Chico Buarque的“歌曲的结尾”中的文学和音乐:系统、传统和感觉的比较

3区 文学 Q3 Arts and Humanities
F. Breda
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引用次数: 0

摘要

在2004年的一次采访中,Chico Buarque强调了由于说唱音乐在巴西的出现而导致的歌曲形式的某种痛苦。在这位艺术家看来,除了不可能创作歌曲之外,最危险的是巴西歌曲体系形成过程中某种形式的社交活动的衰落。这项工作的目的是思考Chico Buarque试图从巴西歌曲系统中动员的管理,以及它试图在文献中阐述的输出。从这个意义上说,我们讨论的是与当地文学系统所提供的可能性相比,巴西歌曲传统在处理巴西历史问题时所提供的特殊性。为了达到这个目的,我们将尝试分析这些系统(以及它们各自的可能性),通过讨论它们各自的历史特殊性,以及Chico Buarque在2004年采访和其他时候提出的观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A literatura e a música quando do “fim da canção” em Chico Buarque: uma comparação entre sistemas, tradições e sentidos
In an interview conducted in 2004, Chico Buarque punctuated a certainagony of the song form in Brazil due to the emergence of rap in the music scene. In the artist’s view, less than the impossibility of making songs, what would be at stake would be the decline of a certain form of Brazilian sociability that would be within the formation of the Brazilian song system. It is the intention of this work to think about the management that Chico Buarque seeks to mobilize from the Brazilia song system, as well as the outputs that it seeks to elaborate in the literature. In this sense, what is under discussion are the specificities that the Brazilian song tradition would offer to deal with the Brazilian historical matter when compared with thepossibilities offered by the local literary system. To this end, we will try to analyze such systems (and their respective possibilities) by crossing part of the critical fortune interested in debating their respective historical specificities, as well as the perspective that Chico Buarque raised in the 2004 interview and at other times.
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SCRIPTORIUM
SCRIPTORIUM Multiple-
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