From the Spirit of Music

IF 0.4 2区 艺术学 0 THEATER
David Roesner
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引用次数: 0

Abstract

Theatre music has been a key driver of theatrical invention, innovation, and style since 2010 in German theatre and arguably for some years before that. This is evidenced in creative partnerships between individual directors and composers (and sometimes bands), in a strong presence of music in the rehearsal rooms, in musical forms of postdramatic writing, and in forms of acting styles and performance aesthetics where music plays a formative role.
来自音乐的精神
自2010年以来,戏剧音乐一直是德国戏剧发明、创新和风格的关键驱动力,可以说在此之前的几年里也是如此。个人导演和作曲家(有时是乐队)之间的创造性合作关系,排练室中强大的音乐存在,戏剧后写作的音乐形式,以及音乐发挥形成作用的表演风格和表演美学形式都证明了这一点。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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