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Evading National Identity: On Translocal Irish Folk Music in Austria 逃避民族认同:奥地利跨地域爱尔兰民间音乐
2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2023-09-15 DOI: 10.1017/ytm.2023.3
FELIX MORGENSTERN
{"title":"Evading National Identity: On Translocal Irish Folk Music in Austria","authors":"FELIX MORGENSTERN","doi":"10.1017/ytm.2023.3","DOIUrl":"https://doi.org/10.1017/ytm.2023.3","url":null,"abstract":"Abstract This article assesses how translocal Irish folk-music practices and their consumption in Austria elide the traumatic legacy of extreme nationalism in modern European history. Furthermore, it teases out the degree to which the affinity of Austrian performers and audiences with Irish folk music might provide an alternative sphere of cultural identification to indigenous Austrian folk-music practices. Combining ethnographic and historical inquiry, the article unravels how various nostalgically sustained imaginaries of Irishness find complex refractions in the Austrian present, while also interrogating the stakes of an emerging insistence upon the primacy of “the music itself” in ethnographic voices.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135397350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ya Lalla: Jewish Saharans Singing to Birth (https://yalalla.org.uk/) and Past and Present Musical Encounters Across the Strait of Gibraltar: Ya Lalla: A Sonic & Visual Spotlight on Women’s Resistance and Celebrations of Transmission(https://www.musicalencounters.co.uk/vanessa-exhibit). Website and online exhibit curated by Vanessa Paloma Elbaz. Ya Lalla:犹太撒哈拉人唱歌出生(https://yalalla.org.uk/)和过去和现在的音乐遭遇跨越直布罗陀海峡:Ya Lalla:一个声音&;妇女抵抗和传播庆祝的视觉聚焦(https://www.musicalencounters.co.uk/vanessa-exhibit)。网站和在线展览由Vanessa Paloma Elbaz策划。
2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2023-09-15 DOI: 10.1017/ytm.2023.5
SAMANTHA M. COOPER
{"title":"<b><i>Ya Lalla: Jewish Saharans Singing to Birth</i> (https://yalalla.org.uk/) and <i>Past and Present Musical Encounters Across the Strait of Gibraltar: Ya Lalla: A Sonic &amp; Visual Spotlight on Women’s Resistance and Celebrations of Transmission</i></b><b>(https://www.musicalencounters.co.uk/vanessa-exhibit)</b>. Website and online exhibit curated by Vanessa Paloma Elbaz.","authors":"SAMANTHA M. COOPER","doi":"10.1017/ytm.2023.5","DOIUrl":"https://doi.org/10.1017/ytm.2023.5","url":null,"abstract":"Ya Lalla: Jewish Saharans Singing to Birth (https://yalalla.org.uk/) and Past and Present Musical Encounters Across the Strait of Gibraltar: Ya Lalla: A Sonic &amp; Visual Spotlight on Women’s Resistance and Celebrations of Transmission (https://www.musicalencounters.co.uk/vanessa-exhibit). Website and online exhibit curated by Vanessa Paloma Elbaz.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135436068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Journals 日记账
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2023-04-03 DOI: 10.24908/iqurcp16459
Jeffrey Allen, Caitlyn Jenkins, A. Moustakis, Emily Poltorac, Mayank Bansal, Caitlyn Dignard, Jayson Pomfret, Nisha S. Simon, Mark H. Swartz
{"title":"Journals","authors":"Jeffrey Allen, Caitlyn Jenkins, A. Moustakis, Emily Poltorac, Mayank Bansal, Caitlyn Dignard, Jayson Pomfret, Nisha S. Simon, Mark H. Swartz","doi":"10.24908/iqurcp16459","DOIUrl":"https://doi.org/10.24908/iqurcp16459","url":null,"abstract":"Following an introduction reflecting on undergraduate student publishing by Mark Swartz, Scholarly Publishing Librarian at Queen’s University, the panelists introduced the scope of their respective journals, Qapsule, Queen's Law Journal, and Politicus, and what motivates each journal representative to contribute to publishing initiatives at Queen’s University.\u0000Questions posed by the moderator to the panelists facilitated discussion and addressed the various aspects of the journal publishing process including the article review process, journal awareness and marking strategies, and undergraduate student publishing opportunities. The audience participated by asking questions of the panelists throughout the session.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49642867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Artistic Product of Globalised Singapore? The Damaru Pan-Indian Folk Drumming Ensemble 全球化新加坡的艺术产物？达马鲁泛印度民间鼓手合奏团
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.22
Jinxing Lai
{"title":"An Artistic Product of Globalised Singapore? The Damaru Pan-Indian Folk Drumming Ensemble","authors":"Jinxing Lai","doi":"10.1017/ytm.2022.22","DOIUrl":"https://doi.org/10.1017/ytm.2022.22","url":null,"abstract":"Abstract Damaru is a Singaporean Indian folk drumming ensemble that promotes pan-Indian identity and Indian folk drumming in the city-state. This article examines how Damaru navigates and carves a niche in Singapore’s multicultural milieu with the concept of a pan-Indian folk drumming ensemble, and how drummers create artistic products that engage an audience of different sociocultural backgrounds. An analysis of two of Damaru’s rhythmic compositions suggests that drumming, mixing Indian folk drums and rhythmic patterns, and performing the rhythmic patterns in sequence have helped Damaru’s rhythmic compositions reach a broader audience, enabling the ensemble to win state grants and performance opportunities.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47634352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
YTM volume 54 issue 2 Cover and Front matter YTM第54卷第2期封面和封面
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.3
{"title":"YTM volume 54 issue 2 Cover and Front matter","authors":"","doi":"10.1017/ytm.2022.3","DOIUrl":"https://doi.org/10.1017/ytm.2022.3","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43566610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Long Hu Wu Shi (Kung Fu Stuntmen). 2020. Directed by Wei Junzi, 92 minutes. Hong Kong and Beijing, China: Hong Kong Stuntman Association and Acme Image (Beijing) Film Cultural Co. 龙虎武师(功夫特技)。2020. 魏俊子导演，92分钟。中国香港和北京:香港特技演员协会和阿克美影像(北京)电影文化有限公司。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.13
Priscilla Tse
{"title":"Long Hu Wu Shi (Kung Fu Stuntmen). 2020. Directed by Wei Junzi, 92 minutes. Hong Kong and Beijing, China: Hong Kong Stuntman Association and Acme Image (Beijing) Film Cultural Co.","authors":"Priscilla Tse","doi":"10.1017/ytm.2022.13","DOIUrl":"https://doi.org/10.1017/ytm.2022.13","url":null,"abstract":"Introduction Long Hu Wu Shi (Kung Fu Stuntmen) is a documentary about the stunt industry in Hong Kong-made action movies. Released in 2021 in the People’s Republic of China, it was co-produced by the Hong Kong Stuntman Association (HKSA) and Acme Image (Beijing) Film Cultural Co., Ltd.. The director, Wei Junzi (b.1978), is a film expert in mainland China with special interest inHong Kong cinema. A first-time director,Wei has published several books on Hong Kong cinema. In 2016, he read an article on the closure of the last rooftop martial arts school in Hong Kong that inspired him to express his resentment in writing. Eric Tsang Chi-wai (b. 1953), a filmmaker and former stuntman in Hong Kong, really liked his essay and introduced him to Chin Kar-lok (b. 1965), the HKSA president and later the producer of this film. Chin invited Wei to the 2017 spring festival dinner of the association, where he met many famous and unknown action film heroes and then decided to make this documentary to tell their stories (Ka 2021). Wei chose a fresh perspective—that of stunt stars rather than directors—to narrate a history of Hong Kong action film. He highly values the interviewees’ own voices and more than thirty interviewees appear in the film. In fact, the film is filled with mostly interview footage with no voice-over narration and little use of intertitles. Most of the interviewees were born in the 1950s and became active in the stunt industry between the mid-1960s and early 1990s. While the film presents a large amount of information, a few dominant themes emerge: transmedia cultural production, histories of Chinese opera and action movies in Hong Kong, masculinity, and transnationality.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44174129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Celtic Music Festivals in Portugal: Europeanisation, Urban Regeneration, and Regional Development 葡萄牙的凯尔特音乐节:欧洲化、城市再生和区域发展
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.29
Susana MORENO-FERNÁNDEZ, Salwa EL-SHAWAN CASTELO-BRANCO
{"title":"Celtic Music Festivals in Portugal: Europeanisation, Urban Regeneration, and Regional Development","authors":"Susana MORENO-FERNÁNDEZ, Salwa EL-SHAWAN CASTELO-BRANCO","doi":"10.1017/ytm.2022.29","DOIUrl":"https://doi.org/10.1017/ytm.2022.29","url":null,"abstract":"Abstract This article addresses the interceltic festivals of Porto (1986–2008) and Sendim in Terra de Miranda (since 2000), situated in northwestern and northeastern Portugal, respectively, from the perspective of European heritage festivals. It examines how these two festivals were used to promote tourism, urban regeneration, rural development, image-making, and place branding. We argue that the interceltic festivals of Porto and Sendim are entangled with the Europeanisation of Portugal, involving new possibilities for identification with Europe’s Atlantic fringe, a space that is symbolised by the Celtic imaginary.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46142828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, DVD. Produced by Pan Records, PAN 9609. 上海吹笛：戴树红的音乐人生[沪上箫声:戴树红先生的音乐人生]. 2021年，海伦·里斯和阿帕娜·夏尔马执导，84分钟。中文，配英文字幕。彩色，DVD。潘唱片公司出品，Pan 9609。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.24
Simon Debierre
{"title":"Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, DVD. Produced by Pan Records, PAN 9609.","authors":"Simon Debierre","doi":"10.1017/ytm.2022.24","DOIUrl":"https://doi.org/10.1017/ytm.2022.24","url":null,"abstract":"De Huangjin Shidai.” (Kung Fu Stuntmen: There would have been no golden time of Hong Kong kungfu films without them). Sanlian Lifeweek (Sanlian Shenghuo Zhoukan), 21 September 2021. https://www.lifeweek.com.cn/art icle/138521. Steimer, Laura. 2021. Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance. Durham: Duke University Press. Wichmann, Elizabeth. 1991. Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press. Yung, Bell. 1989.Cantonese Opera: Performance as Creative Process. New York: Cambridge University Press. Yung, Sai-shing. 2006. “Moving Body: The Interactions Between Chinese Opera and Sction Cinema.” InHong Kong Connections: Transnational Imagination in Action Cinema, ed. Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-Kiu, 21–34. Durham: Duke University Press. Zhang Guoji. 2021. “Longhu Wushi Chenglong Man Paixi Wu Chuxian? Qian Jiale Jiehua Zhi Ju Xi Muhou Gongcheng” (Kung Fu Stuntmen: Jackie Chan was not interviewed because he was too busy with his own films? Chin Kar-lok explained that Chan was a fervent supporter behind the scene). HK01, 11 November 2021. https://www.hk01.com/sns/article/681996.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45480720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Burda: Reweaving the Mantle, Renovating Arab Music Tradition between Egypt and the Arab Levant 布尔达:重新编织斗篷，革新埃及和阿拉伯黎凡特之间的阿拉伯音乐传统
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.20
Maria M. RIJO LOPES DA CUNHA
{"title":"The Burda: Reweaving the Mantle, Renovating Arab Music Tradition between Egypt and the Arab Levant","authors":"Maria M. RIJO LOPES DA CUNHA","doi":"10.1017/ytm.2022.20","DOIUrl":"https://doi.org/10.1017/ytm.2022.20","url":null,"abstract":"Abstract This article critically considers how the musical piece, “Al-Burda,” has introduced ground-breaking formal and rhythmic innovations within Arab contemporary traditional music. I explore the centrality of Mustafa Said’s musical adaptation of Arabic prosody in generating new rhythmic modes whilst highlighting Said’s claims of continuity with an Arab literary and musical tradition through the musical adaptation of the poetics of mu’arada, which means building upon pre-existing models. This article draws upon postcolonial theory as a fundamental tool of analysis for the underpinning socio-political commentary present at every stage of creation and production of “Al-Burda.”","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44774813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ulrich Morgenstern, and Ardian Ahmedaja, eds. Playing Multipart Music: Solo and Ensemble Traditions in Europe (European Voices IV). Vienna: Böhlau, 2022. 319 pp., list of audiovisual examples, notes on contributors, index. ISBN: 978-3-205-21409-0 and ISBN 978-3-205-21410-6 (e-book). Ulrich Morgenstern和Ardian Ahmedaja编辑：《演奏多部分音乐：欧洲的独奏和合奏传统》（欧洲之声四）。维也纳：Böhlau，2022年。319页，视听实例清单，撰稿人说明，索引。ISBN:978-3-205-21409-0和ISBN 978-3-205-21410-6（电子书）。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2022-12-01 DOI: 10.1017/ytm.2022.26
Yannick Wey
{"title":"Ulrich Morgenstern, and Ardian Ahmedaja, eds. Playing Multipart Music: Solo and Ensemble Traditions in Europe (European Voices IV). Vienna: Böhlau, 2022. 319 pp., list of audiovisual examples, notes on contributors, index. ISBN: 978-3-205-21409-0 and ISBN 978-3-205-21410-6 (e-book).","authors":"Yannick Wey","doi":"10.1017/ytm.2022.26","DOIUrl":"https://doi.org/10.1017/ytm.2022.26","url":null,"abstract":"modernity in Nusantara “as a discursive concept for emergent social formations” and to “call for different trajectories of modernity than those of Europe and North America that have provided the standards of modernity” (173). And once again, readers are also reminded of the transcultural musical flows and fluid genres that defy national ideals exemplified in Chapter Sixteen of Ellorin’s study of the nomadic sea-faring ethnic minority Sama-Bajau’s Sangbai performance. The Coda and the Afterword: Bercerita (Sharing Stories) demonstrate Nusantara’s popular music engagements with global and transnational trends. The reflections and the conversations with various local artists from Malaysia, Indonesia, and the Philippines draw readers to further explore the ambiguous meaning of the term “Nusantara” and its implications on musical practices in the region. Made in Nusantara: Studies in Popular Music is an essential contribution to the field of popular music studies in the region and globally. Conceptually, the volume provides a fresh take on Nusantara supported by examples in the respective essays, and establishes a new praxis in the study of popular music in maritime Southeast Asia. With resources such as a spread of pictures featuring artists and album sleeves, a collection of selected bibliography, and an extensive index, both scholars and students in popular music and across the interdisciplinary studies of social sciences will not only find this volume insightful but also enjoyable to read. Made in Nusantara: Studies in Popular Music is definitely one of the few edited volumes dedicated to the study of popular music in maritime Southeast Asia and for that reason, I hope that it will inspire many more similar works that explore other different issues in popular music in the intricately connected and the often-contested shared cultural space of the region.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46200762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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