卡住的东西:艾略特笔下的海洋附着物

IF 0.1 3区 文学 0 LITERATURE
R. Murray
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引用次数: 0

摘要

摘要:T。S.艾略特被海洋生物的形式所吸引,尤其是那些紧紧抓住的生物。从古代甲壳类动物的“破烂爪子”到“精致的藻类和海葵”的稳固立足点,艾略特的作品中充满了生物,它们的本能是在大海抛来抛去时“紧紧抓住”它们。艾略特的海洋意象与他对依恋的可能性的思考息息相关——这一想法与他长期以来作为超然诗人的批评声誉背道而驰。从早期阅读生物学文本到晚期的批判性写作,艾略特的作品展示了对依恋的反复兴趣,这使我们对他的美学理解变得复杂和丰富。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Things that Cling: Marine Attachments in Eliot
Abstract:T.S. Eliot was captivated by marine life forms, particularly creatures that cling. From the “ragged claws” of ancient crustaceans to the firm foothold of the “delicate algae and the sea anemone,” Eliot’s writing is full of creatures whose instinct is to “ hold on tight” while the sea tosses them about. Eliot’s marine imagery is bound up with his thinking about the enabling possibilities of attachment—an idea that runs counter to his longstanding critical reputation as a poet of detachment. From his early reading of biological texts to his late critical writing, Eliot’s work demonstrates a recurrent interest in attachment that serves to complicate and enrich our understanding of his aesthetics.
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