MUSEUM INTERNATIONAL最新文献_第9页

The Shared Storage Facility in Poland: A Pilot Project of the National Institute for Museums and Public Collections (NIMOZ) 波兰的共享存储设施：国家博物馆和公共收藏研究所（NIMOZ）的试点项目

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2021-01-02 DOI: 10.1080/13500775.2021.1956768

Janusz Czop

{"title":"The Shared Storage Facility in Poland: A Pilot Project of the National Institute for Museums and Public Collections (NIMOZ)","authors":"Janusz Czop","doi":"10.1080/13500775.2021.1956768","DOIUrl":"https://doi.org/10.1080/13500775.2021.1956768","url":null,"abstract":"Abstract The safe storage of collections for future generations is the most important statutory activity of every museum worldwide. Although this objective is a long-held one, statistics show that, regrettably, a historical and global problem still exists in this field, including for Polish museums. Fortunately, positive changes have been implemented since the end of the 20th century, resulting not only in new infrastructure projects, but also in new approaches to the longstanding problem. Contemporary museum storage facilities are perceived not only as restricted museum spaces, but also, and primarily, as a combination of places, people and processes. Storage can therefore represent an optimum tool for museum conservation, when understood as a change management process whose purpose is to exercise conscious and real influence on the durability of collections. Importantly, this process should correspond to contemporary environmental protection practices. Then, and only then, will museums be capable of protecting cultural heritage appropriately, without increasing risks to future generations. In Poland, the National Institute for Museums and Public Collections (NIMOZ) is currently implementing an infrastructure project entitled ‘The Central Storage Facility for Museum Collections’ (CMZM), whose concept encompasses the questions and problems referred to above. In effect, a shared storage facility will be built in the suburbs of Warsaw to provide high-quality protection for collections, while employing cost-efficient construction processes and low-energy solutions while in operation. The pilot project and case study represents a model solution: one that can be followed by museum professionals planning new collection storage facilities in other regions of Poland.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"73 1","pages":"184 - 193"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2021.1956768","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47659540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The RE-ORG Method Applied to Collection Storage at the Andafiavaratra Palace Museum, Madagascar RE-ORG方法在马达加斯加安达菲亚瓦拉拉宫博物馆藏品存储中的应用

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2021-01-02 DOI: 10.1080/13500775.2021.1956773

Bako Rasoarifetra

{"title":"The RE-ORG Method Applied to Collection Storage at the Andafiavaratra Palace Museum, Madagascar","authors":"Bako Rasoarifetra","doi":"10.1080/13500775.2021.1956773","DOIUrl":"https://doi.org/10.1080/13500775.2021.1956773","url":null,"abstract":"Abstract In June 2019, Madagascar was chosen as a host country for a RE-ORG programme, a method developed by ICCROM and UNESCO and applied transnationally to help museums to improve the management of their collections in storage. This activity, initiated by UNESCO, was financed by the government of Japan and carried out by the Ministry of Communication and Culture in Madagascar. In December 1995, the Rova of Antananarivo, which housed the historic Queen’s Palace, was destroyed by a fire. Thirty per cent of the collections saved from the flames were transferred to the Prime Minister’s Andafiavaratra Palace, now a museum. For over two decades, the unexhibited collections were stored in unstructured rooms that did not comply with principles of preventive conservation. Putting theory into practice, the RE-ORG method was applied to the royal collections at the Andafiavaratra Museum in 2019. The project primarily involved the reorganisation of the storage rooms and training during two weeks for Malagasy museum staff. A unique approach was taken: the 26 participants from 12 museums returned to their respective museums when their training was completed with the intention to reorganise or create their own storage facilities. The RE-ORG project in Madagascar led the ICOM National Committee to a general review of Malagasy museums. This case study shows how improving storage areas in Malagasy museums led to greater awareness among the local museum community and visitors on the importance of preserving cultural heritage.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"73 1","pages":"218 - 225"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2021.1956773","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41899038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

New Perspectives on Collections Management at the Musée National du Burkina Faso 布基纳法索国家博物馆藏品管理的新视角

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2021-01-02 DOI: 10.1080/13500775.2021.1956764

Bély Hermann Abdoul-Karim Niangao

引用次数: 1

Mobilising Collections Storage to Deliver Wide-Ranging Strategic Objectives at the Sedgwick Museum 调动藏品存储以实现塞奇威克博物馆的广泛战略目标

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2021-01-02 DOI: 10.1080/13500775.2021.1956753

Liz Hide, Danna Pemberton

{"title":"Mobilising Collections Storage to Deliver Wide-Ranging Strategic Objectives at the Sedgwick Museum","authors":"Liz Hide, Danna Pemberton","doi":"10.1080/13500775.2021.1956753","DOIUrl":"https://doi.org/10.1080/13500775.2021.1956753","url":null,"abstract":"Abstract Can a new storage facility drive a strategic transformation for a museum? What opportunities does an off-site ‘behind the scenes’ facility provide for developing a museum’s stakeholder relationships and its public engagement role; furthermore, what impact can it have on the social needs of a new community? The Colin Forbes Building is a 650-square-metre facility opened in 2019 by the Sedgwick Museum of Earth Sciences, University of Cambridge, UK, located around 4.5 kilometres from the main museum site in central Cambridge. When fully populated it will provide high-quality, environmentally controlled storage for more than 80 per cent of the Sedgwick’s rock and fossil collections and its unique historic archive. In this case study, we describe how a project conceived to improve storage is now driving a much wider range of strategic initiatives. The project is part of a new Strategic Plan for the Sedgwick Museum, adopted in 2019 and instigated by an external review of the museum’s activities, new leadership and extensive consultation. With the building project itself nearly completed, the challenge lay in mobilising this new facility to contribute to delivery of the aforementioned Strategic Plan. By equipping and presenting it as a dynamic centre for collections-based research we are enabling active development of the Sedgwick’s relationship with the scientific research community. Furthermore, it will enable the Sedgwick to deliver public engagement in ways that enhance the existing ‘traditional’ museum offer. The facility’s location on the edge of a major new community currently under construction on the north-west outskirts of Cambridge, enables us to engage meaningfully with a much wider public and university audience in an area of the city that currently has very little cultural provision. In the context of the Covid-19 pandemic, we review approaches and achievements, and reflect on how the project can continue to support strategic transformation in the post-pandemic period.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"73 1","pages":"110 - 119"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2021.1956753","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46844429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Mucem’s Centre for Conservation and Resources: Promoting Collections and Cultural Heritage Careers 穆切姆保护和资源中心：促进收藏和文化遗产事业

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2021-01-02 DOI: 10.1080/13500775.2021.1956755

Marie-Charlotte Calafat

引用次数: 1

Museum Storage and Meaning. Tales from the Crypt 博物馆的存储和意义。地穴故事

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2021-01-02 DOI: 10.1080/13500775.2021.1956783

T. Beltrame

引用次数: 0

Crossing Over: Museums as Spaces of Violence 跨越：作为暴力空间的博物馆

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873492

Amy K. Levin

{"title":"Crossing Over: Museums as Spaces of Violence","authors":"Amy K. Levin","doi":"10.1080/13500775.2020.1873492","DOIUrl":"https://doi.org/10.1080/13500775.2020.1873492","url":null,"abstract":"Abstract This article focuses on an increasingly common phenomenon: the exhibition on violence or trauma that evokes excessively strong reactions in visitors. Popular contemporary museum practices contribute to such responses. The first is the valorisation of the ‘difficult’ exhibition without sufficient consideration of the ways in which it is challenging or of the identities of its targets. The desire to foster empathy within institutions or individuals, which seems benign, also involves risks and limitations. We lack hard evidence of empathy’s benefits as a museum strategy, and particularly of whether it stimulates activism. Indeed, immersive exhibitions that succeed in engaging audiences in individual stories may not instigate systemic change; in terms of gender, they may focus on a particular woman’s suffering but not on global gender inequity. These excesses of violence and trauma wrought on gendered bodies may leave visitors despondent and unsettled. As a result, the gallery, promoted as a liberatory ‘third’ space of inclusion, may be perceived as confining or oppressive. To explain this paradox, I deploy James Giles’s theory of Fourthspace, using my experience viewing Carlos Motta’s installation on LGBTQI+ immigrants in the Netherlands at the Stedelijk Museum Amsterdam in 2017 as a case study. While offering prescriptive solutions is not my primary aim, I briefly discuss possible solutions.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"72 1","pages":"28 - 41"},"PeriodicalIF":0.3,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2020.1873492","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48065495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Art of Feminist-Queering the Museum: Gate-leaking 女权主义者的艺术——让博物馆变得古怪:泄密

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873522

Rita Grácio, Andreia C. Coutinho, Laura Falé, Maribel Sobreira

{"title":"The Art of Feminist-Queering the Museum: Gate-leaking","authors":"Rita Grácio, Andreia C. Coutinho, Laura Falé, Maribel Sobreira","doi":"10.1080/13500775.2020.1873522","DOIUrl":"https://doi.org/10.1080/13500775.2020.1873522","url":null,"abstract":"Abstract This paper takes part in the ongoing debate around how museums have begun to address LGBTQI+ and feminist issues in the 21st century. While Portugal is a particularly interesting country to consider, given that it has passed some of the most advanced legislation on LGBTQI+ rights in Europe (Santos 2012), this progressivism is not reflected in Portuguese museum practices, given that gender museology has been slow to emerge (Vaquinhas 2014). After briefly contextualising initiatives addressing gender in Portuguese art museums, we present as a case study Trazer a margem para o centro (Bringing the Margin to the Centre), a series of three talks hosted by the Berardo Collection Museum, which is considered Portugal’s primary modern and contemporary art museum. Unlike previous initiatives in art museums, which were museum-led, the series of talks was led by the small intersectional feminist collective FACA. A sociologist (Rita Grácio) and the three members of FACA (Andreia Coutinho, Laura Falé and Maribel Sobreira) designed and conducted the three talks that constitute the initiative Bringing the Margin to the Centre. Grácio designed and conducted the qualitative study of the audiences that attended Bringing the Margin to the Centre. This study consisted of participant observation at the event series, at which an adapted version of the Personal Meaning Mapping technique (Falk and Storksdieck 2005) was applied; semi-structured phone interviews with participants were then conducted after the event (Falk and Dierking 2011). The main findings show this event raised awareness among cisgender visitors with heteronormative perspectives and provided a space for counter-narratives of the queer community, showing the role of collective curatorial activism and museums in promoting gender equality and inclusiveness, if acting as gate-leakers, rather than as gatekeepers. Hence, museums can provide lessons to other organisations interested in promoting diversity and inclusion.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"72 1","pages":"200 - 211"},"PeriodicalIF":0.3,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2020.1873522","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41558467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Unpredictable Activism in Times of Uncertainty 不确定时代的不可预测的激进主义

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873515

Aylime Aslı Demir

引用次数: 0

Rereadings: Highlighting the Gender Perspective Through Hypermedia 重读：通过超媒体突出性别视角

IF 0.3 4区艺术学

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI: 10.1080/13500775.2020.1873502

Mar Gaitán, Ester Alba

引用次数: 1