“她的歌像拳头一样举起来”:保罗·马尔顿的哀歌中的Caoineadh传统

IF 0.1 3区 文学 0 LITERATURE
Wit Píetrzak
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引用次数: 0

摘要

摘要:在《哀歌》(2017)中,保罗·马尔顿(Paul Muldoon)改写了传统爱尔兰诗歌(敏锐,哀歌)的诗学。从《为阿特·奥利里哀歌》中悲痛欲绝的女人的哭泣,到《伤寒玛丽之歌》中的自我挽歌抗议,再到对一个陷入危机国家痛苦的个人崩溃的强烈关注,马尔顿在《奥拉贡》中以主题化,展示了该类型在解决系统性力量对个人的压迫方面的持久适用性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Her songs are raised like fists": The Caoineadh Tradition in Paul Muldoon's Lamentations
Abstract:Throughout Lamentations (2017), a volume of translation from Irish as well as original compositions, Paul Muldoon reworks the poetics of the traditional Irish caoineadh (keen, lament). Ranging from a cry of the grief-stricken woman that nevertheless celebrates life in the case of "The Lament for Art O'Leary," to a self-elegiac song of protest in "Songs from Typhoid Mary," all the way to a keen over the collapse of an individual caught in the throes of a crisis-ridden country, thematized in "Ólagon," Muldoon shows the enduring applicability of the genre to address the oppression of an individual by systemic forces.
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