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O discreto fim de nossos dias 我们日子的谨慎结束
3区 文学
SCRIPTORIUM Pub Date : 2020-07-16 DOI: 10.15448/2526-8848.2020.1.34165
Juliana Maffeis
{"title":"O discreto fim de nossos dias","authors":"Juliana Maffeis","doi":"10.15448/2526-8848.2020.1.34165","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.34165","url":null,"abstract":"Aurora morre soterrada pelos objetos que guardava em casa. A narrativa integra uma serie de contos fragmentados de minha dissertacao em Escrita Criativa.","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91209622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O horror passado permanece vivo: acerca de Setenta, de Henrique Schneider 《过去的恐怖依然存在:关于70年代》，恩里克·施耐德著
3区 文学
SCRIPTORIUM Pub Date : 2020-07-16 DOI: 10.15448/2526-8848.2020.1.36117
Alexandre Pandolfo
{"title":"O horror passado permanece vivo: acerca de Setenta, de Henrique Schneider","authors":"Alexandre Pandolfo","doi":"10.15448/2526-8848.2020.1.36117","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.36117","url":null,"abstract":"This essay seeks to bring to light the contemporary elements of Henrique Schneider’s novel Setenta [Seventy], published in 2019, trying to point out some of the central images that the book exposes. The novel deconstructs the appeased consciousness of a state of affairs led to its repetition in this Brazilwhere we are living in, a country at once oligarchic and very poor. From the literary perspective, this essay approaches the narrative construction of the novel and the philosophical and historical problems underlying it, dialoguing with some national and international references on the subject of ethical memory and testimony. It focuses on the fragmentary trait of the novel to deal with the horror experienced in the recent past in Brazil and Latin America, from a critical consciousness about the theme, pointing to the aesthetic need to deal with the trauma caused in Brazilian society during this period","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88720810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The stranger in Luandino Vieira’s literary writing: an analysis of the book O livro dos rios 维埃拉文学创作中的陌生人:《我的生活》一书分析
3区 文学
SCRIPTORIUM Pub Date : 2020-07-16 DOI: 10.15448/2526-8848.2020.1.36258
Junia Paula Saraiva Silva
{"title":"The stranger in Luandino Vieira’s literary writing: an analysis of the book O livro dos rios","authors":"Junia Paula Saraiva Silva","doi":"10.15448/2526-8848.2020.1.36258","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.36258","url":null,"abstract":"This article refers to the book O livro dos Rios by the Angolan writer Jose Luandino Vieira, published in 2006. The novel tells the story of Kapapa, who became Kene Vua during the guerrilla war and is again Kapapa. The character narrator recounts his memories of traumas and war from his childhood to adulthood, through the course of the waters of the Angolan rivers, which become secondary charactersof history. In addition, the individual memories of the character intertwine with the collective memories of his country. The storyteller’s way of telling, through the water metaphor and the recreated language, fits the narrative of the novel into the aesthetic of the stranger proposed by Sigmund Freud, in his work The Stranger, when referring to a new way of thinking aesthetics. The waters participate in the narration of the novel. The character narrator blends languages and uses neologisms to tellabout the unspeakable experience of war and violence. The research proposes to analyze the elements within the scope of the stranger present in the book The bookof rivers, studying the narrative and the form of account of the narrator.","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84278936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Hampshire House, 1938; Dakota, 1980" e "82 metros, ou: Saudades" “汉普郡之家，1938年;达科塔，1980“e”82米，ou: Saudades
3区 文学
SCRIPTORIUM Pub Date : 2020-07-15 DOI: 10.15448/2526-8848.2020.1.34153
R. F. Wolff
{"title":"\"Hampshire House, 1938; Dakota, 1980\" e \"82 metros, ou: Saudades\"","authors":"R. F. Wolff","doi":"10.15448/2526-8848.2020.1.34153","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.34153","url":null,"abstract":"<jats:p>---</jats:p>","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90253854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lugares perpassados: música e loucura como paradigmas da escrita no imaginário material de Marguerite Duras 渗透的地方:玛格丽特·杜拉斯想象材料中的音乐和疯狂作为写作的范例
3区 文学
SCRIPTORIUM Pub Date : 2020-07-15 DOI: 10.15448/2526-8848.2020.1.36448
M. Ayer
{"title":"Lugares perpassados: música e loucura como paradigmas da escrita no imaginário material de Marguerite Duras","authors":"M. Ayer","doi":"10.15448/2526-8848.2020.1.36448","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.36448","url":null,"abstract":"In a book elaborated from interviews given by Marguerite Duras to Michelle Porte, Les Lieux de Marguerite Duras (1977), published in a moment of Duras’s trajectory in which she is mainly dedicated to making films, the French author proposes a series of figures that constitute a kind of a personal mythology, in a process that can be recognized as similar to what Gaston Bachelard (2001b) called “material imagination”. This set of image-signs reappears with relative stability all along Duras’s work, and this allows the writer to refer to some of her works whose dates of publication are quite distant in time, but with some shared elements to which she gives a formulation. In this context, the mythical invention of female writing is closely related to notions such as music and madness, which are shown as imaginary paradigms of a poetics of porosity. A close reading of Duras & Porte’s book will allow to reveal the conceptual network that interweaves these formulations and to illuminate some central aspects of Duras’s poetics.","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77008260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A literatura e a música quando do “fim da canção” em Chico Buarque: uma comparação entre sistemas, tradições e sentidos Chico Buarque的“歌曲的结尾”中的文学和音乐:系统、传统和感觉的比较
3区 文学
SCRIPTORIUM Pub Date : 2020-07-15 DOI: 10.15448/2526-8848.2020.1.36295
F. Breda
{"title":"A literatura e a música quando do “fim da canção” em Chico Buarque: uma comparação entre sistemas, tradições e sentidos","authors":"F. Breda","doi":"10.15448/2526-8848.2020.1.36295","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.36295","url":null,"abstract":"In an interview conducted in 2004, Chico Buarque punctuated a certainagony of the song form in Brazil due to the emergence of rap in the music scene. In the artist’s view, less than the impossibility of making songs, what would be at stake would be the decline of a certain form of Brazilian sociability that would be within the formation of the Brazilian song system. It is the intention of this work to think about the management that Chico Buarque seeks to mobilize from the Brazilia song system, as well as the outputs that it seeks to elaborate in the literature. In this sense, what is under discussion are the specificities that the Brazilian song tradition would offer to deal with the Brazilian historical matter when compared with thepossibilities offered by the local literary system. To this end, we will try to analyze such systems (and their respective possibilities) by crossing part of the critical fortune interested in debating their respective historical specificities, as well as the perspective that Chico Buarque raised in the 2004 interview and at other times.","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89236180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Who The F*** Are Arctic Monkeys?”: representações da juventude britânica na primeira década do século XX “谁是北极猴子?”20世纪头十年英国青年的代表
3区 文学
SCRIPTORIUM Pub Date : 2020-07-15 DOI: 10.15448/2526-8848.2020.1.36412
Icaro Carvalho, B. Dariva
{"title":"“Who The F*** Are Arctic Monkeys?”: representações da juventude britânica na primeira década do século XX","authors":"Icaro Carvalho, B. Dariva","doi":"10.15448/2526-8848.2020.1.36412","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.36412","url":null,"abstract":"The present work aims to study the way the British youth from the early 2000s is portrayed through lyrics of the debut album by the English band Arctic Monkeys. On January 23 in the year of 2006, when a group  formed by four young men, who were 19 years old, released an album called Whatever People Say I Am, That’s What I’m Not, the CD surprisingly became the fastest selling debut album in the British music history. The choice of this album as study corpus is based not only on account of the commercial success mentioned above, but also on the compositions’ precise and literary portraying of current aspects of the British youth in the first decade of the millenium. By analysing the excerpts, which portray the routine of a generation, the work aims to contribute to a more informed understanding of the social habits that made this atmosphere possible.","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88882126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Data Localization Laws and Policy: The EU Data Protection International Transfers Restriction Through a Cloud Computing Lens 数据本地化法律与政策:云计算视角下的欧盟数据保护国际传输限制
3区 文学
SCRIPTORIUM Pub Date : 2020-01-25 DOI: 10.2966/SCRIP.170120.152
Jiahong Chen
{"title":"Data Localization Laws and Policy: The EU Data Protection International Transfers Restriction Through a Cloud Computing Lens","authors":"Jiahong Chen","doi":"10.2966/SCRIP.170120.152","DOIUrl":"https://doi.org/10.2966/SCRIP.170120.152","url":null,"abstract":"","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88275449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Autonomous cars: A driving force for change in motor liability and insurance 自动驾驶汽车:汽车责任和保险变革的驱动力
3区 文学
SCRIPTORIUM Pub Date : 2020-01-25 DOI: 10.2966/SCRIP.170120.125
Katie Atkinson
{"title":"Autonomous cars: A driving force for change in motor liability and insurance","authors":"Katie Atkinson","doi":"10.2966/SCRIP.170120.125","DOIUrl":"https://doi.org/10.2966/SCRIP.170120.125","url":null,"abstract":"","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77923663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
No man is an island: A critical analysis of the UK’s implementation of the Marrakesh Treaty 没有人是一座孤岛:对英国执行《马拉喀什条约》的批判性分析
3区 文学
SCRIPTORIUM Pub Date : 2020-01-25 DOI: 10.2966/SCRIP.170120.54
Jade Kouletakis
{"title":"No man is an island: A critical analysis of the UK’s implementation of the Marrakesh Treaty","authors":"Jade Kouletakis","doi":"10.2966/SCRIP.170120.54","DOIUrl":"https://doi.org/10.2966/SCRIP.170120.54","url":null,"abstract":"","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76759248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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