维埃拉文学创作中的陌生人:《我的生活》一书分析

3区 文学 Q3 Arts and Humanities
Junia Paula Saraiva Silva
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引用次数: 0

摘要

本文引用安哥拉作家Jose Luandino Vieira于2006年出版的《O livro dos Rios》一书。小说讲述了卡帕帕的故事,他在游击战中变成了凯内·瓦,后来又成为了卡帕帕。人物叙述者讲述了他从童年到成年的创伤和战争的记忆,通过安哥拉河流的水流,这成为了历史的次要角色。此外,人物的个人记忆与他的国家的集体记忆交织在一起。叙述者通过水的隐喻和再创造的语言的叙述方式,使小说的叙事符合西格蒙德·弗洛伊德在《陌生人》中提出的陌生人美学,这是一种新的美学思维方式。水参与了小说的叙述。角色叙述者混合语言并使用新词来讲述战争和暴力的难以形容的经历。本研究拟分析《江河之书》中出现的陌生人范围内的要素,研究叙述者的叙事和叙述形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The stranger in Luandino Vieira’s literary writing: an analysis of the book O livro dos rios
This article refers to the book O livro dos Rios by the Angolan writer Jose Luandino Vieira, published in 2006. The novel tells the story of Kapapa, who became Kene Vua during the guerrilla war and is again Kapapa. The character narrator recounts his memories of traumas and war from his childhood to adulthood, through the course of the waters of the Angolan rivers, which become secondary charactersof history. In addition, the individual memories of the character intertwine with the collective memories of his country. The storyteller’s way of telling, through the water metaphor and the recreated language, fits the narrative of the novel into the aesthetic of the stranger proposed by Sigmund Freud, in his work The Stranger, when referring to a new way of thinking aesthetics. The waters participate in the narration of the novel. The character narrator blends languages and uses neologisms to tellabout the unspeakable experience of war and violence. The research proposes to analyze the elements within the scope of the stranger present in the book The bookof rivers, studying the narrative and the form of account of the narrator.
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SCRIPTORIUM
SCRIPTORIUM Multiple-
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