博物馆的错位与制度的错位:博物馆与英语世界之外的性异见者之间的关系

IF 0.4 4区 艺术学 0 ART
Lucía Egaña Rojas
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引用次数: 0

摘要

摘要本文将探讨性异见者与博物馆之间的关系,尤其是在英语世界之外的关系,这些关系往往是矛盾的。在这本书中,我谈到了我作为一名艺术家个人和集体参与的某些项目,并提供了一些思考,这些思考无疑受到我作为一个移民和性异见者的身份的制约,我与巴塞罗那的一家博物馆合作。在这方面,这篇文章不是一篇理论文章,而是一篇个人反思,旨在从情境角度分析我的经历,并确定博物馆和持不同政见者之间的联系方式,这些方式采用并规避了权力关系、纯粹代表的逻辑,以及迄今为止标志着这些关系的“采掘实践”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Museum Mismatches and Institutional Dysphoria: Relations Between Museums and Sexual Dissidents Outside the Anglophone World
Abstract This article will address experiences centred around relationships—which are often conflictive—between sexual dissidents and museums, in particular outside the Anglophone world. In it, I address certain projects that I have worked on personally and collectively as an artist, and offer reflections that are undoubtedly conditioned by my own status as a migrant and sexually dissident person who collaborates with a museum in Barcelona. In this regard, the article is not a theoretical one, but rather a personal reflection intended to analyse my experiences situationally, and to identify ways for museums and dissidents to relate that take on and circumvent power relations, the logic of mere representation, and ‘extractive practices’ that have marked these relationships to date.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.
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