发布求助
文献互助 智能选刊 最新文献

ZEITSCHRIFT FUR KUNSTGESCHICHTE最新文献

筛选
英文 中文
August Sander’s Regional Photobook Series, Nazification, and the Politics of Cultural Landscape August Sander的区域摄影系列、纳粹主义与文化景观的政治
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-09-01 DOI: 10.1515/ZKG-2022-3003
H. Shaw
{"title":"August Sander’s Regional Photobook Series, Nazification, and the Politics of Cultural Landscape","authors":"H. Shaw","doi":"10.1515/ZKG-2022-3003","DOIUrl":"https://doi.org/10.1515/ZKG-2022-3003","url":null,"abstract":"Abstract Between 1933 and 1935, as the Nazi regime was codifying its racialized understanding of the relationship between the German people and their land, the photographer August Sander published the cultural landscape series Deutsche Lande, deutsche Menschen (later Deutsches Land, deutsches Volk ). Focusing on the beginning and end of the series, this article charts Sander’s negotiation of the regime’s rhetoric and the fate of his Weimar-era methodology after 1933. It argues that while the photobooks were in dialogue with the changes underway in Germany from the very beginning, they moved closer to the visual culture and political imperatives of the regime as the series progressed. This article complicates simple narratives about Sander’s place in the visual culture of Third Reich Germany.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"309 - 336"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47314336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
»Die mittelalterliche Architektur ist nun einmal durchaus international«: Anmerkungen zu Ingo Herklotz, Richard Krautheimer in Deutschland: Aus den Anfängen einer wissenschaftlichen Karriere 1925–1933 “中世纪建筑是相当国际化的”：关于Ingo Herklotz，Richard Krautheimer在德国的笔记：从1925年到1933年的科学生涯开始
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-06-01 DOI: 10.1515/ZKG-2022-2005
P. Seiler
{"title":"»Die mittelalterliche Architektur ist nun einmal durchaus international«: Anmerkungen zu Ingo Herklotz, Richard Krautheimer in Deutschland: Aus den Anfängen einer wissenschaftlichen Karriere 1925–1933","authors":"P. Seiler","doi":"10.1515/ZKG-2022-2005","DOIUrl":"https://doi.org/10.1515/ZKG-2022-2005","url":null,"abstract":"Abstract In Richard Krautheimer in Deutschland, Ingo Herklotz explores the beginnings of Krautheimer’s academic career. Based on a wealth of previously unpublished sources, he argues that Krautheimer’s groundbreaking essays “The Carolingian Revival of Early Christian Architecture” and “Introduction to an ‘Iconography of Medieval Architecture’” reach back to his early days in Weimar Germany. Herklotz also contends that the young scholar’s early writings show a one-sided orientation toward methodological concepts of an autonomous history of style and a striving for a “German national identity”. However, neither contention seems plausible. As can be demonstrated, Krautheimer had already taken a vigorously European view on medieval architecture in his dissertation on the architecture of the mendicant orders in Germany and in his book on synagogues, and indeed realised the potential of cultural-historical context analyses early on.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"223 - 270"},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49604132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
When the “Constant Renewal of Frameworks” Might Not Suffice Anymore: Art History in Times of Fallism 当“框架的不断更新”可能不再足够:谬误时代的艺术史
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-06-01 DOI: 10.1515/ZKG-2022-2002
T. Holert
{"title":"When the “Constant Renewal of Frameworks” Might Not Suffice Anymore: Art History in Times of Fallism","authors":"T. Holert","doi":"10.1515/ZKG-2022-2002","DOIUrl":"https://doi.org/10.1515/ZKG-2022-2002","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"145 - 151"},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66869920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silent Poetry: The Disputation on the Immaculate Conception by Carlo Maratti, Revisited 《沉默的诗:卡洛·马拉蒂的无原罪之争》重访
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-06-01 DOI: 10.1515/ZKG-2022-2003
S. Colombo
{"title":"Silent Poetry: The Disputation on the Immaculate Conception by Carlo Maratti, Revisited","authors":"S. Colombo","doi":"10.1515/ZKG-2022-2003","DOIUrl":"https://doi.org/10.1515/ZKG-2022-2003","url":null,"abstract":"Abstract This paper re-examines the Disputation on the Immaculate Conception by Carlo Maratti (1686) and its reception in hitherto understudied poems which were first published in 1686 and 1687. Although the poems are chiefly celebratory and refer to the tradition of encomiastic pictorial description, this essay demonstrates how they help us understand the beholder’s engagement with Baroque art. It first analyzes the poems as both encomiastic speech and ekphrastic poetry to explain how epideictic description persuasively moves readers to venerate the Virgin, thus rekindling the cult of the Immaculate Conception. Subsequently, a comparative reading of the poems and the painting demonstrates how art and literature mutually informed each other to create new aesthetic and intellectual values. A detailed comparison between visual and verbal languages will therefore offer a new interpretative framework to reassess the painting, the poems, and their public.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"152 - 180"},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42816937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die Materialität der Dioramen 透视学的唯物
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-06-01 DOI: 10.1515/ZKG-2022-2007
Valérie Kobi
{"title":"Die Materialität der Dioramen","authors":"Valérie Kobi","doi":"10.1515/ZKG-2022-2007","DOIUrl":"https://doi.org/10.1515/ZKG-2022-2007","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"285 - 288"},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46996097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Raffael, von fern und nah 拉斐尔远亲们
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-06-01 DOI: 10.1515/ZKG-2022-2006
Michael Rohlmann
{"title":"Raffael, von fern und nah","authors":"Michael Rohlmann","doi":"10.1515/ZKG-2022-2006","DOIUrl":"https://doi.org/10.1515/ZKG-2022-2006","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"271 - 284"},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47463396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jacob Burckhardt und die französische Interpretation der »Renaissance«: Wandlungen des Begriffs von den frühen Tessin-Studien bis zum Cicerone 文艺复兴雅各Burckhardt和法国解读»«:变迁的概念,由早期Tessin-Studien直到Cicerone
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-06-01 DOI: 10.1515/ZKG-2022-2004
H. Karge
{"title":"Jacob Burckhardt und die französische Interpretation der »Renaissance«: Wandlungen des Begriffs von den frühen Tessin-Studien bis zum Cicerone","authors":"H. Karge","doi":"10.1515/ZKG-2022-2004","DOIUrl":"https://doi.org/10.1515/ZKG-2022-2004","url":null,"abstract":"Abstract The popularisation of the term “Renaissance” in the German-speaking world owes much to Jacob Burckhardt. Until 1840, however, the use of this period term still reflected its French origins. Burckhardt himself, as a scholar still in his twenties, applied it (albeit with some reservations about the etymology) primarily to sixteenth-century architecture and ornamentation in France and in neighbouring regions. Only a decade later did he redefine the term and associate it enthusiastically with Italian art and architecture. Burckhardt’s early use of the word “Renaissance” conveys much of the fascination that the simultaneously hybrid and opulent French art of the decades around 1500 held in nineteenth-century Europe.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"181 - 222"},"PeriodicalIF":0.2,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48737662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-03-01 DOI: 10.1515/zkg-2022-1001
{"title":"Editorial","authors":"","doi":"10.1515/zkg-2022-1001","DOIUrl":"https://doi.org/10.1515/zkg-2022-1001","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41630515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kunstgeschichtliche Forschungspraxis in globalen Kontexten 要在全球范围内进行历史研究实践
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-03-01 DOI: 10.1515/ZKG-2022-1002
Peter Krieger, Zeynep Kuban, Nadia von Maltzahn, B. Dogramaci
{"title":"Kunstgeschichtliche Forschungspraxis in globalen Kontexten","authors":"Peter Krieger, Zeynep Kuban, Nadia von Maltzahn, B. Dogramaci","doi":"10.1515/ZKG-2022-1002","DOIUrl":"https://doi.org/10.1515/ZKG-2022-1002","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"3 - 12"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43715442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Audiface Diotallevi e Gustav Friedrich Waagen: il carteggio per l’acquisto della Madonna di Raffaello e della Natività di Luini per il museo di Berlino (1841–1842) 有脸的迪奥塔莱维和古斯塔夫·弗里德里希·瓦根:为柏林博物馆购买拉斐尔麦当娜和卢尼耶稣诞生的信件(1841 - 1842)
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-03-01 DOI: 10.1515/ZKG-2022-1006
Giulio Zavatta
{"title":"Audiface Diotallevi e Gustav Friedrich Waagen: il carteggio per l’acquisto della Madonna di Raffaello e della Natività di Luini per il museo di Berlino (1841–1842)","authors":"Giulio Zavatta","doi":"10.1515/ZKG-2022-1006","DOIUrl":"https://doi.org/10.1515/ZKG-2022-1006","url":null,"abstract":"Abstract The archive of the Diotallevi family preserves a folder of unpublished letters concerning the purchase of the so-called Diotallevi Madonna by Raphael and a Nativity by Bernardino Luini for the Berlin Gemäldegalerie, which in the Diotallevi collection had been misattributed to Perugino and Garofalo, respectively. The correspondence between the art collector Audiface Diotallevi and Gustav Friedrich Waagen, director of the Berlin museum, documents protracted negotiations during which both buyer and seller politely bargained for advantage. Whilst Diotallevi was keen to bolster the reputation of his collection by the prestigious sale of the two paintings to the Berlin museum, Waagen did his best not to reveal his belief in Raphael’s authorship of the Diotallevi Madonna. The two paintings, reserved for Waagen since December 1841, eventually left Rimini in April 1842, and were sent to Berlin via Rome.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"82 - 96"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43246979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信