Luis de Góngora 的 "Arrojóse el mancebito/al charco de los atunes "以及对神话英雄--galán 的戏仿表现。

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
Teresa Gelardo-Rodríguez
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引用次数: 0

摘要

贡戈拉的戏仿诗作《Arrojóse el mancebito》(1589 年)是贡戈拉作品中的奠基之作,因为它可能激发了一种新的美学流派,并在《皮拉莫和蒂斯贝寓言》中达到了顶峰。"Arrójose "是一个颠覆性的提议,因为它开启了对古典神话进行戏仿式重新诠释的文学可能性。通过这首诗,Góngora 乐于将悲剧英雄莱昂德罗怪诞地塑造成一个可笑的角色。这篇论文深入探讨了 1589 年的莱昂德罗这一人物形象,并强调了这一人物形象在贡戈拉文学作品中的相关性。具体而言,本研究探讨了这部浪漫主义作品中莱昂德罗的性格特征,并对这一 "曼斯比托 "的模仿如何激发了一种新的、具有反叛性的男性角色模式的产生这一观点进行了辩护。贡戈拉笔下的莱昂德罗创造了一个新的男性角色,概括了他对史诗和神话英雄的戏仿世界观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Arrojóse el mancebito/al charco de los atunes” de Luis de Góngora y la representación paródica del héroe-galán mitológico.

Góngora’s parody “Arrojóse el mancebito” (1589) is one of the foundational poems in the context of Gongora’s corpus as it may have inspired a new aesthetical vein that would culminate with his Fable of Piramo and Tisbe. “Arrójose” is an iconoclastic proposal in that it opens the literary possibility of a parodic reinterpretation of the classical myth. With this poem, Góngora takes delight in the grotesque transformation of the tragic hero, Leandro, into a ridiculous character. This contribution delves into the character of Leandro of 1589 and highlights the relevance of this character in Góngora’s literary work. Specifically, this study studies the characterization of Leandro in this romance and defends the idea of how the parody of this mancebito inspires the genesis of a new and transgressive male role model. Góngora’s Leandro creates a new male character that encapsulates his parodic worldview of the epic and mythological hero.

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来源期刊
NEOPHILOLOGUS
NEOPHILOLOGUS Multiple-
CiteScore
0.50
自引率
0.00%
发文量
29
期刊介绍: Neophilologus is an international peer-reviewed journal devoted to the study of modern and medieval language and literature, including literary theory, comparative literature, philology and textual criticism. The languages of publication are English, French, German and Spanish.
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