Reclaiming the Past

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI:10.1017/S1054204322000272

Katia Arfara

引用次数: 1

Abstract

Interweaving first-person narratives, archives, autobiography, film, and live music, Lola Arias shifts her audience’s attention towards the nature of memory, revealing the inadequacy of binaries such as fact and fiction, truth and imagination. Arias’s major works explore the construction of collective and personal memory in relation to the economic, social, cultural, and psychological influences of the military dictatorships on contemporary Argentinian and Chilean societies.

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回顾过去

洛拉·阿里亚斯将第一人称叙事、档案、自传、电影和现场音乐交织在一起，将观众的注意力转移到记忆的本质上，揭示了事实与虚构、真相与想象等二元概念的不足。阿里亚斯的主要作品探讨了与军事独裁统治对当代阿根廷和智利社会的经济、社会、文化和心理影响有关的集体和个人记忆的构建。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance