From Postmigrant to Posthuman

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-06-01 DOI:10.1017/S1054204323000072

Priscilla Layne

引用次数: 0

Abstract

A recent trend in Black German theatre engages with fantasy and posthumanism to criticize German racism and nationalism. In Krieg der Hörnchen (War of the Squirrels), Simone Dede Ayivi combines posthumanism and postnationalism, using German fears of invasive gray squirrels taking over the habitat of native red squirrels to reimagine xenophobic and racist debates about migration.

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从后移民到后人类

德国黑人戏剧最近的一种趋势是用幻想和后人道主义来批评德国的种族主义和民族主义。在《松鼠之战》（Krieg der Hörnchen）中，西蒙·德德·艾维（Simone Dede Ayivi）结合了后人道主义和后民族主义，利用德国人对入侵灰松鼠占领本地红松鼠栖息地的恐惧，重新想象了关于移民的仇外和种族主义辩论。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance