{"title":"National Relics: Secular Sacrality, Museums, and Heritage-Making in Nineteenth-Century Chile","authors":"Hugo Rueda Ramírez","doi":"10.1111/muan.70036","DOIUrl":"https://doi.org/10.1111/muan.70036","url":null,"abstract":"<p>This article examines how objects and bodily remains are transformed and ritualized into national relics through collecting and exhibiting practices in museums. Focusing on nineteenth-century Chile, it draws on archival sources, material culture theory, and the anthropology of religion to argue that objects associated with Chile's nation-state foundational figures have been sacralized through museological practices that closely mirror religious ritual. These relics, whether body parts, material traces, or personal belongings, function not merely as historical artifacts but as <i>secular sacra</i>: vestiges imbued with sacred national significance. The article introduces the concept of the logic of the relic to map the transformation of ordinary items into vehicles of collective memory and patriotic belief. Tracing this logic from the nineteenth century to the present, it reveals the dual role of museum practices as both secular repositories and ritual media. By challenging triumphalist narratives and questioning conventional claims about the historical value of certain materials, this study contributes to interdisciplinary debates on the role of material culture and museums in postcolonial nation-building contexts, as well as to debates on museums as sites of secular belief rather than mere representation.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 2","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/muan.70036","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147568499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Siberia. Voices From the North","authors":"Magdalena Zych","doi":"10.1111/muan.70037","DOIUrl":"https://doi.org/10.1111/muan.70037","url":null,"abstract":"<div>\u0000 \u0000 <p>The temporary exhibition called <i>Siberia. Voices from the North</i> at the Ethnographic Museum in Kraków sought to explore connections between people and their living contexts at different times and in different spaces through collected objects now kept in museum storage. Objects originating from various Siberian cultures were all brought to this southern Polish city during the late 19th century by a variety of people. Leading up to the exhibit, extensive field research conducted in 2016–2019 produced valuable knowledge and an inexhaustible trove of stories. These stories brought some of the once “silent” museum objects into a sort of new life.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147566998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Toward De-Centering Siberian Museum Anthropology","authors":"Dmitry Arzyutov, Igor Krupnik, Veronika Trotter","doi":"10.1111/muan.70035","DOIUrl":"https://doi.org/10.1111/muan.70035","url":null,"abstract":"<div>\u0000 \u0000 <p>This special issue invites anthropologists, museum curators, scholars in Indigenous studies, Indigenous heritage specialists, and historians of knowledge to reimagine the global geography of Siberian museum collections. These collections have often been overshadowed by the perceived dominance of Russian museum holdings—particularly those housed in major institutions in Saint Petersburg, such as the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera) and the Russian Ethnographic Museum. Drawing on extensive archival and field research, as well as theoretical perspectives from diverse intellectual traditions, the contributors critically re-examine the vast ethnographic collections from Siberia held in museums across the West, primarily in Europe and North America. They argue that these collections have long remained disconnected from their source communities and, paradoxically, position Western museums as “provincial” and yet highly relevant to emerging processes of knowledge (co-)production. By framing the case studies featured in this special issue within a broader theoretical context, the editors employ the concept of de-centering to uncover a reimagined geography of museum collections—one that repositions local holdings, Western institutions, and major Russian repositories within a wider, globally integrated landscape of knowledge production.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147320839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Discuss, Debate, Delay: How Museums Filibuster the Native American Graves Protection and Repatriation Act","authors":"Audrey Briana Andrews, Tanner Scot Barney","doi":"10.1111/muan.70034","DOIUrl":"https://doi.org/10.1111/muan.70034","url":null,"abstract":"<div>\u0000 \u0000 <p>Museums and federal agencies regularly circumvent requirements of the Native American Graves Protection and Repatriation Act (NAGPRA). The 2024 NAGPRA regulation updates closed some loopholes, but institutions continue to filibuster the NAGPRA process through both intention and ignorance. Instead of working toward repatriation, academics continue to theorize and write about NAGPRA. Additionally, museums and federal agencies fail to understand the definition and intentions of consultation and repatriation. Consultation initiation should occur intentionally, and all NAGPRA professionals should recognize that repatriation is about possession or control as opposed to custody. By accurately adhering to the NAGPRA process, NAGPRA practitioners may better serve Native peoples.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147323835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Through Traces: Xaverian Strategies of Including Chinese Folk Deities’ Statues in Museum Displays and Fictions in Parma, Italy","authors":"Valentina Gamberi","doi":"10.1111/muan.70033","DOIUrl":"https://doi.org/10.1111/muan.70033","url":null,"abstract":"<p>This work reflects on the presence of a desacralized Buddha statue in the Museum of Chinese Art and Ethnography, established in Parma, Italy, in 1901 by Xaverian missionaries. The Buddha's hollowed back is a potent trace of the transnational interactions between these Roman Catholic missionaries and folk believers from the Henan region (mainland China) in the early 20th century. As a trace, it is a multitemporal artifact accounting for missionary and local ambivalence toward statues of folk deities. Whilst missionaries saw the latter as a tool for their preaching practice and the target of iconoclasm, local folk believers—regardless of their religious affiliation—feared the residual spiritual potency of folk deities' statues discarded after religious conversions and iconoclasm. Traces of both approaches toward folk deities' statues emerge from missionary literary accounts and are partly retraceable in curatorial practice. Analyzing traces in missionary fiction suggests direction in provenance research blocked by inaccessible and fragmented archives.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/muan.70033","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146256245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Twice Removed”: Indigenous Siberian Ethnographic Collections in U.S. Museums","authors":"Igor Krupnik","doi":"10.1111/muan.70032","DOIUrl":"https://doi.org/10.1111/muan.70032","url":null,"abstract":"<div>\u0000 \u0000 <p>This paper explores the status of Indigenous ethnographic collections from Siberia—objects, photographic, and other heritage records—that were moved outside Russia to museums in the United States (North America). The collections now held at seven American museums are treated here as “twice removed,” that is, both geographically and intellectually, from their original homelands. This study is a response to the growing interest in the status of Siberian collections by museum and heritage professionals, and primarily by Siberian diaspora experts and cultural activists. Such collections are now viewed as a new resource that can help sustain heritage preservation in both home and diaspora communities and advance transnational collaboration. Sharing knowledge about Siberian ethnographic collections in Western museums is a rapidly growing activity aimed at co-creating knowledge with Indigenous experts and at building ways to reconnect the collections, via online access and other means, with home communities and other audiences when international connections, broken since 2022, resume.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146139242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Conflict, Calaveras, and Context: An Exhibition Event Review at the Met","authors":"Garrett Cessna","doi":"10.1111/muan.70031","DOIUrl":"https://doi.org/10.1111/muan.70031","url":null,"abstract":"<div>\u0000 \u0000 <p>On Friday September 27, 2024, The Metropolitan Museum of Art held an exhibition event entitled “Celebration and Resistance: Mexican Prints at the Vanguard,” a 1 h public program which accompanied the museum's temporary exhibition–<i>Mexican Prints at the Vanguard</i> (September 12, 2024–January 5, 2025). The goal of the event was to explore the tradition of printmaking in Mexico and its use in the spread of political ideology before, during, and after the Mexican Revolution (1910–1920). While the event provided significant sociohistorical background on many of the exhibited artworks, discourse at the event lacked in-depth discussion of Indigeneity as well as how political ideologies spread by print mediums relate to and impact Indigenous peoples and communities within Mexico. However, the event proved to be an effective advertising strategy for other upcoming Hispanic Heritage Month events at The Met, and an excellent example of bilingual Spanish-English public programming.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146083355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Meggy Merlin Mokay, Hilma Pami Putri, Haya Haratikka
{"title":"Learning to Listen in the Museum: A Personal Reflection on Participation and Power","authors":"Meggy Merlin Mokay, Hilma Pami Putri, Haya Haratikka","doi":"10.1111/muan.70030","DOIUrl":"https://doi.org/10.1111/muan.70030","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2026-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146002042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reaching for Ancestral Heritage: Sakha Collections in the Museums of the World","authors":"Tatiana Argounova-Low","doi":"10.1111/muan.70029","DOIUrl":"https://doi.org/10.1111/muan.70029","url":null,"abstract":"<p>This paper is devoted to the collections of old Sakha objects produced by Indigenous craftsmen in the north of the Russian Empire and now located in many museums around the world. For several centuries, objects representing Sakha material culture were taken away from their place of origin by explorers, scholars, collectors, and missionaries under the paradigms of “salvage ethnography,” evidence of exotic travels, specimens, and mementos. These objects ended up in museums' collections in Europe and America. This paper follows the steps of contemporary art historians, ethnographers, and museum practitioners in their efforts to access these collections. The main outcome of their sustained work that started in the early 1990s is a printed publication of a catalog featuring many of these items. The paper explores whether this output could be considered as a way to claim ownership of the objects, as well as a form of repatriation of ancestral objects. The paper contributes to the debates about access to ancestral heritage, processes of decolonization, and repatriation of Indigenous objects.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2025-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/muan.70029","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145891106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sacred but Undocumented: Meeting the Challenges of Repatriating Poorly Documented Objects","authors":"Jason M. Gibson, Michael Cawthorn, Iain Johnston","doi":"10.1111/muan.70028","DOIUrl":"https://doi.org/10.1111/muan.70028","url":null,"abstract":"<div>\u0000 \u0000 <p>What happens when sacred Indigenous objects held in international museums have no clear path home? This paper explores the challenges of repatriating poorly documented Aboriginal secret-sacred objects—known as <i>tywerrenge</i>—to central Australia. Despite limited provenance, these objects remain spiritually potent to Aboriginal custodians. Drawing on a multi-year, Indigenous-led project by AIATSIS, Deakin University, and senior central Australian men, the study consulted over 110 ceremonial leaders across nine language groups. All supported the return of <i>tywerrenge</i>, emphasizing spiritual connection over Western legal frameworks of ownership. Leaders called for repatriation to restore ancestral presence to land and community, not just to return physical items. The project culminated in a regional gathering where leaders advocated for a dedicated museum facility in central Australia, governed through adapted ceremonial protocols. The study demonstrates how Indigenous-led models can reshape global museum practice and promote culturally informed systems of care for sacred objects.</p>\u0000 </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"49 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2025-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145686157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}