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On the trail of the Willmott and Braikenridge manuscripts 在追踪威尔莫特和布雷肯里奇的手稿
2区 艺术学
EARLY MUSIC Pub Date : 2023-08-04 DOI: 10.1093/em/caad037
James Burke
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引用次数: 0
Arnaud du Sarrat and the international music trade in Halle and Leipzig c.1700 1700年左右，阿尔诺·杜·萨拉特与哈雷和莱比锡的国际音乐贸易
2区 艺术学
EARLY MUSIC Pub Date : 2023-07-27 DOI: 10.1093/em/caad035
Tomasz Górny
{"title":"Arnaud du Sarrat and the international music trade in Halle and Leipzig <i>c.</i>1700","authors":"Tomasz Górny","doi":"10.1093/em/caad035","DOIUrl":"https://doi.org/10.1093/em/caad035","url":null,"abstract":"Abstract Arnaud du Sarrat is known primarily as a bookseller and publisher based in Berlin, where he worked as Estienne Roger’s official agent from 1706 at the latest. This article, however, focuses on his activity in Halle between 1694/5 and 1702, when he was bookseller and bookbinder to the university. An analysis of four catalogues presents insights into the printed music available in his stores in Halle and Leipzig at the turn of the 18th century. A study is made of du Sarrat’s relationship with the Dutch book market, especially with booksellers from Amsterdam; and du Sarrat’s correspondence with Theophilus Dorrington suggests how Pietist networks also allowed for the transmission of books.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135755914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Spanish Golden Age and beyond 西班牙黄金时代及其后
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-07-27 DOI: 10.1093/em/caad017
T. Knighton
{"title":"The Spanish Golden Age and beyond","authors":"T. Knighton","doi":"10.1093/em/caad017","DOIUrl":"https://doi.org/10.1093/em/caad017","url":null,"abstract":"","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44950835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Correction to: Bach returns to Cambridge 更正:巴赫返回剑桥
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-06-16 DOI: 10.1093/em/caad002
{"title":"Correction to: Bach returns to Cambridge","authors":"","doi":"10.1093/em/caad002","DOIUrl":"https://doi.org/10.1093/em/caad002","url":null,"abstract":"","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44879224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aesthetic expression an das Clavier: performing character in the keyboard music of C. P. E. Bach 美学表现与键盘乐:巴赫键盘音乐的演奏特征
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-05-29 DOI: 10.1093/em/caad026
Kimary Fick
{"title":"Aesthetic expression an das Clavier: performing character in the keyboard music of C. P. E. Bach","authors":"Kimary Fick","doi":"10.1093/em/caad026","DOIUrl":"https://doi.org/10.1093/em/caad026","url":null,"abstract":"\u0000 The expression and interpretation of music in the North German Enlightenment was a primary concern of amateur musicians. Around the mid 18th century, influenced by the nascent discipline of aesthetics, literature on the arts and music exhibited a shift towards a psychological approach to expression rather than a rhetorical one. This article examines the notion of ‘character’ as used in aesthetics, music theory and compositions of the period, showing how it was closely linked to the moral function of art. Moving away from a rhetorical or semiotic approach that identifies a fixed character in specific genres or musical features, I argue that musical performance involved an interaction between the music’s implied character and the moral character of the musician. Case studies of two representative keyboard works by C. P. E. Bach, the Rondo I in C major (Wq.56.1/h.260) and the Fantasia in F♯ minor (Wq.67/h.300), explore ways to recover the psychological experience of character as delineated in these compositions, and discuss how an approach to expressing character could be employed by present-day performers.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43775410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hidalgo’s golden age in sound: Hispanic songs on recordings since 1966 伊达尔戈的声音黄金时代：1966年以来录制的西班牙裔歌曲
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-05-24 DOI: 10.1093/em/caad025
L. Stein
{"title":"Hidalgo’s golden age in sound: Hispanic songs on recordings since 1966","authors":"L. Stein","doi":"10.1093/em/caad025","DOIUrl":"https://doi.org/10.1093/em/caad025","url":null,"abstract":"","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48086957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Heavenly sonatas, heroic rivers and demonic dancing 天堂的奏鸣曲、英雄的河流和魔鬼的舞蹈
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-04-04 DOI: 10.1093/em/caad022
Hanna Walsdorf
{"title":"Heavenly sonatas, heroic rivers and demonic dancing","authors":"Hanna Walsdorf","doi":"10.1093/em/caad022","DOIUrl":"https://doi.org/10.1093/em/caad022","url":null,"abstract":"","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49301458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Magnificence of promises’: novelty instruments in concert in Britain, c.1750–1800 “承诺的壮丽”：英国音乐会上的新奇乐器，约1750年至1800年
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-04-04 DOI: 10.1093/em/caad012
Rachael Durkin
{"title":"‘Magnificence of promises’: novelty instruments in concert in Britain, c.1750–1800","authors":"Rachael Durkin","doi":"10.1093/em/caad012","DOIUrl":"https://doi.org/10.1093/em/caad012","url":null,"abstract":"\u0000 In this article I explore the occurrence and use of novelty musical instruments in concert in the second half of the 18th century, arguing that these instruments were used as a means of self-promotion for the performer, and in some cases were intrinsically linked with their identity as immigrant musicians in Britain. I start by examining music marketing in the 18th century, then consider what novelty means in the context of musical performance. I consider, firstly, imported musical instruments which existed in reasonable numbers in Britain, focusing on the mandolin, English guittar and viola d’amore. I then move to observe the more fleeting inventions to grace British concert rooms and theatres, including the inventions of Charles Clagget, and I draw attention to the sociocultural forces which may have encouraged their development. I conclude by surmising that even with the best marketing and inventions, the majority of novelty instruments were only ever destined for public performance as promotional tools, and not to be brought into the home for domestic music-making.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49481958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Benedicamus Domino tropes in the Birgittine Order: embellishing everyday liturgy Birgittine秩序中的Benedicamus Domino比喻：装饰日常礼拜仪式
IF 0.3 2区 艺术学
EARLY MUSIC Pub Date : 2023-04-04 DOI: 10.1093/em/caac051
Karin Lagergren
{"title":"Benedicamus Domino tropes in the Birgittine Order: embellishing everyday liturgy","authors":"Karin Lagergren","doi":"10.1093/em/caac051","DOIUrl":"https://doi.org/10.1093/em/caac051","url":null,"abstract":"\u0000 A remarkable feature of the Birgittine monastic Order is its daily use of tropes for the embellishment of an exclusively monophonic liturgy. Ferial tropes were sung in both Mass and Office and their purpose was to highlight the Marian devotion that was central to the Order’s spirituality. In the Birgittine sisters’ ferial Office liturgy, the so-called Cantus sororum, the Benedicamus Domino was a notable location for the provision of tropes, which were performed daily at Lauds and Vespers. These Benedicamus tropes are a complex mix of unica, as well as musical and textual patchworks of pre-existing and new and/or remodelled musical and textual material. This article explains the place and importance of Benedicamus Domino tropes in Birgittine liturgy and spirituality, illustrated by new transcriptions of the Benedicamus tropes that were consistently assigned to embellish each particular day of the week.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42609897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recataloguing Bach 重新编目巴赫
2区 艺术学
EARLY MUSIC Pub Date : 2023-03-26 DOI: 10.1093/em/caad021
Yo Tomita
{"title":"Recataloguing Bach","authors":"Yo Tomita","doi":"10.1093/em/caad021","DOIUrl":"https://doi.org/10.1093/em/caad021","url":null,"abstract":"Journal Article Recataloguing Bach Get access Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach, ed. Christine Blanken, Christoph Wolff and Peter Wollny; third enlarged and new edition (BWV3) (Wiesbaden: Breitkopf & Härtel, 2022), €459 Yo Tomita Yo Tomita y.tomita@qub.ac.uk https://orcid.org/0000-0002-6321-9910 Search for other works by this author on: Oxford Academic Google Scholar Early Music, caad021, https://doi.org/10.1093/em/caad021 Published: 26 March 2023","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135951336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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