EARLY MUSIC最新文献_第4页

Nec doctum satis: humanist translation and English recreational song 人文主义翻译与英语休闲歌曲

2区艺术学

EARLY MUSIC Pub Date : 2023-11-10 DOI: 10.1093/em/caad049

Joseph M Ortiz

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引用次数: 0

Miscellany on the London stage 杂记在伦敦舞台上

2区艺术学

EARLY MUSIC Pub Date : 2023-11-03 DOI: 10.1093/em/caad041

Thomas McGeary

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Singing nuns? More on the story of Verona 761 唱歌修女吗?更多关于维罗纳761事件的报道

2区艺术学

EARLY MUSIC Pub Date : 2023-10-31 DOI: 10.1093/em/caad032

Joshua Rifkin

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Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music Poca roba, ma buona: 16和17世纪音乐中装饰实践的记录遗产

2区艺术学

EARLY MUSIC Pub Date : 2023-10-30 DOI: 10.1093/em/caad043

Jamie Savan

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Baroque musical offerings 巴洛克音乐作品

2区艺术学

EARLY MUSIC Pub Date : 2023-10-28 DOI: 10.1093/em/caad045

David Francis

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Steffani’s Amor vien dal Destino: new answers to old questions 斯蒂芬妮的《命运之爱》:老问题的新答案

2区艺术学

EARLY MUSIC Pub Date : 2023-10-25 DOI: 10.1093/em/caad039

Colin Timms

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Early keyboard carnival 早期键盘狂欢节

2区艺术学

EARLY MUSIC Pub Date : 2023-10-13 DOI: 10.1093/em/caad047

Caoimhe Ní Riain

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Romanizing Chinese: word–tone relations in Athanasius Kircher’s China illustrata 罗马化汉语:亚他那修·基歇尔《中国插图》中的字音关系

2区艺术学

EARLY MUSIC Pub Date : 2023-08-07 DOI: 10.1093/em/caad013

Jeffrey Levenberg

{"title":"Romanizing Chinese: word–tone relations in Athanasius Kircher’s <i>China illustrata</i>","authors":"Jeffrey Levenberg","doi":"10.1093/em/caad013","DOIUrl":"https://doi.org/10.1093/em/caad013","url":null,"abstract":"Abstract When Matteo Ricci and the Jesuit missionaries landed in China in the late 16th century, they heard a language they could not readily reproduce in their own tongue. Unlike Latin and the Romance languages, Chinese is a tone language, in which the meaning of a word varies according to its relative pitch level. In order to Romanize Chinese, the Jesuits applied their knowledge of music theory and assigned solmization syllables to the Chinese tones. Although their manuscript musical dictionary remains lost, the essence of it is preserved in print in the most widely disseminated treatise on China of the time: China illustrata (1667), by the Jesuit polymath Athanasius Kircher. To date, sinologists have generally dismissed Kircher’s musical Chinese as unintelligible. Musicologists, meanwhile, having long poured over Kircher’s Musurgia universalis (1650), have yet to offer a detailed critique of China illustrata. In reapproaching this singular source in Sino-Western history, this article argues that the Jesuits’ musical representation of the Chinese language should not be rejected a priori. Kircher’s cryptic description of Chinese can, in fact, be clarified by a letter from Beijing in which a Jesuit spelled out the Chinese tones in musical staff notation. A musical analysis of the lead illustration in China illustrata—the Nestorian Stele of Xi’an—indicates that the Jesuits’ solmizations were closer approximations of Chinese than one might assume. Off-tone though it might at first appear, China illustrata is a valuable record of how the Jesuits Romanized Chinese.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135903263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

King George III and the ‘Smith Collection’ of Handel manuscripts 国王乔治三世与亨德尔手稿的“史密斯收藏”

IF 0.3 2区艺术学

EARLY MUSIC Pub Date : 2023-08-06 DOI: 10.1093/em/caad011

D. Burrows

{"title":"King George III and the ‘Smith Collection’ of Handel manuscripts","authors":"D. Burrows","doi":"10.1093/em/caad011","DOIUrl":"https://doi.org/10.1093/em/caad011","url":null,"abstract":"\u0000 The run of morocco-bound manuscript scores of Handel’s oratorios and church music from the Royal Music Library, named the ‘Smith Collection’ by William Barclay Squire in 1927, was assembled as a set for King George III in the early years of his reign. Some of the volumes have year-dates for copying from the period 1766–70, but the sequence also incorporates earlier volumes that originated from the library of the king’s father (Frederick, Prince of Wales, d.1751), partially documented in a sale advertisement by a bookseller soon after Handel’s death. Squire believed that the series had been the property of John Christopher Smith and had been given to the king with the collection of Handel’s autograph scores in the 1770s. Newly identified documents from the Royal Library, now at Windsor, record payments for the copying of many of the scores and enable an alternative reconstruction of the history of the collection under the king’s influence, beginning in 1765–6. They also raise new questions about the identity of the music copyist ‘Mr Teede’. The completion of the series took place in the early 1770s, probably before the king received the autographs. For the shelves in George III’s library the oratorios were arranged in chronological order, but the diverse origins of the volumes had the result that, although the bindings were in similar styles, their sizes were not uniform.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45334999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performer, composer and impresario: Thomas Vincent Jr. (c.1723–1798) and the oboe in London, 1748–1768 表演者、作曲家和指挥:小托马斯·文森特(约1723 - 1798)，1748-1768年在伦敦演奏双簧管

IF 0.3 2区艺术学

EARLY MUSIC Pub Date : 2023-08-06 DOI: 10.1093/em/caad001

Blake Johnson

{"title":"Performer, composer and impresario: Thomas Vincent Jr. (c.1723–1798) and the oboe in London, 1748–1768","authors":"Blake Johnson","doi":"10.1093/em/caad001","DOIUrl":"https://doi.org/10.1093/em/caad001","url":null,"abstract":"\u0000 Eighteenth-century writings about the oboe in London tend to focus primarily on two performers: Giuseppe Sammartini (1695–1750) and Johann Christian Fischer (1733–1800). As Sammartini died in 1750 and Fischer arrived in London only in 1768, this leaves much uncertain about the period of time which separated them. One of the leading oboists in the years following Sammartini’s death was Thomas Vincent Jr. (c.1723–98), a student of Sammartini’s. Vincent was later mentioned by both William Thomas Parke (1761–1847) and Charles Burney (1726–1814) as a prominent performer who was popular until the arrival of Fischer. Was Vincent a skilled performer who was eclipsed by Fischer’s more brilliant style or a performer of lesser abilities and outdated style? Or were writers such as Parke and Burney simply biased in Fischer’s favour? A study of Vincent’s performance activities, his abilities as evidenced by his compositions, and a consideration of the differing musical styles of Vincent and Fischer’s works will demonstrate that Vincent was a venerable performer-composer in his own right and that the preference for Fischer expressed by later writers was less a dismissal of Vincent than a reflection of changing musical tastes.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44775089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0