Do’s, Don’ts, and the Rhythms of the Urban Everyday

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-06-01 DOI:10.1017/S1054204322000119

A. Kolb

引用次数: 0

Abstract

Rimini Protokoll’s Do’s and Don’ts (2018) takes spectators on tours through cities in a disused truck to observe contemporary urban life. Commentary from nonprofessional (yet “expert”) performers and video interludes dissect and challenge the rules and norms of the 21st-century metropolis. Lucinda Childs’s 1964 Street Dance frames and historically contextualizes the discussion of performance “in” and “of” the city.

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都市生活的节奏:该做、不该做

里米尼·普罗托科尔（Rimini Protokoll）的《该做的和不该做的》（2018）用一辆废弃的卡车带观众游览城市，观察当代城市生活。非专业（但“专家”）表演者的评论和视频片段剖析并挑战了21世纪大都市的规则和规范。Lucinda Childs 1964年的《街舞》将对“在”和“在”城市的表演的讨论框定在历史背景下。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance