JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES最新文献_第7页

Cortese's Ideal Cardinal? Praising Art, Spendour and Magnificence in Bernardino de Carvajal's Roman Residence 科蒂斯的理想红衣主教?赞美贝纳迪诺·德·卡瓦哈尔罗马住宅的艺术、华丽和辉煌

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841044

B. Schirg

{"title":"Cortese's Ideal Cardinal? Praising Art, Spendour and Magnificence in Bernardino de Carvajal's Roman Residence","authors":"B. Schirg","doi":"10.1086/JWCI44841044","DOIUrl":"https://doi.org/10.1086/JWCI44841044","url":null,"abstract":"This article offers a close analysis of three neo-Latin poems from a larger cycle of verse dedicated in 1511 to the Spanish cardinal Bernardino de Carvajal (1456-1523) by the Italian humanist Giambattista Cantalicio (1445-1515). Reviewing the poet's flattering descriptions of lavish banquets, the daily routine of the cardinal's court and a tapestry cycle which once adorned Carvajal's residence, it further analyses the contemporary aesthetics which underlie Cantalicio's praise of the cardinal's lost palace in Rome. In the process, the article also reviews the social dynamic which prompted the display of magnificence as well as the problematic issues raised by the flagrant display of such splendour within an ecclesiastical context. Exploring social practice, artworks and intellectual treatises, the article outlines the process by which the concept of magnificence, which forms the basis of Cantalicio's praise of the cardinal, was rehabilitated in the decades preceding the Reformation. Placing the poet's encomium not only in the light of Giovanni Pontano's so-called social treatises and Paolo Cortese's De cardinalatu (1510), but also within the context of the contemporary iconographic programme at Carvajal's titular church of S. Croce in Gerusalemme, the article embeds these neo-Latin poems within the wider social, historical and cultural context of Renaissance Rome.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"80 1","pages":"61 - 82"},"PeriodicalIF":0.2,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46118325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Jerome Nadal's Evangelicae Historiae Imagines and the Birth of Global Imagery 杰罗姆的《福音的历史想象》和《全球意象的诞生

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841048

J. Massing

{"title":"Jerome Nadal's Evangelicae Historiae Imagines and the Birth of Global Imagery","authors":"J. Massing","doi":"10.1086/JWCI44841048","DOIUrl":"https://doi.org/10.1086/JWCI44841048","url":null,"abstract":"This article deals with a set of images which were probably the first in history to be reproduced on four continents: the Jesuit Jerome Nadal's Evangelicae Historiae Imagines (Images of the Gospel Story), first published in Antwerp in 1593. It begins with a brief discussion of what we know about Nadal's life and the production history of his book, as well as its relationship to his Adnotationes et Meditationes in Evangelia quae in sacrosanto missae sacrificio toto anno leguntur (Annotations and Meditations on the Gospel which are to be read throughout the year at the Holy Sacrifice of the Mass), which acts as a commentary to the Imagines. Then follows a description of the structure of the two books, and how they narrate and expound the significance of the Gospels. The remaining sections discuss the adaptations of Nadal's imagery. While his work has received much attention from scholars around the world in recent decades, the aim of the present article is to bring together research on the use and re-use of these images in Europe, the Americas, India, China, Japan, Iran and Ethiopia, and to make clear their global impact in a way that has not been attempted before.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"80 1","pages":"161 - 220"},"PeriodicalIF":0.2,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41939748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Isaac Newton's Latin Exercises and Letter to a 'Loving Ffreind': Identifying the Sources 艾萨克·牛顿的拉丁文练习和给“亲爱的朋友”的信:确定来源

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841052

Michael Joalland

引用次数: 1

Budé's Breviarium: Authorship, Date and Purpose 巴德的Breviarium：作者、日期和目的

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/jwci44841046

A. Burnett

引用次数: 0

A Newly Identified Copy of a Prognostication by John of Legnano 莱纳诺的约翰预言的新鉴定副本

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841049

L. Smoller

{"title":"A Newly Identified Copy of a Prognostication by John of Legnano","authors":"L. Smoller","doi":"10.1086/JWCI44841049","DOIUrl":"https://doi.org/10.1086/JWCI44841049","url":null,"abstract":"At some time between 1375 and 1378 the Bologna jurist John of Legnano composed a judgement on the conjunction of Saturn and Jupiter in October 1365. One of a number of contemporary authors offering a horoscope and interpretation of this celestial event, Legnano was credited by later fourteenth- and fifteenth-century observers with correctly predicting the outbreak of the Great Schism by means of his chart. Until now, scholars have been aware of two manuscript copies of Legnano's conjunction treatise: a Latin version now in Paris, Bibliothèque nationale de France MS lat. 2599; and an Italian translation in Florence, Biblioteca Nazionale Centrale MS II, IV.313.The present paper identifies and publishes a third, partial copy, in a manuscript compilation in British Library MS Arundel 88.1 briefly survey the manuscript context of these three redactions in order to demonstrate the various ways in which Legnano's text could be read in the late fourteenth and fifteenth centuries. Most likely composed just prior to the outbreak of the Great Schism, his prognostication blends the astrological, eschatological and political interests which obsessed the noted law professor even before the circumstances of the Schism gave them increased urgency. A staunch defender of papal over imperial rights, Legnano avidly followed the vicissitudes of politics in the empire as well as in northern Italy; both his astrological analysis and the prophetic texts he quotes in his judgement focus on the fates of the empire, of various Italian cities and of the papacy. The British Library version of Legnano's text helps to reveal an evolving reception of this work and to demonstrate that, while the treatise certainly could be read for clues as to the church's fate during the Schism years, later readers were much more interested in Legnano's political predictions.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"80 1","pages":"221 - 230"},"PeriodicalIF":0.2,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49247334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Solid Mistake: An Early State of Caraglio's Diogenes after Parmigianino 一个明显的错误：Parmigianino之后Caraglio的Diogenes早期状态

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841050

Jamie Gabbarelli

引用次数: 0

The Iconography of Vecchietta's Bronze Christ in Siena 维奇耶塔青铜基督在锡耶纳的图像学

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841043

G. Dalvit

{"title":"The Iconography of Vecchietta's Bronze Christ in Siena","authors":"G. Dalvit","doi":"10.1086/JWCI44841043","DOIUrl":"https://doi.org/10.1086/JWCI44841043","url":null,"abstract":"Through the prism of iconography, we may be able to better understand Vecchietta's stylistic choices towards the end of his career. His last known bronze sculpture, a gaunt and pathetic Christ, executed in 1476, is widely agreed to represent the Risen Christ. Today, the sculpture stands atop the high altar of the Santissima Annunziata, the Hospital Church in Siena, but this was neither its original nor intended location. In fact, the figure was meant to be part of a larger ensemble which, together, constituted Vecchietta's funerary chapel. This article demonstrates unequivocally that the present setting of the statue has fostered an iconographical misunderstanding: naturally, the subject of the statue is Christ; but he represents the Man of Sorrows, not the Risen Christ. An exploration of the significance of the iconography of the Man of Sorrows in mid-fifteenth-century Siena, and its possible antecedents, reveals connections especially with Northern European artefacts circulating in central Italy at the time. The result of these findings is to set Vecchietta's sculpture free from previous preconceptions, shedding new light on a famous artwork and triggering new questions about the artist who made it.","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":"80 1","pages":"29 - 59"},"PeriodicalIF":0.2,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46525827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Impresa of Federico Zuccari and the Accademia Degli Insensati of Perugia 费德里科·祖卡里的努力和佩鲁贾愚蠢学院

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841047

Laura Teza

引用次数: 0

Kentish Pilgrims in Canterbury Cathedral's Miracle Windows 坎特伯雷大教堂奇迹窗口中的肯特朝圣者

IF 0.2 2区艺术学

JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES Pub Date : 2017-01-01 DOI: 10.1086/JWCI44841042

Rachel Koopmans

引用次数: 1

Suetonius In Volgare: An Overlooked Italian Translation by Dante Popoleschi (London, British Library MS Harley 3390 苏托尼乌斯在伏尔加雷:但丁·波波列斯基被忽视的意大利语翻译(伦敦，大英图书馆MS哈雷3390)