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Der ökologische Imperativ als Paradigma einer engagierten Kunstgeschichte 作为一种致力于艺术史的范式的生态必要性
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4002
Peter J. Schneemann
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引用次数: 0
Boschini, Tintoretto, der ›malerische Akt‹ (atto pittoresco) und die ›Erfindung‹ des ästhetischen Genusses in Venedig ›风景如画、幕‹Boschini,意大利(atto pittoresco)›和‹发明的审美享受威尼斯
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4004
Valeska von Rosen
{"title":"Boschini, Tintoretto, der ›malerische Akt‹ (atto pittoresco) und die ›Erfindung‹ des ästhetischen Genusses in Venedig","authors":"Valeska von Rosen","doi":"10.1515/ZKG-2022-4004","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4004","url":null,"abstract":"Abstract The ‘painterly act’, which becomes quasi-visible and relivable in the impasto brushstrokes of Tintoretto and his contemporaries, is reflected in a terminologically concise and theoretically ambitious way only about a hundred years after their works were created – i.e., in the Carta del navegar pitoresco of 1660. Its author, Marco Boschini, not only coined the term ‘atto pittoresco’ but also programmatically embedded it in his dialogical speech about art, in which the importance of rhetorical categories recedes in favor of aesthetic maxims. ‘Pleasure’ and ‘joy’ of the beauty of painting and the act of painting incorporated in it are enhanced by the perception of the beauty of the lagoon city, which offers the viewer multiple views (viste) of the water with light reflections against a blue sky, shapes their good taste (buon gusto) and even promises recreation (recreazione).","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"465 - 497"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45944467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ukrainian Women Artists in Revolutionary Times 革命时期的乌克兰女艺术家
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4010
Halyna Kohut
{"title":"Ukrainian Women Artists in Revolutionary Times","authors":"Halyna Kohut","doi":"10.1515/ZKG-2022-4010","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4010","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"569 - 576"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48138613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Painter Werner Peiner, the Culture of the German Oil Industry, and the Nature of Hitler’s State 画家沃纳·佩纳，德国石油工业的文化，以及希特勒国家的本质
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3006
James A. van Dyke
{"title":"The Painter Werner Peiner, the Culture of the German Oil Industry, and the Nature of Hitler’s State","authors":"James A. van Dyke","doi":"10.1515/ZKG-2022-3006","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3006","url":null,"abstract":"Abstract This article examines the monumental mosaics, large stained glass windows, and illustrated maps that the German painter Werner Peiner (1897–1984), now best known for his designs for the representative buildings of Hitler’s dictatorship, produced between 1931 and 1935 for Shell Oil and its German subsidiary. The discussion of these commissions, which emerged from Peiner’s social networks of the 1920s and contributed to his career as a state artist after 1933, explains their function as ideological images promoting the interests of a global corporation and affirming modern automotive technology using conservative, mythologizing tropes of paradisical nature, traditional cultural landscapes, and immutable national communities that the painter later employed in his work for Hitler’s state.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"390 - 414"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46272782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Italienische Barockzeichnungen im Teyler Museum 在泰莱博物馆的意大利巴洛克绘画
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3007
J. Merz
{"title":"Italienische Barockzeichnungen im Teyler Museum","authors":"J. Merz","doi":"10.1515/ZKG-2022-3007","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3007","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"415 - 421"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47027985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kunst für »breite Bevölkerungsschichten« 面向“广大人群”的艺术
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3009
Joseph Imorde
{"title":"Kunst für »breite Bevölkerungsschichten«","authors":"Joseph Imorde","doi":"10.1515/ZKG-2022-3009","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3009","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"427 - 432"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43282418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tainted Trees: Uncovering the Long Shadow over Germany’s Medieval Maypoles and Ancient Tree Cults 受污染的树木：揭开德国中世纪五月和古树崇拜的长期阴影
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3004
Gregory C. Bryda
{"title":"Tainted Trees: Uncovering the Long Shadow over Germany’s Medieval Maypoles and Ancient Tree Cults","authors":"Gregory C. Bryda","doi":"10.1515/ZKG-2022-3004","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3004","url":null,"abstract":"Abstract This article revisits sources on German maypoles and tree cults in the ancient, medieval, and modern periods. It opens important historiographic horizons on at least three fronts, from the church’s relationship to tree-oriented customs throughout the Middle Ages, to the National Socialist appropriation of eighteenth- and nineteenth-century folkloric scholarship, and to the consequent postwar aversions to any trace of modern admiration for an alleged premodern veneration of trees. It shows how postwar art historians have remained so hesitant to perpetuate narratives about pre-Christian, homogenous belief systems that revered the forests of northern Europe that they have overlooked some of the few surviving physical traces in art from Slavic Eastern Europe, whose ancient ties to nature Germans toiled to erase in both the medieval and modern eras.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"337 - 362"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45396843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Deutsches Holz”: Wood, Wirkung, and the Werkbund in 1933 "德国木材":Wood，生效，1933年的工厂棚
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3005
Freyja Hartzell
{"title":"“Deutsches Holz”: Wood, Wirkung, and the Werkbund in 1933","authors":"Freyja Hartzell","doi":"10.1515/ZKG-2022-3005","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3005","url":null,"abstract":"Abstract In the wake of Germany’s ascension to nationhood in 1871, “deutsches Holz”—the stuff of half-timbered houses, Bierkellers, and three-legged chairs—became the building material of a new nationalist politics. But in 1933, after a decade of modernist innovations in steel, glass, and concrete, wood appealed once more to the German cultural consciousness. Amidst economic depression, social upheaval, and political turmoil, wood felt familiar and trustworthy, warm and reassuring—ubiquitous and cheap. But whose Holz was it? This essay employs wood as both substance and symbol to investigate the entangled crises of the German nation, the German Werkbund, and, in particular, Werkbund leader and architect-designer Richard Riemerschmid, in the teeth of the Nazi propaganda machine.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"363 - 389"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48686833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Race and Landscape in Nazi Germany* 简介：纳粹德国的种族与景观*
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3002
Matthew Vollgraff
{"title":"Introduction: Race and Landscape in Nazi Germany*","authors":"Matthew Vollgraff","doi":"10.1515/ZKG-2022-3002","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3002","url":null,"abstract":"Abstract This article introduces the themes and contributions of this special issue on Art and Environment in the Third Reich. The work of architect and reformer Paul Schultze-Naumburg is examined as a case study of the aestheticization of ‘race’ and landscape from the Wilhelmine Period to the National Socialism, particularly as it bore on German colonization and settlement projects in eastern Europe. Today’s resurgent far right and environmental crisis, it is argued, lend new urgency to critical interrogation of the relationship between environmental politics and the visual representation of nature under fascism. The articles collected in this issue illustrate a range of interdisciplinary approaches that move beyond iconography to address alternative media, materialities, and environmental history.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"289 - 308"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49072118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
America’s Virtues 美国的美德
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3008
Ivan Gaskell
{"title":"America’s Virtues","authors":"Ivan Gaskell","doi":"10.1515/ZKG-2022-3008","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3008","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"422 - 426"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45005421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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