TDR-The Drama Review-The Journal of Performance Studies最新文献

{"title":"Contemporary PerforMemory: Dancing through Spacetime, Historical Trauma, and Diaspora in the 21st Century. By Layla Zami. Bielefeld, Germany: Transcript, 2020; 292 pp.; illustrations. $45.00 paper, e-book available.","authors":"Cristina Tadeo","doi":"10.1017/s1054204322000399","DOIUrl":"https://doi.org/10.1017/s1054204322000399","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"21 4","pages":"169 - 171"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41289408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. By Daphne A. Brooks. Cambridge, MA: Harvard University Press, 2021; 608 pp.; illustrations. $39.95 paper, e-book available.","authors":"Masi Asare","doi":"10.1017/s1054204322000375","DOIUrl":"https://doi.org/10.1017/s1054204322000375","url":null,"abstract":"If you’re in the know, there’s a kinda secret but incredible curated playlist of over 150 songs that stands as one possible companion soundtrack to the equally marvelous and expansive yet incisive writing in Daphne Brooks’s new book. It leads off with recorded blues pathbreaker Mamie Smith, her showbiz vocals serving the good kind of crazy, and closes out nine hours later with the uncompromisingly glam truth-teller “our Lady of Lemonade” (9). Bessie and Nina and Eartha and Aretha (or ReRe, in Brooks’s preferred sobriquet), Abbey and Billie and Sarah and Dinah shout and croon, melismatize, rasp, and declaim. The sisters with instrumental prowess are also here, Mary Lou swinging jazz “automotivity” (90) on gas-pedal keys, and Sister Rosetta wielding her Gibson Les Paul like a blessed knife beside fellow travelers of the fretboard including the elusive 1930s blues duo Geeshie Wiley and Elvie (L.V.) Thomas. On to the new vanguard whose “fade to black” sounds (369), after visual artist Carrie Mae Weems’s insight into Black women’s potentiality, rise with Rhiannon Giddens, Valerie June, and Cécile McLorin Salvant — artists Brooks follows through reclaimed minstrel song, strains of “Affrilachian” (550) mysticism, and the jazzwoman’s cool regard for the monstrous. This playlist streams online1 as testament to the ongoing shimmer and breathtaking breadth of Black women in popular music, and to Brooks’s arms-in-open-embrace practice of archival engagement. To encounter this text, one must also encounter the music.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"166 - 167"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43141443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Larger than Life","authors":"Nele Wynants","doi":"10.1017/S1054204322000326","DOIUrl":"https://doi.org/10.1017/S1054204322000326","url":null,"abstract":"In Oona Libens’s poetic-scientific theatre of objects, nonhuman actors take center stage in a universe that hangs together with wires and projection apparatuses. Her playful lecture performances resonate with ideas from contemporary ecocritical and new materialist debates.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"96 - 106"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42368760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Climate Siren","authors":"Lara Stevens, D. Varney","doi":"10.1017/S1054204322000338","DOIUrl":"https://doi.org/10.1017/S1054204322000338","url":null,"abstract":"An accomplished dancer, acrobat, and physical theatre performer, Hanna Cormick became ill in 2014 with a trifecta of rare genetic conditions that make her severely allergic to pollutants in the air — smoke, detergents, and food particles — and her bones and internal organs prone to dislocation. In January 2020, during Australia’s summer of unprecedented bushfires, Cormick staged The Mermaid, risking her life to make a performance about the climate emergency and how we are all vulnerable bodies at risk in a changing environment.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"107 - 118"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44648931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reclaiming the Past","authors":"Katia Arfara","doi":"10.1017/S1054204322000272","DOIUrl":"https://doi.org/10.1017/S1054204322000272","url":null,"abstract":"Interweaving first-person narratives, archives, autobiography, film, and live music, Lola Arias shifts her audience’s attention towards the nature of memory, revealing the inadequacy of binaries such as fact and fiction, truth and imagination. Arias’s major works explore the construction of collective and personal memory in relation to the economic, social, cultural, and psychological influences of the military dictatorships on contemporary Argentinian and Chilean societies.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"10 - 37"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45315827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Musicological Archaeology and Constança Capdeville","authors":"Filipa Magalhães","doi":"10.1017/S1054204322000302","DOIUrl":"https://doi.org/10.1017/S1054204322000302","url":null,"abstract":"In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"64 - 77"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43561798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TDR volume 66 issue 3 Cover and Front matter","authors":"Ali-Reza Mirsajadi","doi":"10.1017/s1054204322000235","DOIUrl":"https://doi.org/10.1017/s1054204322000235","url":null,"abstract":"ing and Indexing Information: Please visit https://www.cambridge.org/core/journals/the-drama-review. Subscription Information: TDR (ISSN 1054-2043 E-ISSN 1531-4715) is published quarterly (Spring, Summer, Fall, Winter) by Cambridge University Press, 1 Liberty Plaza, New York, NY 10006, USA on behalf of the Tisch School of the Arts, New York University. Periodicals postage paid at New York, NY, and at additional mailing offices. POSTMASTER: Please send address changes to TDR, Cambridge University Press, 1 Liberty Plaza, New York, NY 10006, USA. The institutional subscription price for Volume 66 (2022), including delivery by air where appropriate (but excluding VAT), is $270.00 (£223.00) for print and electronic or $230.00 (£189.00) for electronic only. Orders, which must be accompanied by payment, may be sent to a bookseller, subscription agent or direct to the publisher: Cambridge University Press, Journals Fulfillment Department, 1 Liberty Plaza, New York, NY, 10006, USA; or Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8RU, England. For single back issues, please contact subscriptions_newyork@cambridge.org. More information about subscription rates, including individual and student subscription prices, can be found at: https://www.cambridge.org/core/journals/the-drama-review/subscribe. Advertising: For information on display ad sizes, rates, and deadlines for copy, please contact USAdSales@cambridge.org. © New York University/Tisch School of the Arts 2022. All rights reserved. No part of this publication may be reproduced, in any form or by any means, electronic, photocopying, or otherwise, without permission in writing from Cambridge University Press. Policies, request forms, and contacts are available at https://www.cambridge.org/core/journals/the-drama-review/information/request-permissions. Permission to copy (for users in the USA) is available from Copyright Clearance Center: www.copyright.com; email: info@copyright.com. This publication is made possible, in part, with public funds from the New York State Council on the Arts and the National Endowment for the Arts. TDR","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"f1 - f6"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44131032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TDR volume 66 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s1054204322000247","DOIUrl":"https://doi.org/10.1017/s1054204322000247","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":" ","pages":"b1 - b2"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45377858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Breathing Bricks","authors":"A. Knapp","doi":"10.1017/s1054204322000363","DOIUrl":"https://doi.org/10.1017/s1054204322000363","url":null,"abstract":"For 100 days in 2015, performance artist Nut Brother dragged a vacuum cleaner through Beijing and formed the collected smog particles into a solid brick. Dust Project brings into sharp relief the harm related to the necessary act of breathing and the effects of anthropogenic climate change. As air quality declines, breathing marks the everyday entanglement with particulate matter and its attendant violences as a performance of endurance.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"149 - 165"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45123451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"More Books","authors":"Jared Strange","doi":"10.1017/S1054204322000429","DOIUrl":"https://doi.org/10.1017/S1054204322000429","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"180 - 183"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47705373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}