MUSEUM INTERNATIONAL最新文献_第10页

Reflections on the Making of the Unstraight Exhibitions 对“不直”展览制作的思考

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873495

Dinh Thi nhung

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引用次数: 0

Finding the Rainbow Needle in the Research Haystack 在研究干草堆中找到彩虹针

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873498

Kate Drinane

{"title":"Finding the Rainbow Needle in the Research Haystack","authors":"Kate Drinane","doi":"10.1080/13500775.2020.1873498","DOIUrl":"https://doi.org/10.1080/13500775.2020.1873498","url":null,"abstract":"Abstract This article will discuss the fundamental importance of community-led, organic research methodologies when uncovering and revealing LGBTQIA+ identities within the Irish national collection. Using the National Gallery of Ireland as a case study, the paper highlights the importance of this research in an Irish context. The representation of the LGBTQIA+ community in historical and cultural institutions in Ireland has grown in the past four years. This is partly due to the Marriage Equality Referendum passing in favour of equal marriage in 2015. With this increased acceptance from the people of Ireland, more members of the community are actively reflecting on their place in society and history. To best direct this communal reflection, a cyclical research methodology was applied to uncovering previously overlooked LGBTQIA+ representation in the Gallery’s collection. Initial research into key works was disseminated via public LGBTQIA+ tours of the collection. Tour participants’ feedback and ideas were gathered over several months and guided further research. This community-led approach has yielded a new directory of some 30 works and artists that will be shared on the Gallery’s website for the general public to access. Engaging with the LGBTQIA+ community when carrying out this research has been of fundamental importance. Until recently, this community in Ireland has been largely ignored by historians, researchers, and curators. To reveal, commemorate, and celebrate queer stories and sources from these times, the voices of the existing community are essential. The foundation of the LGBTQIA+ Research Network and plans for an island-wide database will ensure that these voices will no longer be ignored.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"72 1","pages":"82 - 93"},"PeriodicalIF":0.3,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2020.1873498","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42916915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Queer Self-Representation Inside the Museum 博物馆中的酷儿自我表现

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873500

Uliana Zanetti

{"title":"Queer Self-Representation Inside the Museum","authors":"Uliana Zanetti","doi":"10.1080/13500775.2020.1873500","DOIUrl":"https://doi.org/10.1080/13500775.2020.1873500","url":null,"abstract":"Abstract Most museums claim to foster the democratisation of their collections through top-down educational programmes. However, it is possible to challenge this perspective and, instead, encourage self-empowerment in lieu of imitation, hosting, and fostering cultural contributions offered by different communities that cultivate independent paths toward creating identities and institutional recognition. Although ‘discrimination’ seems to be a constitutive feature of museums, in that their entire structure is based on exclusion/inclusion processes at multiple levels, their structure offers unlimited possibilities to enact different approaches. If we consider museums as hypertexts that enable continuous re-readings, we can adopt them as generative spaces for critical and innovative practices. Several events that took place at the Modern Art Museum of Bologna (MAMbo) over the past decade show different approaches to tackling discrimination in museums. Each offered a range of reflections and activities concerning specific topics: the audience of sightless people in contemporary art museums (Collezioni mai viste, 2008), women’s art (Autoritratti, 2013 ), and gender representations (Performing Gender, 2015). Each event was developed as a research action project and carried out by groups strongly committed to contemporary art, respectively representing communities of sightless people, women, and LGBTQI+. Framing specificity as a tool for more diverse forms of representation, museums might question their own history, collections, practices and contexts, cooperating with existing communities representing cultural diversity to foster new narratives and enable the creation of new sources for different discourses and histories to be told.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"72 1","pages":"104 - 115"},"PeriodicalIF":0.3,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2020.1873500","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44106276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Memory Gaps and Hollow Bodies. LGBTQI+ Inclusivity in the Visual Arts: Experiences in France and Quebec 记忆间隙和空心体。LGBTQI+视觉艺术的包容性：法国和魁北克的经验

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873496

V. Jourdain

引用次数: 0

AMOQA, Athens Museum of Queer Arts: Inventing Survival Tools and Designing Dissident Itineraries 雅典酷儿艺术博物馆:发明生存工具和设计异议行程

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873510

M. Dolores

引用次数: 0

Curators in Conversation: Conceiving the Queer Past at the GLBT Historical Society Museum 对话中的策展人:在lgbt历史协会博物馆构想酷儿的过去

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873497

Gerard Koskovich, Don Romesburg, Amy Sueyoshi

引用次数: 0

Museum Mismatches and Institutional Dysphoria: Relations Between Museums and Sexual Dissidents Outside the Anglophone World 博物馆的错位与制度的错位：博物馆与英语世界之外的性异见者之间的关系

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873508

Lucía Egaña Rojas

引用次数: 0

Re-imagining Museum Studies: Review of Museums, Sexuality, and Gender Activism and Queering the Museum 重新想象博物馆研究:回顾博物馆、性、性别行动主义和博物馆的酷儿化

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873527

Olga Zabalueva

引用次数: 0

Introduction and Editorial 引言和社论

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2021.1873489

R. Chantraine, Bruno Brulon Soares

{"title":"Introduction and Editorial","authors":"R. Chantraine, Bruno Brulon Soares","doi":"10.1080/13500775.2021.1873489","DOIUrl":"https://doi.org/10.1080/13500775.2021.1873489","url":null,"abstract":"MUSEUM international Introduction T he struggles of lesbian, gay, bisexual, transgender, queer and intersex individuals and groups to express their differences, demand social justice and reclaim a place in history1 are not new ones. In the 1960s, the earliest demonstrations from LGBTQI+ activists against police repression in the public space were centred around demands for visibility, equal rights and social representation. Today, more than 50 years after the landmark Stonewall riots in June 1969, we can say that several groups and organised movements around the world use cultural tactics and memory-based projects as important tools in their demands for equal rights and inclusiveness in the public sphere (see Sandell 2017). These affirmative strategies of LGBTQI+ minorities have substantially increased since the mid-1980s, in a movement that was spurred in part by the global spread of the HIV/ AIDS epidemic. Among the tragic consequences of this historical event was the death of thousands of gay men, as well as other marginalised groups, such as drug users, sex workers, trans people, migrants, etc.—due to governmental neglect as denounced by the ACT UP movements around the globe2. From these terrible events emerged a sense of cultural loss among LGBTQI+ people, but also the rise of a collective awareness that restoring this culture as well as breaking the chain of viral transmission was imperative. It was in this context, in 1985, that the GLBT Historical Society (San Francisco) and the Schwules Museum (Berlin) both presented in this issue, were created.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"72 1","pages":"1 - 13"},"PeriodicalIF":0.3,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2021.1873489","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46797566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

LGBTQI+ Representation in the Museum Ecosystem of Buenos Aires LGBTQI+在布宜诺斯艾利斯博物馆生态系统中的表现

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873499

F. Croizet

引用次数: 0