{"title":"Miscellany on the London stage","authors":"Thomas McGeary","doi":"10.1093/em/caad041","DOIUrl":null,"url":null,"abstract":"Journal Article Miscellany on the London stage Get access Alison C. DeSimone, The power of pastiche: musical miscellany and cultural identity in early eighteenth-century England. Studies in British Musical Cultures (Clemson, SC: Clemson University Press, 2021), $143 Thomas McGeary Thomas McGeary thomas_mcgeary@hotmail.com https://orcid.org/0000-0001-8337-7361 Search for other works by this author on: Oxford Academic Google Scholar Early Music, caad041, https://doi.org/10.1093/em/caad041 Published: 03 November 2023","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/em/caad041","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Journal Article Miscellany on the London stage Get access Alison C. DeSimone, The power of pastiche: musical miscellany and cultural identity in early eighteenth-century England. Studies in British Musical Cultures (Clemson, SC: Clemson University Press, 2021), $143 Thomas McGeary Thomas McGeary thomas_mcgeary@hotmail.com https://orcid.org/0000-0001-8337-7361 Search for other works by this author on: Oxford Academic Google Scholar Early Music, caad041, https://doi.org/10.1093/em/caad041 Published: 03 November 2023
期刊介绍:
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. Each beautifully-presented issue contains a wide range of thought-provoking articles on performance practice. New discoveries of musical sources, instruments and documentation are regularly featured, and innovatory approaches to research and performance are explored, often in collections of themed articles.