Memory Gaps and Hollow Bodies. LGBTQI+ Inclusivity in the Visual Arts: Experiences in France and Quebec

IF 0.4 4区艺术学 0 ART

MUSEUM INTERNATIONAL Pub Date : 2020-11-27 DOI:10.1080/13500775.2020.1873496

V. Jourdain

引用次数: 0

Abstract

Abstract Through her experiences as a queer feminist artist and cultural worker, V. Jourdain shares some of her artistic and curatorial practices in Quebec and France. Comparing the two cultures' consideration of LGBTQI+ minorities, she illuminates a few strategies for changing practices in art and artistic labour in two French-speaking communities. In this article, V. Jourdain shares her experience in research, creation, and passing down memory by opening up a dialogue between feminist frameworks, contemporary art and LGBTQI+ archives.

查看原文本刊更多论文

记忆间隙和空心体。LGBTQI+视觉艺术的包容性：法国和魁北克的经验

摘要通过她作为酷儿女权主义艺术家和文化工作者的经历，V.Jourdain分享了她在魁北克和法国的一些艺术和策展实践。通过比较两种文化对LGBTQI+少数民族的考虑，她阐述了改变两个法语社区艺术和艺术劳动实践的一些策略。在这篇文章中，V.Jourdain通过开启女权主义框架、当代艺术和LGBTQI+档案之间的对话，分享了她在研究、创作和传承记忆方面的经验。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

MUSEUM INTERNATIONAL ART-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.