植物的公开展示:亨廷顿植物园的殖民遗产和土著观点

IF 0.8 Q3 ANTHROPOLOGY
Vibe Nielsen
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引用次数: 0

摘要

鉴于最近对博物馆多样化和非殖民化的要求,这已经影响了世界各地的策展实践,本文研究了南加州亨廷顿植物园如何将其植物收藏的殖民遗产传达给来访的公众。本文建立在先前对殖民遗产和策展实践的实地研究基础上,旨在揭示博物馆研究的一个领域,到目前为止,这个领域的研究还没有像博物馆世界的其他领域那样彻底。通过亨廷顿美术馆的《边疆》展览的例子,以及伦敦切尔西物理花园最近增加的标识,文章表明,尽管殖民遗产和以欧洲为中心的描述仍然存在于植物的公共展示中,但人们正在努力解决这些遗产,并在植物园的文字面板和植物标识中包含土著名称和观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington

Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington

Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington

Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington

Public Presentations of Plants: Colonial Legacies and Indigenous Perspectives in the Botanical Gardens of The Huntington

In light of recent demands to diversify and decolonize museums, which have influenced curatorial practices the world over, this article examines how the botanical gardens of The Huntington in Southern California communicate colonial legacies of their plant collections to the visiting public. Building on previous fieldwork-based research on colonial legacies and curatorial practices, the article aims to shed light on an area of museum studies that has so far not been researched as thoroughly as other parts of the museum world. Through examples from the Borderlands exhibition at The Huntington, as well as signs recently added to the displays of the Chelsea Physic Garden in London, the article shows that—although colonial legacies and Eurocentric descriptions remain present in public presentations of plants—efforts are being made to address these legacies and to include Indigenous names and perspectives in the text panels and plant signs of botanical gardens.

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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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