费德里科·祖卡里的努力和佩鲁贾愚蠢学院

IF 0.1 2区 艺术学 0 ART
Laura Teza
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引用次数: 0

摘要

佩鲁贾大学的历史档案馆保存了一份16世纪意大利科学院的手稿,该学院以其在佩鲁贾和罗马的教会和诗坛的重要成员和附属机构而闻名。手稿大部分未发表,收集了43幅由不同艺术家和微缩画家绘制的院士印象,其中包括画家和理论家费德里科·祖卡里(Federico Zuccari)。在后来的生活中,Zuccari自豪地使用他在Insensato上的绰号“Il Sonnacchioso”,但在这里,他的印象出人意料地被赋予了“Il Desioso”。这篇文章认为,Il Desioso impresa代表了Zuccari加入学院的申请。这幅画是艺术家自己画的,以他的糖果装置为特色,并附有他自己的散文描述。通过与祖卡里从佛罗伦萨搬到罗马期间的其他作品进行比较,可以确定这幅画的年代。它反映了他这一时期的一些理论思想,涉及学院的作用、艺术家的教育和古典文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Impresa of Federico Zuccari and the Accademia Degli Insensati of Perugia
The University of Perugia's Archivio storico preserves a sixteenth-century manuscript of the imprese of the Accademia degli Insensati, an institution which is well-known for its important members and affiliates in the ecclesiastical and poetic circles of Perugia and Rome. Largely unpublished, the manuscript collects forty-three imprese of academicians, drawn by different artists and miniaturists, including that of the painter and theorist Federico Zuccari. In later life Zuccari proudly made use of his Insensato nickname of Il Sonnacchioso, but here his impresa is unexpectedly given as Il Desioso. This article argues that the Il Desioso impresa represents Zuccari's application to join the Accademia. Drawn by the artist himself, featuring his device of the sugarloaf and accompanied by a prose description in his own hand, the impresa can be dated by comparisons with other works made around the time of Zuccari's move from Florence to Rome. It reflects a number of the theoretical ideas from this period of his life, concerning the role of Academies, the education of the artist, and classical culture.
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