YEARBOOK FOR TRADITIONAL MUSIC最新文献

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Banding Together in Cape Town and Lagos: Engaging Reciprocity as Applied Ethnomusicology 联合在开普敦和拉各斯:参与互惠作为应用民族音乐学
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-07-01 DOI: 10.1017/ytm.2022.5
S. Bruinders, J. Kunnuji
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引用次数: 0
Mae Mai. Produced by Jon Silpayamanant. In English. URL: https://silpayamanant.wordpress.com/ 美梅。Jon Silpayamanant制作。在英语。URL: https://silpayamanant.wordpress.com/
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-06-27 DOI: 10.1017/ytm.2022.7
Aniarani Andita
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引用次数: 0
Hearing Cosmopolitan Nationalism in the Work of Fairuz and the Rahbani Brothers 倾听费尔鲁兹和拉巴尼兄弟作品中的世界主义民族主义
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-06-27 DOI: 10.1017/ytm.2022.10
Nour EL RAYES
{"title":"Hearing Cosmopolitan Nationalism in the Work of Fairuz and the Rahbani Brothers","authors":"Nour EL RAYES","doi":"10.1017/ytm.2022.10","DOIUrl":"https://doi.org/10.1017/ytm.2022.10","url":null,"abstract":"Abstract Today, the trajectory of Lebanese diva Fairuz’s career has become synonymous with the development of a Lebanese national subjectivity. Her performance of musical works by the Rahbani Brothers at Lebanon’s Baalbak International Festival from the 1950s–70s helped to form a Lebanese national musical style. Through close listening and analysis, this article explores the entanglement of Fairuz’s early music with both the Baalbak Festival and early Lebanese nationalist efforts, arguing that this music’s sound and style consciously laboured to articulate an emergent sense of national identity.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"54 1","pages":"49 - 72"},"PeriodicalIF":0.5,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42148736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stephen Jones: a blog. Produced by Stephen Jones. Written in English with recordings in Chinese and other languages. URL: https://stephenjones.blog/ – CORRIGENDUM 斯蒂芬·琼斯:博客。斯蒂芬·琼斯出品。以英文书写,并附有中文及其他语言录音。网址:https://stephenjones.blog/ -勘误表
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-03-22 DOI: 10.1017/ytm.2022.1
Stephen Jones
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引用次数: 0
Contributors to this Volume 本卷的贡献者
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-01-01 DOI: 10.1353/bach.2020.0000
Christina Fuhrmann, Robin A. Leaver, J. Lester, R. L. Marshall, T. M. Marshall, Markus Rathey, Andrew Talle
{"title":"Contributors to this Volume","authors":"Christina Fuhrmann, Robin A. Leaver, J. Lester, R. L. Marshall, T. M. Marshall, Markus Rathey, Andrew Talle","doi":"10.1353/bach.2020.0000","DOIUrl":"https://doi.org/10.1353/bach.2020.0000","url":null,"abstract":"Abstract:This article, which began life as a lecture at the Bethlehem Bach Festival in 2018, was mainly intended as a celebration of Greg Funfgeld's thirty-five years as the conductor and artistic director of the Bach Choir of Bethlehem—significantly longer than any other conductor of the Choir. But it was necessary to put this achievement into the context of the origins of the Bethlehem Bach Festival—how the concern to hear the major works of the Leipzig Kantor led to this annual tradition of performing not only the vocal works of Bach but also his orchestral and chamber music, as well as his keyboard and organ music. When Funfgeld became the conductor of the Choir, its performances were concentrated in two weeks in early May each year. Under his leadership, spring and Christmas concerts were soon added; then there were performances in schools, then lunchtime concerts, recordings, tours, and other opportunities for performing Bach. A subplot of the Funfgeld years in Bethlehem continues to be the influence of Westminster Choir College, where Funfgeld studied, and where others of his collaborators were either faculty or students, including myself, who in 2018 brought to an end thirty-four years of writing program notes for concerts and liner notes for recordings of the Bethlehem Bach Choir. It seems appropriate that such milestones should be recorded in BACH: Journal of the Riemenschneider Bach Institute, which celebrates its half century this year.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"26 1","pages":"202 - 204"},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47054393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eva Tsai, Tung-Hung Ho, and Miao-Ju Jian, eds. Made in Taiwan: Studies in Popular Music. New York: Routledge, 2019. xix, 288 pp., illustrations, bibliography, index. ISBN 978-0815360155 (hardback) and ISBN 978-1351119146 (e-book). Eva Tsai、Tung Hung Ho和Miao Ju Jian编辑,《台湾制造:流行音乐研究》。纽约:Routledge,2019。xix,288页,插图,书目,索引。ISBN 978-0815360155(硬背)和ISBN 978-1351119146(电子书)。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2021-12-01 DOI: 10.1017/ytm.2021.13
Meredith Schweig
{"title":"Eva Tsai, Tung-Hung Ho, and Miao-Ju Jian, eds. Made in Taiwan: Studies in Popular Music. New York: Routledge, 2019. xix, 288 pp., illustrations, bibliography, index. ISBN 978-0815360155 (hardback) and ISBN 978-1351119146 (e-book).","authors":"Meredith Schweig","doi":"10.1017/ytm.2021.13","DOIUrl":"https://doi.org/10.1017/ytm.2021.13","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"53 1","pages":"168 - 169"},"PeriodicalIF":0.5,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47442139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
YTM volume 53 Cover and Front matter YTM卷53封面和封面问题
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2021-12-01 DOI: 10.1017/ytm.2021.1
{"title":"YTM volume 53 Cover and Front matter","authors":"","doi":"10.1017/ytm.2021.1","DOIUrl":"https://doi.org/10.1017/ytm.2021.1","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"53 1","pages":"f1 - f10"},"PeriodicalIF":0.5,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49137527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tes Slominski. Trad Nation: Gender, Sexuality and Race in Irish Traditional Music. Middletown, CT: Wesleyan University Press, 2020. xii, 256 pp., notes, bibliography, index. ISBN 978-0819579270 (hardback) and ISBN 978-0819579294 (e-book). te Slominski。传统民族:爱尔兰传统音乐中的性别、性和种族。Middletown, CT:卫斯理大学出版社,2020年。十二,256页,注释,参考书目,索引。ISBN 978-0819579270(精装本)和ISBN 978-0819579294(电子书)。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2021-12-01 DOI: 10.1017/ytm.2021.9
Kathryn Alexander
{"title":"Tes Slominski. Trad Nation: Gender, Sexuality and Race in Irish Traditional Music. Middletown, CT: Wesleyan University Press, 2020. xii, 256 pp., notes, bibliography, index. ISBN 978-0819579270 (hardback) and ISBN 978-0819579294 (e-book).","authors":"Kathryn Alexander","doi":"10.1017/ytm.2021.9","DOIUrl":"https://doi.org/10.1017/ytm.2021.9","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"53 1","pages":"159 - 161"},"PeriodicalIF":0.5,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41631509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuban Chinese. 2010. Directed by Pok Chi Lau. 24 minutes. . - Havana Divas. 2019. Directed by Louisa Wei. 96 minutes. Hong Kong: Blue Queen Cultural Communication. 古巴汉语。2010。刘博志导演,24分钟。——哈瓦那歌舞团,2019年。路易莎·魏导演,96分钟。香港:蓝皇后文化传播。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2021-12-01 DOI: 10.1017/ytm.2021.21
Ho-chak Law
{"title":"Cuban Chinese. 2010. Directed by Pok Chi Lau. 24 minutes. . - \u0000Havana Divas. 2019. Directed by Louisa Wei. 96 minutes. Hong Kong: Blue Queen Cultural Communication.","authors":"Ho-chak Law","doi":"10.1017/ytm.2021.21","DOIUrl":"https://doi.org/10.1017/ytm.2021.21","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"53 1","pages":"189 - 192"},"PeriodicalIF":0.5,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42749224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Yuan Zheng Yang. Dragon’s Roar: Chinese Literati Musical Instruments in the Freer and Sackler Collections. Hirmer Publishers, 2020. xvii, 240 pp., appendices, chronology, list of tables and figures, glossary of Chinese characters, works cited, index. ISBN 978-3777434773 (hardback). 杨元正。龙鸣:弗利尔和萨克勒藏品中的中国文人乐器。希尔默出版社,2020年。第17卷,240页,附录,年表,图表表,汉字词汇表,引用作品,索引。ISBN 978-3777434773(精装本)。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2021-12-01 DOI: 10.1017/ytm.2021.15
B. Yung
{"title":"Yuan Zheng Yang. Dragon’s Roar: Chinese Literati Musical Instruments in the Freer and Sackler Collections. Hirmer Publishers, 2020. xvii, 240 pp., appendices, chronology, list of tables and figures, glossary of Chinese characters, works cited, index. ISBN 978-3777434773 (hardback).","authors":"B. Yung","doi":"10.1017/ytm.2021.15","DOIUrl":"https://doi.org/10.1017/ytm.2021.15","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"53 1","pages":"172 - 175"},"PeriodicalIF":0.5,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44012637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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