RUSSIAN LITERATURE最新文献_第7页

The Two Sides of Besprizornost’: Representations of Child Homelessness in Respublika SHKID and Pedagogicheskaia Poema “流浪的两面”:《Respublika SHKID》和《Pedagogicheskaia Poema》中儿童无家可归的表现

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-11-01 DOI: 10.1016/j.ruslit.2022.07.004

Diana Antonello

引用次数: 0

Memories and Memory in New Russian Literary Journalism (Illustrated with Reference to Reportage Books by Yulia Yuzik and Valery Panyushkin) 新俄罗斯文学新闻中的记忆与记忆(以尤利娅·尤兹克和瓦列里·潘尤什金的报告文学作品为例)

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-11-01 DOI: 10.1016/j.ruslit.2022.07.001

Grzegorz Czerwiński

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TEATR The science of acting in the Russian Theatre at the beginning of the twentieth century – from the modern epoch to the avant-garde 20世纪初俄罗斯戏剧中的表演科学——从现代到先锋派

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-10-01 DOI: 10.1016/j.ruslit.2022.10.002

Rose Whyman

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Традиция и манипуляция в практических изданиях по русскому народному знахарству 俄罗斯民间药剂学实践出版物中的传统与操纵

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.06.001

Агнешка Голембиовска-Сухорска (Agnieszka Gołębiowska-Suchorska)

{"title":"Традиция и манипуляция в практических изданиях по русскому народному знахарству","authors":"Агнешка Голембиовска-Сухорска (Agnieszka Gołębiowska-Suchorska)","doi":"10.1016/j.ruslit.2022.06.001","DOIUrl":"10.1016/j.ruslit.2022.06.001","url":null,"abstract":"<div><p>This article presents various ways of adapting Russian texts of folk magic and non-Russian magical traditions in contemporary Russian manuals of folk magic. The analyzed books belong to the genre of applied literature.</p><p>Due to the extensive nature of the topic, ten books by six authors were selected for analysis (1998-2012). The main criterion for the selection of publications for analysis was the declaration by the authors of close relations with the Russian folk tradition – in particular, their belonging to families of healers who have passed on their knowledge and power from generation to generation.</p><p>Behind the slogan of the “Russian folk healing tradition”, other ethnic traditions and occult practices taken from Western literature are often present. Ways of obfuscating this information include quoting spells from ethnographic publications and esoteric literature without indicating the source, or giving spells allegedly in another language that are in fact zaum'-like nonsense. Such literary mystification allows authors to manipulate the minds of readers, on the one hand, and, on the other hand, to respond to their needs. Deliberate misleading of readers – like in the literary and folklore tradition – arises from the specific needs of the audience and serves the specific goals of the authors.</p></div>","PeriodicalId":43192,"journal":{"name":"RUSSIAN LITERATURE","volume":"132 ","pages":"Pages 39-57"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43796686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TEATR ФАРС ПО-РУССКИ: “ПРОДОЛЖАТЕЛЬНИЦА” САРДУ Н.А. ЛУХМАНОВА 远东剧院：制作人萨尔杜·卢马诺娃

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.09.003

Т.В. Левицкая

引用次数: 0

Экономическое воображаемое в русской литературе XIX века (обзор исследований) 19世纪俄罗斯文学中的经济想象（研究综述）

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.05.001

Алексей Вдовин (Alexey Vdovin)

引用次数: 0

Веда Заговóров Волхва Велеслава (этюд о заговорно-поэтическом творчестве современных неоязычников) Veleslav的Veda Zagovórov（关于现代新异教阴谋诗创作的练习曲）

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.06.004

А.Л. Топорков (A.L. Toporkov)

{"title":"Веда Заговóров Волхва Велеслава (этюд о заговорно-поэтическом творчестве современных неоязычников)","authors":"А.Л. Топорков (A.L. Toporkov)","doi":"10.1016/j.ruslit.2022.06.004","DOIUrl":"10.1016/j.ruslit.2022.06.004","url":null,"abstract":"<div><p>This article analyses the book <em>Veda of Magic Spells</em> (<em>Slavic Magic Spells Book</em>) (2014) written by Ilya Cherkasov, who publishes his works under the pen name of Magus Veleslav (Volkhv Veleslav). The title of the book points out its dual genre. On the one hand, this is a collection of “pagan” magic spells that have been purified by double-faith historical layering, but on the other hand, this is also a compilation of Vedic hymns glorifying the Slavic Gods. There are some texts in the book which have close parallels with folklore compilations of the nineteenth and twentieth centuries. At the same time, there are many texts which are probably personally composed in the style of traditional magic spells by Magus Veleslav himself. Unlike traditional magic spells, in the texts of Magus Veleslav any Christian elements are absent. For example, instead of the Christian “Amen” at the end of a magic spell, he puts the exclamation “Goi!” And instead of the traditional word-combination “the slave of God (name)”, the author uses the formula “the grandson of Dazbog (name)”. The article finds that Magus Veleslav takes a free approach to traditional spell texts, seeing them as material for his own idiosyncratic literary reconstruction of pagan poetry.</p></div>","PeriodicalId":43192,"journal":{"name":"RUSSIAN LITERATURE","volume":"132 ","pages":"Pages 59-77"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49097814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Интуиция магического в теории: “Медленное чтение” М.О. Гершензона 理论中的神奇直觉:“读得慢”

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.06.003

Наталья Н. Смирнова (Natalia N. Smirnova)

{"title":"Интуиция магического в теории: “Медленное чтение” М.О. Гершензона","authors":"Наталья Н. Смирнова (Natalia N. Smirnova)","doi":"10.1016/j.ruslit.2022.06.003","DOIUrl":"https://doi.org/10.1016/j.ruslit.2022.06.003","url":null,"abstract":"<div><p>M.O. Gershenzon theorized that poetry is a magic action which appeals directly to “the primal myth”. The primal myth in the poetic word is opposed to metaphorical meaning in its rhetorical sense (as A.A. Potebnja described it). A poet sees an invisible world and really believes in the existence of ghosts (Gershenzon stated this in <em>The Poet’s Vision</em>, <em>Pushkin’s Wisdom</em>, <em>Gulfstream</em>, etc.). The magic poetic word of antiquity is no longer accessible to the understanding of the modern reader. Therefore, Gershenzon thought, a scholar / exegete must have congenial intuition in order to reveal the word from under layers of obliterated metaphors. It is ironic that for many decades this view was realized as a metaphorical style of thinking, almost destroying itself. But the theoretical ideas connected with this view went unnoticed (unlike the theory of Russian formalists, who also relied on Potebnja’s ideas about the genesis of metaphor). Gershenzon’s theoretical intuition is based on transference of the properties of the studied subject (the primal myth in a poet’s word) into research itself (attempts to reveal the poetic word’s “spell” through <em>slow reading</em>), making the magic a constructive element of the theory.</p></div>","PeriodicalId":43192,"journal":{"name":"RUSSIAN LITERATURE","volume":"132 ","pages":"Pages 99-116"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138411978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TEATP Meyerhold’s Castings of Actresses for Male Parts 梅耶霍尔德的男演员选角

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.09.002

J. Risum

引用次数: 0

Магия слова в современной культуре: Имитация, пародия, перформативность 现代文化中语言的魔力:模仿、模仿、表演

IF 0.2 3区文学

RUSSIAN LITERATURE Pub Date : 2022-09-01 DOI: 10.1016/j.ruslit.2022.06.005

Алексей В. Юдин (Aleksey V. Yudin)

引用次数: 0