{"title":"Archival Assemblages: Conceptualism and Documentary Poetics in the Twenty-First Century","authors":"Olivia Milroy Evans","doi":"10.3368/cl.62.2.268","DOIUrl":"https://doi.org/10.3368/cl.62.2.268","url":null,"abstract":"n a note on “The Book of the Dead,” Muriel Rukeyser makes a claim that continues to guide contemporary documentary poets: “Poetry can extend the document.”1 But what does it mean for a poem to extend a document? The recent surge in critical work on documentary poetics elucidates the relationship between researchbased poems and their documents. Joseph Harrington has argued that the relationship between poems and documents works differently for documentary and conceptual poets: “documentary poetry makes use of sources rather than simply reproducing them: it combines, paraphrases, and contextualizes them.”2 Harrington’s language suggests that conceptual poets are not doing much to “extend” their documents: Kenneth Goldsmith’s Day reproduces a single issue of the New York Times without changing the text at all. Martin Earl, synthesizing the perspectives from a flurry of posts between 2007 and 2011 on the Poetry Foundation and Kenyon Review blogs about the relationship between documentary and conceptual poetics, argues that conceptual and documentary","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"62 1","pages":"268 - 275"},"PeriodicalIF":0.3,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41594003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Decolonizing the Cold War","authors":"E. Hyde","doi":"10.3368/cl.62.2.262","DOIUrl":"https://doi.org/10.3368/cl.62.2.262","url":null,"abstract":"he controlling metaphors in Monica Popescu’s At Penpoint: African Literatures, Postcolonial Studies, and the Cold War come right out of the Cold War imaginary. Popescu aims to reveal the “watermark” left by the Iron Curtain on the field of African literatures (2, 11, 26) and compares taking a Cold War view of postcolonial literary studies to applying heat or a chemical treatment to invisible ink (27, 94). These images evoke tradecraft: secret codes and hidden messages, evidence of authenticity against a background of suspicion and uncertainty. But they are also liquid metaphors and, in this sense, they aptly illuminate Popescu’s approach to her subject. In At Penpoint, the rigid binary oppositions of the Cold War period become fluid, flow in unexpected directions, and even dissolve as Popescu pursues them into the archives and texts of African literatures and literary criticism from the 1950s to the 2000s. Popescu’s biggest contribution here is historiographical: not only does she historicize African literary production during the Cold War, she also reveals the lasting effects of the Cold War on today’s intellectual concepts and commitments. The book’s structure mirrors this twostep approach to Cold War literary historiography. The first section examines African literary debates in the context of the overt cultural diplomacy and covert sponsorship programs set E M I L Y H Y D E","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"62 1","pages":"262 - 267"},"PeriodicalIF":0.3,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43940031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Sound of All Water: Petro-Culture and Black Modernity in Jesmyn Ward’s Sing, Unburied, Sing","authors":"Sara Stephens Loomis","doi":"10.3368/cl.62.2.177","DOIUrl":"https://doi.org/10.3368/cl.62.2.177","url":null,"abstract":"s fossil fuels have become increasingly necessary for life in the Anthropocene, their pervasiveness has led to changes in social experience and artistic representation, foregrounding mobility, acceleration, and the entanglement of the spectacular with the horrific. Petrocritic Imre Szeman asserts that “access to petrocarbon structures contemporary social life on a global scale” (138), making all culture essentially petroculture. The transition into this petroculture began in the midnineteenth century with the rise of oil in the United States, a change in energy regime that shifted what fueled modern society from living muscle power―beasts of burden and enslaved humans―to much more forceful nonliving power―petroleum formed from the bodies of longdead creatures. Because the energy readily available was so unprecedented, and because its rise was roughly contemporaneous with the legal emancipation of enslaved Africans, oil is often compared with its energy predecessor. The power in a gallon of oil is cited by Frederick Buell as “the equivalent of fifty ‘wellfed human slaves toiling all day’” (283). Andrew Nikiforuk argues that for a world where empires had run on slave power for millennia, it only became possible to conceive of abolition after “mechanical slaves . . . eliminated the need for widespread S A R A S T E P H E N S L O O M I S","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"62 1","pages":"177 - 206"},"PeriodicalIF":0.3,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44013948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Peter Rez, Tara Boland, Christian Elsässer, Arunima Singh
{"title":"Localized Phonon Densities of States at Grain Boundaries in Silicon.","authors":"Peter Rez, Tara Boland, Christian Elsässer, Arunima Singh","doi":"10.1017/S143192762200040X","DOIUrl":"10.1017/S143192762200040X","url":null,"abstract":"<p><p>Since it is now possible to record vibrational spectra at nanometer scales in the electron microscope, it is of interest to explore whether extended defects in crystals such as dislocations or grain boundaries will result in measurable changes of the phonon densities of states (dos) that are reflected in the spectra. Phonon densities of states were calculated for a set of high angle grain boundaries in silicon. The boundaries are modeled by supercells with up to 160 atoms, and the vibrational densities of states were calculated by taking the Fourier transform of the velocity–velocity autocorrelation function from molecular dynamics simulations with larger supercells doubled in all three directions. In selected cases, the results were checked on the original supercells by comparison with the densities of states obtained by diagonalizing the dynamical matrix calculated using density functional theory. Near the core of the grain boundary, the height of the optic phonon peak in the dos at 60 meV was suppressed relative to features due to acoustic phonons that are largely unchanged relative to their bulk values. This can be attributed to the variation in the strength of bonds in grain boundary core regions where there is a range of bond lengths.</p>","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"16 1","pages":"1-8"},"PeriodicalIF":2.8,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90480589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cruising the Real Estate of Empire: Chris Kraus's Road Novels","authors":"Myka Tucker-Abramson","doi":"10.3368/cl.62.1.67","DOIUrl":"https://doi.org/10.3368/cl.62.1.67","url":null,"abstract":"hortly after Chris Kraus’s Summer of Hate was published in 2012, fellow writer Sheila Heti interviewed Kraus for Believer magazine. The interview covered the expected topics of literary influence, being a female writer, and US politics, before taking a surprising turn when Heti asked Kraus if she had any “real estate advice” for her. Heti explained, “I think it’s ingenious to try to make money in a separate realm from your creative work, as you’ve done. Not only because it makes sense on a financial level, but because you absorb a world that you wouldn’t otherwise absorb.” While demurring from offering concrete advice, Kraus enthusiastically responded:","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"62 1","pages":"67 - 96"},"PeriodicalIF":0.3,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69590527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing Precarity: Neoliberalism and the Globalized Atlantic","authors":"N. Islam","doi":"10.3368/cl.62.1.130","DOIUrl":"https://doi.org/10.3368/cl.62.1.130","url":null,"abstract":"n a 2019 issue of South Atlantic Quarterly titled “Neoliberalism’s Authoritarian (Re)turns,” editors Jamie Peck and Nik Theodore question the usefulness of the term neoliberalism to describe our contemporary moment marked by “the tawdry array of authoritarian (re)turns that have been witnessed in various parts of the world in the decade since the global financial crisis of 2008―from Trump to Turkey, from the Brexit debacle to the Brazilian coup, and much else besides.”1 This is but one example of contemporary skepticism toward the idea of neoliberalism, especially what it means, how it is used as an idea and a practice in different ways across global contexts, and what processes it cannot adequately account for. However, even as scholars acknowledge that the meaning of neoliberalism is not always readily apparent, they remain invested in understanding its influence on the cultural sphere. Literary scholarship in this area has sought to demonstrate how neoliberalism influences not only literary form and representation, but also shifts in method and genre such as the resurgence of realism and the memoir’s rise to prominence.2 Recent work has also","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"62 1","pages":"130 - 137"},"PeriodicalIF":0.3,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49653933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}