://doi.org/10.1017/S105420432200034X","url":null,"abstract":"In 1927, Orson Welles directed Marlowe’s Doctor Faustus for the Federal Theatre Project, in an original interpretation of Hallie Flanagan’s dream of a “people’s theatre.” While the available archives allow for an examination of Welles’s experiment in popular classicism and invite comparisons with the work of French theatre-makers, they also call for an awareness of the part played by our imagination in such retrospective research.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"119 - 132"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42519761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What’s the Crowd Got to Do with It? 人群和它有什么关系？
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI: 10.1017/S1054204322000351
Max Jack
{"title":"What’s the Crowd Got to Do with It?","authors":"Max Jack","doi":"10.1017/S1054204322000351","DOIUrl":"https://doi.org/10.1017/S1054204322000351","url":null,"abstract":"For a group of antifascist fans who support Eis Hockey Club Dynamo Berlin, street protest and ice hockey games are both sites of left-wing political intervention. Despite the team’s reputation in Germany as “The Nazi Club,” the group aims to cultivate politically minded crowd action and uplift the atmosphere in the arena in hopes of ridding Germany of representations of its authoritarian past.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"133 - 148"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49127071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Closing of the Workcenter of Jerzy Grotowski and Thomas Richards 关闭杰西·格罗托夫斯基和托马斯·理查兹的工作中心
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI: 10.1017/s1054204322000478
T. Richards
{"title":"Closing of the Workcenter of Jerzy Grotowski and Thomas Richards","authors":"T. Richards","doi":"10.1017/s1054204322000478","DOIUrl":"https://doi.org/10.1017/s1054204322000478","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"194 - 195"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46346445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Playing with Knowledge 玩知识
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI: 10.1017/S1054204322000314
Sophie Seita
{"title":"Playing with Knowledge","authors":"Sophie Seita","doi":"10.1017/S1054204322000314","DOIUrl":"https://doi.org/10.1017/S1054204322000314","url":null,"abstract":"Seated between art and academia, the lecture performance is a hybrid and playful genre that questions the norms and forms of lectures. Often highly reflexive, discursive, and pedagogical, it draws attention to the structures of how knowledge is produced, distributed, and received. It stages and costumes knowledge; makes it wearable or movable.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"78 - 95"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46808827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Female Hallucinations, Folk Horses, and Gaunt Motherfuckers 女性幻觉、民间马和高高的混蛋
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-06-01 DOI: 10.1017/s1054204322000053
Asher Hartman
{"title":"Female Hallucinations, Folk Horses, and Gaunt Motherfuckers","authors":"Asher Hartman","doi":"10.1017/s1054204322000053","DOIUrl":"https://doi.org/10.1017/s1054204322000053","url":null,"abstract":"This autobiographical-fantastical work-in-progress animation is about a girl who eats people. Kay Whale, a lovable force composed of many beings, is growing malevolent. Absurdist and depraved, Female Hallucinations is as much about possession as it is about the ways our unexamined traumas can turn into weapons against the world. It is a personal examination of the effects of misogyny, racist privilege, multiplicity, violence, and loss.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":" ","pages":"2 - 3"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48645513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
When Doves Cry 当鸽子哭泣时
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-06-01 DOI: 10.1017/s1054204322000089
C. Amich
{"title":"When Doves Cry","authors":"C. Amich","doi":"10.1017/s1054204322000089","DOIUrl":"https://doi.org/10.1017/s1054204322000089","url":null,"abstract":"Through bold political performance acts, Cuban artist Tania Bruguera accesses an untimely variant of utopia whose surplus exceeds Cold War binaries of revolution and exile. Bruguera’s democratic action works build collective self-esteem and challenge the official utopianism of the communist state. In free-speech performances that confront the Cuban state’s censorship apparatus, Bruguera models for her fellow Cuban citizens an inimitable practice of democratic dissensus.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"27 - 44"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44794944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Chameleonic Survivalism 反复无常的生存第一主义
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-06-01 DOI: 10.1017/s1054204322000132
Ashley Ferro-Murray
{"title":"Chameleonic Survivalism","authors":"Ashley Ferro-Murray","doi":"10.1017/s1054204322000132","DOIUrl":"https://doi.org/10.1017/s1054204322000132","url":null,"abstract":"Jaamil Olawale Kosoko’s work focuses on adaptability and survival. Kosoko’s April 2020 Chameleon (The Living Installments) exemplifies the importance of an individual artist’s responses to the Covid-19 moment, the historical imperative for hybrid in-person/online performance, how 21st-century liveness functions in performance, as well as political awareness of artist-centered approaches to curatorial practice.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"115 - 130"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48408772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kentridge’s Beckett
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-06-01 DOI: 10.1017/S1054204322000107
Carla Taban
{"title":"Kentridge’s Beckett","authors":"Carla Taban","doi":"10.1017/S1054204322000107","DOIUrl":"https://doi.org/10.1017/S1054204322000107","url":null,"abstract":"The Centre for the Less Good Idea, founded by William Kentridge in Johannesburg, inaugurated its first season with four short plays by Samuel Beckett. Beckett is a productive point of reference for Kentridge, especially in his lecture-performances that reflect on the activity of making art in the studio.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"60 - 80"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42610058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Alpha Orient 阿尔法东方
IF 0.3 2区 艺术学
TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-06-01 DOI: 10.1017/S1054204322000090
Peggy Kyoungwon Lee
{"title":"The Alpha Orient","authors":"Peggy Kyoungwon Lee","doi":"10.1017/S1054204322000090","DOIUrl":"https://doi.org/10.1017/S1054204322000090","url":null,"abstract":"The alpha brain wave sonification inaugurated by Alvin Lucier in Music for Solo Performer (1965) ushered in biofeedback as a new possibility for art and a racialized fantasy of the “Orient.” The “Alpha Orient” encompasses sonic methods equating alpha brain waves with the supposed exceptional “composure” and “silence” of the East. Eunoia (2013-2014) by Lisa Park and Yoko Ono’s 1964 Cut Piece and 1965 Sky Piece for Jesus Christ expose the Alpha Orient as an ableist fantasy of the Asian woman in the remarkable soundness of her self-control.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"45 - 59"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44753819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信