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Indigenous Languages and the Promise of Archives. Adrianna Link, Abigail Shelton, and Patrick Spero, eds. Lincoln: University of Nebraska Press, 2021. 517+xviii pp. ISBN 978-1-4962-2433-0. 土著语言与档案的承诺。AdrianaLink、AbigailShelton和PatrickSpero主编。林肯：内布拉斯加大学出版社，2021。517+xvii，ISBN 978-1-4962-2433-0页。
IF 0.4
Museum Anthropology Pub Date : 2022-02-14 DOI: 10.1111/muan.12250
Sarah A. Buchanan
{"title":"Indigenous Languages and the Promise of Archives. Adrianna Link, Abigail Shelton, and Patrick Spero, eds. Lincoln: University of Nebraska Press, 2021. 517+xviii pp. ISBN 978-1-4962-2433-0.","authors":"Sarah A. Buchanan","doi":"10.1111/muan.12250","DOIUrl":"10.1111/muan.12250","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"45 1","pages":"82-84"},"PeriodicalIF":0.4,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49318628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Collecting Experiences in the 1930s: Indonesian and Pacific Collections of Růžena Charlotta Urbanová in the National Museum. Fiona Kerlogue and Dagmar Pospišilová. Prague: The National Museum, 2018, 272 pp. ISBN 978-80-7036-577-9. Collecting Experiences打印《中太平洋公司》Collections of the 1930s: Indonesian, and Růžena Charlotta UrbanováMuseum边的the National打印。菲欧娜Kerlogue, and Dagmar Pospišilová。布拉格：国家博物馆，2018年，272页。ISBN 978-80-7036-577-9。
IF 0.4
Museum Anthropology Pub Date : 2022-02-14 DOI: 10.1111/muan.12247
Christina Kreps
{"title":"Collecting Experiences in the 1930s: Indonesian and Pacific Collections of Růžena Charlotta Urbanová in the National Museum. Fiona Kerlogue and Dagmar Pospišilová. Prague: The National Museum, 2018, 272 pp. ISBN 978-80-7036-577-9.","authors":"Christina Kreps","doi":"10.1111/muan.12247","DOIUrl":"10.1111/muan.12247","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"45 1","pages":"87-89"},"PeriodicalIF":0.4,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43934519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FRAMES OF REFERENCE: Cloth, Community, and Knowledge Ideology in Morocco 参考框架:摩洛哥的布料、社区和知识意识形态
IF 0.4
Museum Anthropology Pub Date : 2021-12-10 DOI: 10.1111/muan.12241
Claire Nicholas
{"title":"FRAMES OF REFERENCE: Cloth, Community, and Knowledge Ideology in Morocco","authors":"Claire Nicholas","doi":"10.1111/muan.12241","DOIUrl":"10.1111/muan.12241","url":null,"abstract":"<div>\u0000 \u0000 <p>This paper explores how one type of traditional Moroccan cloth comes to be known through different epistemological frameworks or “knowledge ideologies.” The case in question involves a rural women’s weaving cooperative and Moroccan state strategies to rationalize cloth production, which here takes the form of technical training and product development workshops. A struggle over the right to determine the present and future of cloth-making manifests in part as differing perspectives among weavers and government officials about legitimate quality assessment criteria and methods, and the appropriate color of the local cloth. At the center of these competing ways to evaluate or define traditional cloth is the question of authority: who has the right to assess quality and what aspects of their identity should factor into this right? The case of traditional weaving in Morocco underscores how “knowing” and “knowing what’s best” are thoroughly entangled in the domain of cultural heritage and its management.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"45 1","pages":"28-41"},"PeriodicalIF":0.4,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48819321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
CLASSIFICATION, CULTURE AREAS, AND GIFTING ON THE GREAT PLAINS: Remobilizing Objects of Exchange at the American Museum of Natural History 大平原上的分类、文化区域与赠予:美国自然历史博物馆的交换物品重组
IF 0.4
Museum Anthropology Pub Date : 2021-12-02 DOI: 10.1111/muan.12240
Claire Heckel
{"title":"CLASSIFICATION, CULTURE AREAS, AND GIFTING ON THE GREAT PLAINS: Remobilizing Objects of Exchange at the American Museum of Natural History","authors":"Claire Heckel","doi":"10.1111/muan.12240","DOIUrl":"10.1111/muan.12240","url":null,"abstract":"<div>\u0000 \u0000 <p>The ethnological collecting expeditions conducted by museums in the nineteenth and twentieth centuries have had impacts on source communities and on the composition and interpretation of museum collections that have been critically examined from a number of perspectives. Although categories such as ethnicity and tribal affiliation are now understood to be situational, relational, and contingent, systems of classification in museums remain in large part rigid and immutable. Concrete approaches to addressing these issues in museum collections have been slower to emerge. This article presents an approach to the description of objects, influenced by attribute analysis and thick description, that has the potential to make salient information about museum collections more accessible to source communities. With two case studies (parfleches and moccasins from the Great Plains collections at the American Museum of Natural History), this article demonstrates how collaborative object-centered inquiry can help to disentangle objects from historical systems of classification in museum settings and “remobilize” them. Moving beyond classification to document the cultural practices documented in historical material culture can aid in reconstructing the complex movements of people, objects, and ideas in the past.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"44 1-2","pages":"55-68"},"PeriodicalIF":0.4,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46916148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Classification Schemes Gone Awry: Implications for Museum Research and Exhibition Display Practices 分类方案出错:对博物馆研究和展览展示实践的启示
IF 0.4
Museum Anthropology Pub Date : 2021-11-24 DOI: 10.1111/muan.12238
Urmila Mohan, Susan Rodgers
{"title":"Classification Schemes Gone Awry: Implications for Museum Research and Exhibition Display Practices","authors":"Urmila Mohan,&nbsp;Susan Rodgers","doi":"10.1111/muan.12238","DOIUrl":"https://doi.org/10.1111/muan.12238","url":null,"abstract":"<p>Classification schemes for collecting, studying, and displaying objects in museum contexts are power-filled forms of knowledge in Foucauldian senses. When such typologies are imprecise or, more harmfully, misleading or forthrightly mistaken, a museum’s collecting practices, curatorial interpretations, and exhibition display decisions can go astray and obscure the social structural and ideological processes that produced the objects in the first place. This introductory essay explores these issues in general theoretical terms and sets the scene for our special issue’s four case studies of historically and ethnographically complex exhibitions in several museums from Manhattan to Brooklyn to Worcester, MA. The literature on the impact of colonialism on museum worlds’ systems of thought and classification is especially important. [museum typologies, curatorship, classification schemes]</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"44 1-2","pages":"4-10"},"PeriodicalIF":0.4,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"137980814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“REFUGEE LOVE” IN A COLLEGE ART GALLERY: “Refugee Crafts” in the American Political Imaginary, 2017 “难民之爱”在大学画廊:“难民工艺品”在美国政治想象，2017
IF 0.4
Museum Anthropology Pub Date : 2021-11-19 DOI: 10.1111/muan.12237
Susan Rodgers
{"title":"“REFUGEE LOVE” IN A COLLEGE ART GALLERY: “Refugee Crafts” in the American Political Imaginary, 2017","authors":"Susan Rodgers","doi":"10.1111/muan.12237","DOIUrl":"10.1111/muan.12237","url":null,"abstract":"<div>\u0000 \u0000 <p>Refugees are often mischaracterized as either “threats” to their new nations of resettlement or as remarkably virtuous, resilient “survivors” of harsh expulsions from their home countries and difficult years in refugee camps. Both imageries fall short of forced migrants’ actual lives and stories. Museums’ display practices and their interpretations of “refugee arts” can easily fall into stereotypes, especially sugary, positive ones. This case study delves into display practices that led well-intentioned curators and their student collaborators to lodge a small exhibition’s vision of refugees and their art production at superficial levels. Many universities now encourage students to conduct community-based research and display findings in campus museums. This study argues that even well-motivated shows on forced migrants’ art production should be executed with subtlety, so as to avoid inaccurate classification schemes regarding “refugee art.”</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"44 1-2","pages":"24-37"},"PeriodicalIF":0.4,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42314663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tasmanian Aboriginal Material Culture, Compensation, Belonging 塔斯马尼亚土著物质文化，补偿，归属
IF 0.4
Museum Anthropology Pub Date : 2021-11-19 DOI: 10.1111/muan.12235
Christopher D. Berk
{"title":"Tasmanian Aboriginal Material Culture, Compensation, Belonging","authors":"Christopher D. Berk","doi":"10.1111/muan.12235","DOIUrl":"10.1111/muan.12235","url":null,"abstract":"<div>\u0000 \u0000 <p>The Tasmanian Aboriginal people have historically been defined by their visible lack of stereotypical “Aboriginal” characteristics and their supposed nonexistence. This article examines how Tasmanian Aboriginal individuals are bridging such gaps through material cultural production. In thinking about how communities mobilize the past to produce themselves in the present, I argue that canoes, kelp water carriers, and shell necklaces are vehicles through which alterity and distinction are rendered concrete. As such, these processes are best understood in relation to Bell and Geismar’s “materialization” and Ingold’s “meshworks.” Despite internal debates amongst practitioners over proper methodologies and styles, revitalized culture can be productively imagined as compensation for outward shortcomings and deficiencies. Efforts at revitalizing culture are willed connections to a deep ancestral past and represent the discursive enactment of a continuity that is often otherwise conspicuous by its absence. [material culture, cultural revitalization, Indigeneity, Tasmania, Australia]</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"45 1","pages":"15-27"},"PeriodicalIF":0.4,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48366419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Echoing Exhibition Views: Subjectivity in Post-Digital Times. A. R. Practice ( Ann Richter & Agnieszka Roguski), ed. Eindoven, The Netherlands: Onomatopee, 2020. 80 pp. 呼应展览观点:后数字时代的主体性。a.r. Practice (AnnRichter & AgnieszkaRoguski)，编。荷兰Eindoven: Onomatopee, 2020。80页。
IF 0.4
Museum Anthropology Pub Date : 2021-11-12 DOI: 10.1111/muan.12234
Amanda Sorensen
{"title":"Echoing Exhibition Views: Subjectivity in Post-Digital Times. A. R. Practice ( Ann Richter & Agnieszka Roguski), ed. Eindoven, The Netherlands: Onomatopee, 2020. 80 pp.","authors":"Amanda Sorensen","doi":"10.1111/muan.12234","DOIUrl":"10.1111/muan.12234","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"44 1-2","pages":"69-70"},"PeriodicalIF":0.4,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47717846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TRACING THREADS OF HISTORY: Rediscovering Indonesian Textiles at the Brooklyn Museum 追寻历史的线索:在布鲁克林博物馆重新发现印度尼西亚纺织品
IF 0.4
Museum Anthropology Pub Date : 2021-11-12 DOI: 10.1111/muan.12236
Meghan Bill
{"title":"TRACING THREADS OF HISTORY: Rediscovering Indonesian Textiles at the Brooklyn Museum","authors":"Meghan Bill","doi":"10.1111/muan.12236","DOIUrl":"10.1111/muan.12236","url":null,"abstract":"<div>\u0000 \u0000 <p>Choices that admit things to, or omit things from, museum collections rely on institutional and individual assumptions about value, ownership, skill, history, and people. Historical decisions about what was worth collecting, how collections should be organized, who would oversee collections care, and what uses collections could serve reverberate through the years, affecting museums’ abilities to research, exhibit, and engage collections. Using recent research into one Balinese <i>slendang</i> in the Brooklyn Museum’s collection, this essay examines how the Museum’s frameworks and curatorial assumptions enabled the neglect of nearly 200 Indonesian textiles for decades. It examines how the Museum parsed collection categories, how Indonesian textiles complicated and confounded those categories, and how the ensuing inattention inadvertently enabled a well-preserved collection. By attempting to weave the textiles’ collecting histories into narratives of their embedded colonial and institutional histories, it hopes to rekindle their usefulness for scholars, for communities, and for the Museum.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"44 1-2","pages":"38-54"},"PeriodicalIF":0.4,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48966677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE INDONESIAN ALCOVE AT THE AMERICAN MUSEUM OF NATURAL HISTORY: Art, Culture Areas, and the Mead-Bateson Bali Project 美国自然历史博物馆的印尼凹室:艺术、文化区和米德-贝特森巴厘岛项目
IF 0.4
Museum Anthropology Pub Date : 2021-11-12 DOI: 10.1111/muan.12233
Urmila Mohan
{"title":"THE INDONESIAN ALCOVE AT THE AMERICAN MUSEUM OF NATURAL HISTORY: Art, Culture Areas, and the Mead-Bateson Bali Project","authors":"Urmila Mohan","doi":"10.1111/muan.12233","DOIUrl":"10.1111/muan.12233","url":null,"abstract":"<div>\u0000 \u0000 <p>Margaret Mead and Gregory Bateson were iconic figures whose contributions to visual anthropology are well documented, but what is less well known is their role as collectors and curators of Indonesian objects. The American Museum of Natural History (AMNH) houses a large Balinese collection with numerous textiles, paintings, carvings, and puppets. Some of these objects were housed in permanent exhibits, such as the AMNH’s Hall of Pacific People (HOPP), curated by Mead, or displayed temporarily in the Museum of Modern Art’s traveling exhibit, curated by Bateson. Against this backdrop, this article adds to the critical discussion of curating, anthropological history, and categorization schemes in Western museums by exploring how Bali and Java came to be so prominent in the AMNH’s Indonesian alcove. Stimulated by visitor responses to exhibits, museum archives, ethnographic notes, and actual physical displays, it traces how Mead and Bateson’s study (1936–1938) of “culture areas” and traits such as “art” in Bali influenced the representation of Indonesia. The alcove’s emphasis on art and aesthetics as forms of cultural equanimity and consistency can be related to prevailing hierarchies of religion and technological development as well as how ahistoricism became an anthropological device of freezing, categorizing, and representing. [Bali, Margaret Mead, Gregory Bateson, art, ahistoricism]</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"44 1-2","pages":"11-23"},"PeriodicalIF":0.4,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44533915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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