EARLY MUSIC最新文献_第2页

A response to Joshua Rifkin (‘Singing nuns? More on the story of Verona 761’) 对约书亚·里夫金(Joshua Rifkin)的《唱歌的修女?》更多关于维罗纳的故事(1961年)

IF 0.3 2区艺术学

EARLY MUSIC Pub Date : 2023-11-18 DOI: 10.1093/em/caad034

Laurie Stras

引用次数: 0

An ingenious musical machine from the imagination of Leonardo da Vinci 一个出自达芬奇想象的精巧的音乐机器

IF 0.3 2区艺术学

EARLY MUSIC Pub Date : 2023-11-17 DOI: 10.1093/em/caad038

Walter Chinaglia

{"title":"An ingenious musical machine from the imagination of Leonardo da Vinci","authors":"Walter Chinaglia","doi":"10.1093/em/caad038","DOIUrl":"https://doi.org/10.1093/em/caad038","url":null,"abstract":"This article is based on a talk I was asked to give during the conference Leonardo, la musica, la scena (Leonardo: the music and the scene) held at the Accademia di Brera, Milan, in November 2019. On that occasion I was able to illustrate my wooden reconstruction of Leonardo’s portative organ, as illustrated on fol.76r of the codex Madrid II. In the article I present and analyse Leonardo’s drawings of this organ in their original context, as well as exploring the distinctive traits of the instrument. With the aim of making possible a historically informed reconstruction, I identify an appropriate interpretative methodology and principles of construction consistent with the historical period in which Leonardo worked, both as musicus and maker of instruments. At the same time I trace an analogy with the portative organ of the late Middle Ages. For this instrument, which works in a very similar way to the late medieval portative organ, some traits have been derived from the portative organ, in particular the scaling of the pipes. Finally, individual parts of Leonardo’s organ design are interpreted and their modern reconstruction illustrated, leading to the presentation of the complete instrument.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":"17 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138540693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ubiquitous music in Newcastle 纽卡斯尔无处不在的音乐

IF 0.3 2区艺术学

EARLY MUSIC Pub Date : 2023-11-16 DOI: 10.1093/em/caad044

Amanda Eubanks Winkler

引用次数: 0

Nec doctum satis: humanist translation and English recreational song 人文主义翻译与英语休闲歌曲

2区艺术学

EARLY MUSIC Pub Date : 2023-11-10 DOI: 10.1093/em/caad049

Joseph M Ortiz

{"title":"<i>Nec doctum satis</i>: humanist translation and English recreational song","authors":"Joseph M Ortiz","doi":"10.1093/em/caad049","DOIUrl":"https://doi.org/10.1093/em/caad049","url":null,"abstract":"Abstract Studies of the literary dimensions of English Renaissance madrigals frequently cordon off these works from non-musical forms, such as the prosodic experiments being carried out by humanist poets or the humanist practices of literary translation and imitation. Conversely, studies of humanist translation in England almost never consider recreational song, instead focusing exclusively on more ‘serious’ genres. However, several collections of recreational song published in the period present these songs as legitimate humanist works. In some cases, these collections offer the first English translations of classical and Renaissance poems. Nicholas Yonge’s Musica transalpina (1588) and Thomas Watson’s Italian madrigalls Englished (1590), for example, call attention to their translations of eminent Italian poets (Petrarch, Ariosto, Tasso) and address themselves to classically learned readers. The humanist character of such anthologies was well enough known to be satirized by Thomas Weelkes in his Ayeres and phantasticke spirites (1608), whose classical references have seldom been seriously considered. At the heart of these exchanges is an implicit debate over whether recreational song texts are an appropriate vehicle for humanist learning.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":" 571","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135185975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Miscellany on the London stage 杂记在伦敦舞台上

2区艺术学

EARLY MUSIC Pub Date : 2023-11-03 DOI: 10.1093/em/caad041

Thomas McGeary

引用次数: 0

Singing nuns? More on the story of Verona 761 唱歌修女吗?更多关于维罗纳761事件的报道

2区艺术学

EARLY MUSIC Pub Date : 2023-10-31 DOI: 10.1093/em/caad032

Joshua Rifkin

引用次数: 0

Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music Poca roba, ma buona: 16和17世纪音乐中装饰实践的记录遗产