{"title":"“Going Dead Slow”: Joseph Conrad’s Writing the Now, a review of Yael Levin, Joseph Conrad: Slow Modernism","authors":"Christopher Gogwilt","doi":"10.2979/jmodelite.46.1.11","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.11","url":null,"abstract":"Abstract:Joseph Conrad: Slow Modernism offers a new way of reading Conrad’s place in modernism, focusing on those moments in his writing that slow down narrative and register experience outside conventional measurements of time and space. The book aligns its reading of Conrad with a critical tradition of French theory and postmodern literary practice, situating itself alongside recent Conrad studies that engage poststructuralist theory at the intersection of narratology, poststructuralism, and disability studies.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41683398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Derridean Deconstruction and Modernist Writer-Sons","authors":"Ashley Byczkowski","doi":"10.2979/jmodelite.46.1.13","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.13","url":null,"abstract":"Abstract:In Modernism, Self-Creation, and the Maternal, James Martell creatively explores the connections and tensions between the Derridean logics of obsequence (via being born of the mother) and of pregnancy, and moments when the notion of the mother or the maternal appear in seminal modernist works by primarily Baudelaire, Derrida, and Beckett, but also Joyce, Rimbaud, Mallarmé, Rousseau, Rilke, Proust and Poe.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41439798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Borges Ethically","authors":"Shea Hennum","doi":"10.2979/jmodelite.46.1.02","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.02","url":null,"abstract":"Abstract:Although critics and lay readers have understood Jorge Luis Borges as an asocial and abstract thinker, their position has produced a reductive conception of Borges that obscures his most original aesthetic and philosophical ideas. Reconsidering Borges through three of his most famous stories—“The Garden of Forking Paths,” “A Survey of the Works of Herbert Quain,” and “Pierre Menard, Author of the Quixote”—reveals a philosophy of reading that, in classic Borges fashion, doubles as a philosophy of ethics. Understanding these philosophies as one and the same makes possible a fresh view of Borges’s aesthetic games and his interest in human interaction.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45561594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"American Fascism and the Historical Underpinnings of Kurt Vonnegut’s Mother Night","authors":"Susan A. Farrell","doi":"10.2979/jmodelite.46.1.09","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.09","url":null,"abstract":"Abstract:Kurt Vonnegut’s work, with the exception of Slaughterhouse-Five, is often dismissed as too simply written, too whimsical, and too reliant on genre-specific forms to be considered serious literature. His 1962 novel Mother Night is no exception; even Vonnegut scholars tend to emphasize the book’s absurdity and the cartoonish nature of its characters. But previously neglected historical background reveals parallels between Vonnegut’s characters and specific real-life American fascists active in the 1930s and 40s. Mother Night engages deeply and meaningfully with American history as it exposes the bona fide danger of a virulently fascist and white supremacist underbelly in America that did not disappear with the defeat of the Nazis in 1945.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42597604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unlucky Jim: Conrad, Chance, Ethics","authors":"David Dwan","doi":"10.2979/jmodelite.46.1.01","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.01","url":null,"abstract":"Abstract:Conrad’s fiction often focuses on luck, particularly on moral luck—those happenings that exceed our control but affect our standing in the world nonetheless. Such luck has a key bearing on the moral intelligibility of plot and character in Lord Jim. This is a novel that supports two sides of a paradox: morality should and should not be influenced by the vagaries of luck. There is no obvious resolution to this double vision in Conrad and it leads him to question the coherence of morality as a general system. He also doubts—however paradoxically—its basic fairness. If luck is all-pervasive, then justice itself is unjust.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42475879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Revitalizing Close Reading","authors":"Ali AlYousefi","doi":"10.2979/jmodelite.46.1.14","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.14","url":null,"abstract":"Abstract:Modernism and Close Reading, a book of collected essays edited by David James, provides a much-needed reassessment of close reading’s history and a projection for its potential future. While close reading has suffered many attacks in the recent reading method debates, the first part of this book shows that close reading had a more complex history than is often portrayed, including multiple manifestations and possible points of origin. The second part of the book then looks at how close reading can be rethought to remain productive in literary studies today.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44614950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Secularizing Work of the Novel: Modernist Form and Ian McEwan’s Saturday","authors":"J. Dudley","doi":"10.2979/jmodelite.46.1.05","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.05","url":null,"abstract":"Abstract:Studies of Ian McEwan’s novels have demonstrated his engagements with modernist form and neuroscience, but they have not attended to how he draws these two together with a specific purpose: to put the novel to work for secularizing ends, understood as challenging and surpassing religion and the supernatural as sources of meaning. What draws McEwan to Virginia Woolf and James Joyce is not simply modernist form per se, but its secularizing potential, though one McEwan sees as incompletely realized. McEwan’s novel Saturday (2005) completes the secularizing work of modernist form by grounding it in materialist, brain-based cognition, a reading of the novel supported by a genetic view of McEwan’s notebooks and drafts. Saturday, and McEwan’s fiction generally, emerge as much more stridently secular than recent studies of his work’s sincerity and commitment suggest. Identifying this set of affiliations across the modern and contemporary novel further develops the form’s secular genealogy.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46522485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Conrad’s Unpublished Trilogy: “Youth,” Heart of Darkness, and Lord Jim","authors":"J. Warodell","doi":"10.2979/jmodelite.46.1.07","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.07","url":null,"abstract":"Abstract:Conrad wrote “Youth,” Heart of Darkness, and Lord Jim to be published as a trilogy. Two months before Conrad finished Lord Jim, his publisher informed him that it was financially unviable to publish the three works together. To date, Conrad’s intended trilogy remains unpublished as a homogenous book, and underexplored. Critics have only given the structure of the trilogy passing mention. Read as a composite novel in the order Conrad intended, all three works offer a developing perspective on how steam affected merchant sailing. The placement of “Youth” before Lord Jim contrasts the sea-life of light literature with the grimy reality of industrial seafaring. As if Conrad intended to create a self-reflective contrast in style and genre, Heart of Darkness and the first half of Lord Jim are framed by “Youth” and the Patusan romance, which respectively begin and end the trilogy.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44141531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Emergence of Resemblances between People: Stein’s Diagrams in The Making of Americans","authors":"Howard D. Fisher","doi":"10.2979/jmodelite.46.1.08","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.08","url":null,"abstract":"Abstract:While recent scholarship on Gertrude Stein’s The Making of Americans uncovers the historical consciousness buried beneath its taxonomy of human “ kinds,” criticism lacks a vocabulary to link the writing’s abstract and indeterminate forms to its cultural representations. Analyzing the novel and Stein’s studies of others’ behavior through the conceptual lens of linguistic anthropology shows that her aesthetic idiom invokes social forms by emphasizing certain poetic structures of everyday discourse. More specifically, Stein composes Americans around a principle of diagrammatic signification whereby resemblances between people in terms of “ kinds” or “natures” are projected from ritual structures of interaction. For Stein, then, intelligible kinds are a cultural product of repetitive semiotic activity. Recognizing the social and historical currency of the novel’s non-denotational modes of meaning shifts the conversation about her writing further toward a consideration of how its linguistic indeterminacy contributes to a critique of normative social forms.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46128999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ordinary Language for Extraordinary Loss","authors":"M. Boyd","doi":"10.2979/jmodelite.46.1.04","DOIUrl":"https://doi.org/10.2979/jmodelite.46.1.04","url":null,"abstract":"Abstract:Scholarship has established the difficulty of expressing the seemingly inexpressible experience of traumatic loss. Nevertheless, there are texts that enable expression despite this difficulty. They endow expansive, elusive concepts of loss with worthy articulation. Putting trauma theory in conversation with ordinary language philosophy illuminates how such moments become conceivable. Examples from a literary tradition that stretches from Virginia Woolf to Samuel Beckett to Lydia Davis construct a potent and a public space for this work. Literature is therefore able to create new forms of utterance from which ordinary meaning gains a purchase on the extra-ordinary.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47557609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}