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The Matter of Poetry 诗歌的问题
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.11
S. Heim
{"title":"The Matter of Poetry","authors":"S. Heim","doi":"10.2979/jmodelite.45.4.11","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.11","url":null,"abstract":"Abstract:Focusing on contemporary long poems that use documentary sources, Michael Leong's Contested Records theorizes a genre he names \"documental poetry.\" Taking a \"cultural formalist\" approach to these works, Leong brings rigorous attention to the forms, sources, and poetic activities of some of the most controversial recent poems including Amiri Baraka's \"Somebody Blew Up America\" and Kenneth Goldsmith's \"The Body of Michael Brown.\" Ultimately, Leong uses documental poetry to argue persuasively about the nature, use, and relevance of poetry to social, political, and cultural life.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42117685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Her songs are raised like fists": The Caoineadh Tradition in Paul Muldoon's Lamentations “她的歌像拳头一样举起来”：保罗·马尔顿的哀歌中的Caoineadh传统
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.06
Wit Píetrzak
{"title":"\"Her songs are raised like fists\": The Caoineadh Tradition in Paul Muldoon's Lamentations","authors":"Wit Píetrzak","doi":"10.2979/jmodelite.45.4.06","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.06","url":null,"abstract":"Abstract:Throughout Lamentations (2017), a volume of translation from Irish as well as original compositions, Paul Muldoon reworks the poetics of the traditional Irish caoineadh (keen, lament). Ranging from a cry of the grief-stricken woman that nevertheless celebrates life in the case of \"The Lament for Art O'Leary,\" to a self-elegiac song of protest in \"Songs from Typhoid Mary,\" all the way to a keen over the collapse of an individual caught in the throes of a crisis-ridden country, thematized in \"Ólagon,\" Muldoon shows the enduring applicability of the genre to address the oppression of an individual by systemic forces.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44127601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"All Aboard for Natchez, Cairo, and St. Louis": Minstrelsy and Conversion in T.S. Eliot's Ash-Wednesday “为纳切兹、开罗和圣路易斯而上”：T.S.艾略特的《灰烬星期三》中的Minstrelsy和Conversion
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.03
J. Pizza
{"title":"\"All Aboard for Natchez, Cairo, and St. Louis\": Minstrelsy and Conversion in T.S. Eliot's Ash-Wednesday","authors":"J. Pizza","doi":"10.2979/jmodelite.45.4.03","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.03","url":null,"abstract":"Abstract:An important inspiration for T.S. Eliot's Ash-Wednesday is the minstrel comedy of The Two Black Crows. Both puzzling and obscure, this inspiration has not yet received the critical attention it deserves. By reading Eliot's interest in minstrel comedy alongside his concurrent religious conversion and change of citizenship, a fuller understanding of the poet's attempt to transform earlier influences into a new, Christian identity can emerge. In this way, minstrelsy proves to be an essential source of inspiration for both his early, pre-conversion writing, as others have shown, as well as for his later work as a conservative polemicist and religious poet.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48983374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
John Berryman's Blackface Jokes: The Insights of Literary Failure 约翰·贝里曼的《黑脸笑话:文学失败的洞见》
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.04
Nathaniel Mills
{"title":"John Berryman's Blackface Jokes: The Insights of Literary Failure","authors":"Nathaniel Mills","doi":"10.2979/jmodelite.45.4.04","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.04","url":null,"abstract":"Abstract:Blackface minstrelsy is a major presence in John Berryman's The Dream Songs. Critics have debated whether Berryman's use of blackface minstrel conventions undermines or reproduces the racist ideological work of this cultural form. However, in Dream Song 40 and Dream Song 68, Berryman embarks on a related yet distinct project: a purportedly authentic, and unsuccessful, representation of Black personhood rather than a rendering of minstrel tropes. These two poems' complex failures in speaking of and for Black subjectivity and experience position Blackness as a site of opacity, negation, and social death: a presence that can't be represented or made the material of literary figuration. In this manner, they stage a challenge to postwar liberal narratives of racial amelioration, revealing how American social and symbolic orders themselves are predicated on racial abjection.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47163752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Charles Reznikoff's Testimony of the Dead 查尔斯·雷兹尼科夫的死者证言
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.07
Dalia Bolotnikov Mazur
{"title":"Charles Reznikoff's Testimony of the Dead","authors":"Dalia Bolotnikov Mazur","doi":"10.2979/jmodelite.45.4.07","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.07","url":null,"abstract":"Abstract:Charles Reznikoff assembles Testimony: The United States (1885–1915): Recitative from three decades of court witness reports. Stemming from his legal experience and his family history of loss, Reznikoff's methods of constructing Testimony, as archived in his notes, drafts, and correspondence, illuminate the work as his literary form of Kaddish, the mourner's prayer in Judaism. The poetic volumes express mourning for the lives he encounters in court documents: suppressed, recurring narratives, emblematic of the country's political and socioeconomic conditions. As the past resonates through Reznikoff's verse, the poetry's formal qualities stimulate grief in present audiences. Testimony takes readers through a process of mourning across time: listening to the lost voices of the dead, grieving the accumulated losses, and moving forward with a desire to remedy past injustices—bearing losses of the past to feel the urgency of a more just future.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49522686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ezra Pound and Mang Ke (芒克): Image, Affect, and Consumerism in Western and Chinese Modernism 庞德与莽客:西方与中国现代主义的形象、情感与消费主义
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.02
Tiao-Hsin Wang, R. Schleifer
{"title":"Ezra Pound and Mang Ke (芒克): Image, Affect, and Consumerism in Western and Chinese Modernism","authors":"Tiao-Hsin Wang, R. Schleifer","doi":"10.2979/jmodelite.45.4.02","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.02","url":null,"abstract":"Abstract:\"Modernist\" culture is a complex constellation of cultural phenomena—the qualities of economic goods based upon desire rather than need, aesthetics and experiential values, horizons of possible ways to understand the world, and social formations—that effect and assign value to human experience. The growing imbrication of consumerism with poetics can be seen both in the poetry of the late twentieth-century Chinese poet, Mang Ke (芒克, 1950-) and Ezra Pound (1885–1972) and their respective poetic movements: menglong (朦胧; \"misty\" or \"obscure\") poetry in China in the late twentieth century and the poetry of Imagism in the early twentieth century in the West. Juxtaposing these poets and movements shows that the spirit of modernism, once caught within material, historical and economic phenomena, does not belong to any particular culture. Its conjunction of relations among things creates the conditions of sensibilities for emerging affects imbricated with new modalities of feeling, understanding, and social organization.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43720005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"I for i and i for I": Susan Howe's That This and the Relational Self “我为我，我为我”:Susan Howe的《That This and the Relational Self》
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.08
S. Heim
{"title":"\"I for i and i for I\": Susan Howe's That This and the Relational Self","authors":"S. Heim","doi":"10.2979/jmodelite.45.4.08","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.08","url":null,"abstract":"Abstract:Susan Howe's use of raw personal experience in her 2010 volume That This should be understood as part of her interdisciplinary investigation into the work of some of her central inspirations: Charles Sanders Peirce, Jonathan Edwards, and Ralph Waldo Emerson. Diving deeply into their ideas—in particular Peirce's explorations of grammatical connection and Edwards's typology—Howe uses the tools specific to poetry (including typography, juxtaposition, and metaphor) to extend their thinking and make visceral to readers the relational nature of the self. In so doing, she develops an understanding of poetry as work that combines knowledge with emotional power.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48808704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frank Stanford's Rural Avant-Garde: Infrastructure, Mediation, and Poetic Community 弗兰克·斯坦福的乡村先锋花园：基础设施、中介和诗歌社区
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.09
Martyn Cain
{"title":"Frank Stanford's Rural Avant-Garde: Infrastructure, Mediation, and Poetic Community","authors":"Martyn Cain","doi":"10.2979/jmodelite.45.4.09","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.09","url":null,"abstract":"Abstract:Frank Stanford was an Arkansas-based poet who produced a substantial corpus of poetry through the 1970s. His best-known work, The Battlefield Where the Moon Says I Love You (1977), narrates the ways that mass media technologies and state infrastructures shaped regionalism and social structure in the post-1945 rural US South. The afterlife of Stanford's writing has been subject to its own form of mediation: from Stanford's death in 1978 up until the present, a cult following has kept his work in print through communal practices—trading photocopied manuscripts, participating in marathon readings of Battlefield, and organizing Frank Stanford festivals. While the aura surrounding Stanford has often disassociated him from the structures and communities that shaped his writing, both his work and its legacy disclose the institutional, mediatic, and infrastructural forms that enable rural avant-garde poetic practice.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49321342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Gentleness: Rilke's Hands 论温柔:里尔克的手
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI: 10.2979/jmodelite.45.4.05
H. Schweizer
{"title":"On Gentleness: Rilke's Hands","authors":"H. Schweizer","doi":"10.2979/jmodelite.45.4.05","DOIUrl":"https://doi.org/10.2979/jmodelite.45.4.05","url":null,"abstract":"Abstract:Both in his poems and his letters, Rainer Maria Rilke presents himself as a passionate apologist for gentleness—to such a degree that, as he repeatedly insists, even one's own death should be gently borne and affirmed throughout one's life. The seventh sonnet of the second series of The Sonnets to Orpheus performs an allegory of this gentle dying that a good life is—cut flowers laid out on a garden table are tended by girls' hands. The allegory extends to the poet's writing, which is a version of the girl's ministrations, just as the form of the sonnet is a rendition of the gentle arrangement of the flowers on the table. Flowers and humans, Rilke claims, have a special kinship in their brevity, their vulnerability, their need for gentleness. Perhaps writing or reading a poem, such are the implications, can be an exercise in gentleness, for poems, too, are brief and vulnerable.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47180107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Modernist Women’s Writing and the Gift of Literature 现代主义女性写作与文学馈赠
IF 0.2 3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2022-07-01 DOI: 10.2979/jmodelite.45.3.13
Tim Clarke
{"title":"Modernist Women’s Writing and the Gift of Literature","authors":"Tim Clarke","doi":"10.2979/jmodelite.45.3.13","DOIUrl":"https://doi.org/10.2979/jmodelite.45.3.13","url":null,"abstract":"Abstract:In Returning the Gift: Modernism and the Thought of Exchange, Rebecca Colesworthy shows how modernist women writers placed the concept of the gift at the center of their aesthetic projects and used it to interrogate the social possibilities of life under capitalist conditions. Countering widespread critical and theoretical tendencies to overlook women’s contributions to gift discourse and to essentialize generosity as an inherently “ feminine” gift, Colesworthy places literary studies and sociology in productive dialogue that achieves an effective balance between historicization and theoretical rigor. Throughout the book’s five chapters, she examines a diversity of texts, including novels, memoirs, and sociological treatises, with a particular focus on Marcel Mauss’s The Gift: The Form and Reason for Exchange in Archaic Societies, Virginia Woolf’s Mrs. Dalloway, Jean Rhys’s After Leaving Mr. Mackenzie, Gertrude Stein’s Ida A Novel, and H.D.’s The Gift.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46404352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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