NEOPHILOLOGUS最新文献_第2页

“von kindlichen Träumen belogen”: Joachim Ringelnatz’ (ent-)idealisierte Märchenwelt "被幼稚的梦想欺骗"：约阿希姆-林格纳茨（去）理想化的童话世界

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-05-20 DOI: 10.1007/s11061-024-09806-y

Maxim Duleba

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Perfil revisado: Vicente Aleixandre, Antonio Machado y otros lectores de Carolina Coronado en la Edad de Plata 修订版简介：维森特-阿莱克桑德雷、安东尼奥-马查多和《白银时代的卡罗莱纳-科罗纳多》的其他读者

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-05-15 DOI: 10.1007/s11061-024-09805-z

Estefanía Cabello

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Virtuelle Metamorphosen - Zur Subversion der Selbstoptimierung in Kevin Kuhns Roman Hikikomori 虚拟蜕变--论凯文-库恩的小说《蛰居者》中自我优化的颠覆

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-05-02 DOI: 10.1007/s11061-024-09809-9

Stephan Resch

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“I Demand the Friendship of Zoroaster”: William Godwin and World Literature of Friendship "我要求琐罗亚斯德的友谊威廉-戈德温与世界友谊文学

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-04-12 DOI: 10.1007/s11061-024-09804-0

Sungjin Shin

{"title":"“I Demand the Friendship of Zoroaster”: William Godwin and World Literature of Friendship","authors":"Sungjin Shin","doi":"10.1007/s11061-024-09804-0","DOIUrl":"https://doi.org/10.1007/s11061-024-09804-0","url":null,"abstract":"The debate about world literature holds a prominent place in national and comparative literary studies today. However, despite its significance, critics have yet to reach a consensus on how to address its challenges, which include its methodology, the vast volume of texts, uneven circulation, and difficulties of translation. This essay examines the concerns of world literature through the lens of William Godwin’s philosophy on history writing. While Godwin’s historical perspective has not been widely discussed in relation to world literature, his reflections on history and history writing that resist a comparative approach to universal history engage with similar issues found in the debates on world literature. Delving into Godwin’s writings on history, which challenge distant approaches to history and stress the importance of the individual and the particular, this essay argues that Godwin’s pursuit of a purposeful and intimate relationship with the past offers important insights for addressing the issues of world literature. In particular, Godwin’s emphasis on the purpose of studying history and his affectionate approach toward the temporal “other” provide helpful directions in forming respectful relationships with the geographical and ethnic “other” and their literature. Godwin’s pursuit of deep knowledge and friendship with the inspiring past proposes a valuable alternative to seeking systematic incorporation of the other’s literature or unthinkingly expanding world literary canon.","PeriodicalId":44392,"journal":{"name":"NEOPHILOLOGUS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140560181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Edward Garnett and Arnold Bennett: The Publisher’s Reader and a Budding Novelist 爱德华-加内特和阿诺德-班尼特：出版商的读者和崭露头角的小说家

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-04-04 DOI: 10.1007/s11061-024-09801-3

William Baker, Peter Henderson

{"title":"Edward Garnett and Arnold Bennett: The Publisher’s Reader and a Budding Novelist","authors":"William Baker, Peter Henderson","doi":"10.1007/s11061-024-09801-3","DOIUrl":"https://doi.org/10.1007/s11061-024-09801-3","url":null,"abstract":"Four hitherto unpublished letters from Edward Garnett (1868–1936) to Arnold Bennett (1867–1931), dated 26 February and 6 March 1902, and 27 November and 29 December 1908, throw light on Garnett’s perspicuity as a publisher’s reader for Duckworth and on the earliest reactions to Anna of the Five Towns, the novel that put Bennett on the map as a writer of fiction. Garnett had caveats: the suicide of Willie Price should be cut and in places, the novel was “over prosaic”. However, it gave Garnett and his wife, Constance Garnett (1861–1946), translator of Turgenev—an author that also interested Bennett—“enormous pleasure” and was strongly recommended. Bennett resisted making the changes and Anna was published by Chatto & Windus, who offered a higher royalty. It had a laudatory reception. The letters—the first pages of which are included in the article as an illustration of each transcription—illuminate Garnett and Bennett, their attitudes, and other literature they encountered. In 1902 Bennett was the supplicant, hoping to persuade Duckworth to publish his work, but by 1908 the correspondence is between equals. Thereafter it was Bennett who was the established figure in the literary world.","PeriodicalId":44392,"journal":{"name":"NEOPHILOLOGUS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140559977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Arrojóse el mancebito/al charco de los atunes” de Luis de Góngora y la representación paródica del héroe-galán mitológico. Luis de Góngora 的 "Arrojóse el mancebito/al charco de los atunes "以及对神话英雄--galán 的戏仿表现。

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-03-22 DOI: 10.1007/s11061-024-09798-9

Teresa Gelardo-Rodríguez

引用次数: 0

Metaphors in the Muspilli 马斯皮里的隐喻

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-03-15 DOI: 10.1007/s11061-024-09803-1

Tina Marie Boyer

引用次数: 0

Cervantes y los servicios de inteligencia: Espías e informantes en “La gitanilla” 塞万提斯与情报部门：《吉坦尼拉》中的间谍与告密者。

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-02-28 DOI: 10.1007/s11061-024-09799-8

Matías A. Spector

引用次数: 0

Effeminate Bodies, Individual Confusion and National Crisis: A Comparative Analysis of Robert Musil’s Die Verwirrungen des Zöglings Törleß and Yu Dafu’s “Boundless Night” 畸形身体、个人困惑与民族危机：罗伯特-穆西尔的《蝶恋花》与郁达夫的《夜色无边》比较分析

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-02-27 DOI: 10.1007/s11061-023-09797-2

Xiaohua Jiang

引用次数: 0

Dante, American-Style: Seymour Chwast’s Graphic Adaptations of the Divine Comedy and European Literature 但丁，美国风格：西摩-丘瓦斯特对《神曲》和欧洲文学的图画改编

IF 0.2 3区文学

NEOPHILOLOGUS Pub Date : 2024-02-24 DOI: 10.1007/s11061-024-09802-2

Guylian Nemegeer, Mara Santi

{"title":"Dante, American-Style: Seymour Chwast’s Graphic Adaptations of the Divine Comedy and European Literature","authors":"Guylian Nemegeer, Mara Santi","doi":"10.1007/s11061-024-09802-2","DOIUrl":"https://doi.org/10.1007/s11061-024-09802-2","url":null,"abstract":"In 2010, the American graphic designer Seymour Chwast (New York, °1931) published Dante’s Divine Comedy: A Graphic Adaptation, which condenses Dante’s masterpiece into 127 pages. Previous scholarship has mainly focused on how Chwast adapts the Comedy and the specific passages he chooses to include. Chwast has been viewed as just one of many interpreters within a long tradition of Dante adaptations. However, we argue that Chwast possibly introduces a new chapter in this tradition. Specifically, he diverges from two types of Dante illustrators. Firstly, he surpasses illustrators who subordinate their work to Dante’s literary text and who simply depict images and characters from the book to visually represent and explain the text. Secondly, he deviates from artists who engage with Dante as equals, creating a work of art with double authorship, e.g., Gustave Doré. Chwast moves beyond Dante and engages primarily with American pop culture, particularly its cinematic tradition and comic books, rather than with Dante. The same process can be observed in Chwast’s other literary adaptations. Hence, in this paper, we mainly focus on Chwast’s adaptation of the Divine Comedy within the artist’s broader Americanisation of European literature. The key aspect of this process is Chwast’s cultural appropriation, wherein the literary sources disappear to make room for 20th-century American pop culture. As a result, the significance of the relation with the sources diminishes in comparison to Chwast’s main goal of representing European literature from his own American viewpoint and appealing to an American readership.","PeriodicalId":44392,"journal":{"name":"NEOPHILOLOGUS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139955532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0