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Silencing the past: Power and the production of history By Michel‐RolphTrouillot, Boston: Beacon Press. 1995 沉默的过去：米歇尔-鲁尔夫-特鲁约（Michel-RolphTrouillot）著，波士顿：灯塔出版社。1995
IF 0.4
Museum Anthropology Pub Date : 2024-09-12 DOI: 10.1111/muan.12306
Sherilyne Jones
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引用次数: 0
The “saint” of Livingstonia: Assembling, memorializing, and representation of missionary paraphernalia at the Stone House Museum in Malawi 利文斯托尼亚的 "圣人"：马拉维石屋博物馆传教士用具的组装、纪念和展示
IF 0.7
Museum Anthropology Pub Date : 2024-09-05 DOI: 10.1111/muan.12299
Comfort Tamanda Mtotha
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引用次数: 0
Diversity and philanthropy at African American museums: Black Renaissance By Patricia A. Banks, London and New York: Routledge Taylor & Francis Group. First Published 2019 by Routledge. pp. 212. ISBN: 9780367730093 (pbk), ISBN: 9780815349648 (hbk), ISBN: 9781351164368 (ebk) 非裔美国人博物馆的多样性与慈善事业：黑人文艺复兴》，Patricia A. Banks 著，伦敦和纽约：Routledge Taylor & Francis Group。Routledge 2019年首次出版，第212页。ISBN: 9780367730093 (pbk)，ISBN: 9780815349648 (hbk)，ISBN: 9781351164368 (ebk)
IF 0.7
Museum Anthropology Pub Date : 2024-09-04 DOI: 10.1111/muan.12305
Deborah Johnson-Simon
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引用次数: 0
An artists' reflection of her First Civil Rights Tour 艺术家对她第一次民权之旅的反思
IF 0.7
Museum Anthropology Pub Date : 2024-08-29 DOI: 10.1111/muan.12297
Gwendolyn Frazier Smith
{"title":"An artists' reflection of her First Civil Rights Tour","authors":"Gwendolyn Frazier Smith","doi":"10.1111/muan.12297","DOIUrl":"https://doi.org/10.1111/muan.12297","url":null,"abstract":"<p>Embarking on an adventure to tour Black museums and Civil Rights sites provides one of the best opportunities to understand history and culture. It is accomplished via an expert tour guide, site visits, as well as through documentaries, and video footage. Imagine learning from such footage about the youngest child, a 4-year-old and hearing him questioning about his participation in a Civil Rights protest; he proudly responds “for Teedom” [Freedom] that is bound to stick with you. It stuck with me so much that it became a term used in my art for brave youth involved in social justice. These acts of “Teedom” were evident throughout the Civil Rights Tour, one of the best adventures of my life.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142174180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Deep Roots, Bama Soil: Narrative multimodal anthropology and fugitive histories 根深叶茂，巴马土壤：叙事多模式人类学与逃亡史
IF 0.7
Museum Anthropology Pub Date : 2024-08-07 DOI: 10.1111/muan.12298
Tylar Campbell
{"title":"Deep Roots, Bama Soil: Narrative multimodal anthropology and fugitive histories","authors":"Tylar Campbell","doi":"10.1111/muan.12298","DOIUrl":"10.1111/muan.12298","url":null,"abstract":"<p>This article explores the concept of fugitive histories through narrative multimodal anthropology in Black memory spaces. The aim of this research was to understand how multimodal anthropology and fugitive histories can be used to preserve and re-imagine narratives that counteract erasure. This article presents a narrative multimodal podcast I produced exploring my personal connection to racial violence, in conversation with a visit to the National Memorial for Peace and Justice and Legacy Museum to consider the ways in which narrative multimodal production and curation may benefit the health and well-being of Black communities, with a focus on Black fugitivity refusal, and reclamation as a strategic application of the Black Radical Tradition.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/muan.12298","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141929857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Legacy and evolution: The Harvey B. Gantt Center for African-American Arts + Culture 遗产与演变：哈维-甘特非裔美国人艺术与文化中心
IF 0.7
Museum Anthropology Pub Date : 2024-07-25 DOI: 10.1111/muan.12300
Monica Patrice Barra
{"title":"Legacy and evolution: The Harvey B. Gantt Center for African-American Arts + Culture","authors":"Monica Patrice Barra","doi":"10.1111/muan.12300","DOIUrl":"10.1111/muan.12300","url":null,"abstract":"<p>In 2024, the Harvey B. Gantt Center for African-American Arts + Culture in Charlotte, North Carolina, celebrates its 50th anniversary. Founded as the as the Afro-American Cultural and Service Center in 1974 by Mary Harper and Bertha Maxwell-Roddey at the University of North Carolina at Charlotte, this case study reflects on the Gantt Center's evolution from a community-based cultural space to a full-fledged arts and cultural institution in uptown Charlotte. It focuses on the opportunities and challenges this Black-centered and Black-led institution has faced over the past half century as it has evolved from a grassroots cultural organization to a hybrid fine arts, education, and cultural institution, negotiating the needs of a growing array of funders, leadership, artists, culture keepers, and audiences. Integrating historical material, interviews with past and current Gantt Center staff, and ethnographic observation, this case study describes how this historic institution honors its deep roots as an organization serving to Charlotte's Black community as it grows into a national and international center of Black arts.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/muan.12300","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141773750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The total picture: Activist artist Virginia Jackson Kiah and the Black house museum beyond the frame 全貌：激进主义艺术家弗吉尼亚-杰克逊-凯亚和框架外的黑人住宅博物馆
IF 0.7
Museum Anthropology Pub Date : 2024-07-23 DOI: 10.1111/muan.12303
Patricia Ann West
{"title":"The total picture: Activist artist Virginia Jackson Kiah and the Black house museum beyond the frame","authors":"Patricia Ann West","doi":"10.1111/muan.12303","DOIUrl":"10.1111/muan.12303","url":null,"abstract":"<p>This article presents artist activist Virginia Jackson Kiah as a key figure in the phenomenon of the African American house museum. Readers will benefit from this layer of Kiah scholarship and its contributions to the field of anthropology by looking at a talented artist fueled by her status as a Black woman denied civil, civic, and human rights. Therefore, Virginia Jackson Kiah recreated herself as an artist activist who led a cultural resistance to racism in the arts prior to desegregation and the civil rights movement. As a scholar outside the realm of anthropology, art criticism, and analysis, I approach this project from the stance of a storyteller applying cultural studies methodology and content analysis. I posit that more attention should be given to the total artist—not just the person that had a grasp of brush, paint, pencil, and canvas. Besides her gifts as a painter, little has been written about Virginia Jackson Kiah, the interdisciplinary artist activist who examined culture and history as a musician, composer, singer, pianist, and arts educator. This recovery project fills several voids using archived materials and interviews which recast a total picture of Virginia Jackson Kiah as an artist and activist.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141773751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why Black Grassroots Museums Matter 黑人基层博物馆为何重要
IF 0.7
Museum Anthropology Pub Date : 2024-07-22 DOI: 10.1111/muan.12294
Irma McClaurin
{"title":"Why Black Grassroots Museums Matter","authors":"Irma McClaurin","doi":"10.1111/muan.12294","DOIUrl":"10.1111/muan.12294","url":null,"abstract":"<p>Traditional Museums have dominated the American landscape, but there exist hundreds of “Black Grassroots Museum” that are preserved by what African Diaspora museum specialist, Deborah Johnson-Simon, calls “kulture keepers;” these are everyday folk who dedicate themselves to protect and preserve the artifacts and stories of Black survival, ingenuity, resistance, and resiliency inside their homes, churches, or in community spaces, lest we forget.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141773752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The journey to a Black Museum Anthropology special issue 黑人博物馆人类学特刊之旅
IF 0.7
Museum Anthropology Pub Date : 2024-07-19 DOI: 10.1111/muan.12304
Deborah Johnson-Simon
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引用次数: 0
Jerome Wendell Wright (1934–2022) 杰罗姆-温德尔-赖特（1934-2022）
IF 0.7
Museum Anthropology Pub Date : 2024-07-12 DOI: 10.1111/muan.12301
Deborah Johnson-Simon
{"title":"Jerome Wendell Wright (1934–2022)","authors":"Deborah Johnson-Simon","doi":"10.1111/muan.12301","DOIUrl":"10.1111/muan.12301","url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141612229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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