{"title":"植物的公开展示:亨廷顿植物园的殖民遗产和土著观点","authors":"Vibe Nielsen","doi":"10.1111/muan.70009","DOIUrl":null,"url":null,"abstract":"<p>In light of recent demands to diversify and decolonize museums, which have influenced curatorial practices the world over, this article examines how the botanical gardens of The Huntington in Southern California communicate colonial legacies of their plant collections to the visiting public. Building on previous fieldwork-based research on colonial legacies and curatorial practices, the article aims to shed light on an area of museum studies that has so far not been researched as thoroughly as other parts of the museum world. Through examples from the <i>Borderlands</i> exhibition at The Huntington, as well as signs recently added to the displays of the Chelsea Physic Garden in London, the article shows that—although colonial legacies and Eurocentric descriptions remain present in public presentations of plants—efforts <i>are</i> being made to address these legacies and to include Indigenous names and perspectives in the text panels and plant signs of botanical gardens.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"48 2","pages":""},"PeriodicalIF":0.8000,"publicationDate":"2025-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/muan.70009","citationCount":"0","resultStr":"{\"title\":\"Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington\",\"authors\":\"Vibe Nielsen\",\"doi\":\"10.1111/muan.70009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>In light of recent demands to diversify and decolonize museums, which have influenced curatorial practices the world over, this article examines how the botanical gardens of The Huntington in Southern California communicate colonial legacies of their plant collections to the visiting public. Building on previous fieldwork-based research on colonial legacies and curatorial practices, the article aims to shed light on an area of museum studies that has so far not been researched as thoroughly as other parts of the museum world. Through examples from the <i>Borderlands</i> exhibition at The Huntington, as well as signs recently added to the displays of the Chelsea Physic Garden in London, the article shows that—although colonial legacies and Eurocentric descriptions remain present in public presentations of plants—efforts <i>are</i> being made to address these legacies and to include Indigenous names and perspectives in the text panels and plant signs of botanical gardens.</p>\",\"PeriodicalId\":43404,\"journal\":{\"name\":\"Museum Anthropology\",\"volume\":\"48 2\",\"pages\":\"\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2025-07-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/muan.70009\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum Anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://anthrosource.onlinelibrary.wiley.com/doi/10.1111/muan.70009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://anthrosource.onlinelibrary.wiley.com/doi/10.1111/muan.70009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington
In light of recent demands to diversify and decolonize museums, which have influenced curatorial practices the world over, this article examines how the botanical gardens of The Huntington in Southern California communicate colonial legacies of their plant collections to the visiting public. Building on previous fieldwork-based research on colonial legacies and curatorial practices, the article aims to shed light on an area of museum studies that has so far not been researched as thoroughly as other parts of the museum world. Through examples from the Borderlands exhibition at The Huntington, as well as signs recently added to the displays of the Chelsea Physic Garden in London, the article shows that—although colonial legacies and Eurocentric descriptions remain present in public presentations of plants—efforts are being made to address these legacies and to include Indigenous names and perspectives in the text panels and plant signs of botanical gardens.
期刊介绍:
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.