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Michelangelo, Lambert Lombard, and the Inalienable Gift of Drawing 米开朗基罗、朗伯·伦巴第和绘画的不可剥夺的天赋
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2023-03-01 DOI: 10.1515/ZKG-2023-1004
Edward H. Wouk
{"title":"Michelangelo, Lambert Lombard, and the Inalienable Gift of Drawing","authors":"Edward H. Wouk","doi":"10.1515/ZKG-2023-1004","DOIUrl":"https://doi.org/10.1515/ZKG-2023-1004","url":null,"abstract":"Abstract In two exceptional drawings, the Netherlandish artist Lambert Lombard responded to the famous studies of Christ’s Passion that Michelangelo produced as gifts for the Roman noblewoman Vittoria Colonna between circa 1538 and 1541. This article investigates the nature of the drawing as gift in the work of both artists, with respect to practices of giving, reciprocity, and the gift of talent. In the context of his participation in the circle around the embattled English cardinal Reginald Pole, Lombard’s drawings engage with the theological and artistic significance of Michelangelo’s studies, particularly in their depiction of salvation as a gift beyond recompense. Lombard’s response to Michelangelo reflects his position as a northern European artist working in a period of intense crisis about the function of art in systems of belief.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"15 - 49"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43081160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Architectural History and Race 建筑历史与种族
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2023-03-01 DOI: 10.1515/ZKG-2023-1009
Regine Hess
{"title":"Architectural History and Race","authors":"Regine Hess","doi":"10.1515/ZKG-2023-1009","DOIUrl":"https://doi.org/10.1515/ZKG-2023-1009","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"136 - 142"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41749238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Textur, Transparenz und Täuschung: Blaue Papiere in Pastellen und Schriftquellen des 18. Jahrhunderts* 质地、透明度和欺骗性：蓝色纸张的粉彩和字体来源为18种。===参考文献===外部链接===*官方网站
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2023-03-01 DOI: 10.1515/ZKG-2023-1006
Iris Brahms
{"title":"Textur, Transparenz und Täuschung: Blaue Papiere in Pastellen und Schriftquellen des 18. Jahrhunderts*","authors":"Iris Brahms","doi":"10.1515/ZKG-2023-1006","DOIUrl":"https://doi.org/10.1515/ZKG-2023-1006","url":null,"abstract":"Abstract Blue paper was probably the most common substrate onto which pastels were painted during the eighteenth century. Nevertheless, the associated implications have not yet been researched comprehensively. Based on case studies and contemporary source documents as well as in cooperation with conservators from international collections, this article argues for incorporating the supposedly invisible into art historical analyses. The aim is also to question both the categorisation of pastel painting as drawing and its assumed “sweet” aesthetics in order to open our eyes to the versatility of pastel painting. Through an art-theoretical discussion of underlying materials and the dissecting gaze, the article reflects on artificiality, illusionism, verisimilitude, and the subjectified view.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"68 - 99"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45797910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vija Celmins: The Art of Enervation Vija Celmins:Enervation的艺术
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2023-03-01 DOI: 10.1515/ZKG-2023-1007
Harrison Adams
{"title":"Vija Celmins: The Art of Enervation","authors":"Harrison Adams","doi":"10.1515/ZKG-2023-1007","DOIUrl":"https://doi.org/10.1515/ZKG-2023-1007","url":null,"abstract":"Abstract The painter Vija Celmins has long been an outlier in narratives of postwar American art. Extensive formal analysis of her work, from her early still lifes to her later night skies and ocean surfaces, shows that Celmins was deeply invested in the issues of time, entropy, and energy that proved crucial to her contemporaries, like Robert Smithson and Hans Haacke. However, Celmins found ways of objectifying energy through naturalistic representation and the most traditional of media, painting and drawing. She explores these issues by discovering contradictions within classical mimesis.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"100 - 127"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46377489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La première œuvre collective de l’Académie de France à Rome : un apparat éphémère pour la guérison de Louis XIV* academie de France在罗马的第一个集体作品:一个短暂的治疗路易十四的装置*
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4005
Valentina Hristova
{"title":"La première œuvre collective de l’Académie de France à Rome : un apparat éphémère pour la guérison de Louis XIV*","authors":"Valentina Hristova","doi":"10.1515/ZKG-2022-4005","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4005","url":null,"abstract":"Abstract This article focuses on the ephemeral, multimedia façade for the French Academy commemorating the recovery of Louis XIV from illness. Known only through an engraved print, this installation seems tobe the first – and perhaps the only – tangible manifestation of the collective work carried out by French architects, sculptors, and painters resident in Rome during the second half of the seventeenth century. The aim is to demonstrate that, in addition to constituting a precious reservoir of visual references, whose correct understanding depends on an archaeological study of the ancient and modern repertoires, this apparatus imposes itself as an ambitious project of political mediation at a particular moment in the history of the Kingdom of France.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"498 - 519"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43083279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Refugium Ostseestrand Ostseestrand避难所
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4009
Oliver Sukrow
{"title":"Refugium Ostseestrand","authors":"Oliver Sukrow","doi":"10.1515/ZKG-2022-4009","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4009","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"563 - 568"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45194183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drei Bellini-Bücher 三个Bellini-Bücher
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4007
Neville Rowley
{"title":"Drei Bellini-Bücher","authors":"Neville Rowley","doi":"10.1515/ZKG-2022-4007","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4007","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"550 - 555"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66870028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
War News from Mexico and The Chelsea Pensioners: Richard Caton Woodville and the Democratized Reception of War News 来自墨西哥的战争新闻和切尔西的养老金领取者:理查德·卡顿·伍德维尔和战争新闻的民主化接受
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4006
C. Rudolph, Jason Weems
{"title":"War News from Mexico and The Chelsea Pensioners: Richard Caton Woodville and the Democratized Reception of War News","authors":"C. Rudolph, Jason Weems","doi":"10.1515/ZKG-2022-4006","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4006","url":null,"abstract":"Abstract Richard Caton Woodville’s 1848 painting War News from Mexico, made during his studies at the Kunstakademie in Düsseldorf, is among the most iconic American images from before the Civil War (1861–1865). Traditionally, it has been seen as a sentimentalized and politically ambiguous representation of the American “middling sort.” What has gone completely unnoticed is that Woodville systematically adapted every single figure and the basic composition from an even better-known painting by another noted genre painter, the 1822 Chelsea Pensioners by David Wilkie. But whereas Wilke presented an idealized depiction of the British “common sort,” Woodville – perhaps because of his perspective from the Revolutions of 1848 in Germany – constructed a critical, declarative, and even edgy view of American democracy compromised by the inherent contradiction of slavery. Such a claim of a direct political message for War News goes against a preponderance of scholarship that positions the artist (and to a degree all antebellum genre painting) as non-committal.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"520 - 549"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42032955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Paolo Veneziano’s arbor crucis in Dubrovnik and the Rhetoric of the Frame in the Mid-Trecento Paolo Veneziano在杜布罗夫尼克的十字形乔木和特伦托中期的框架修辞
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4003
M. Marusic
{"title":"Paolo Veneziano’s arbor crucis in Dubrovnik and the Rhetoric of the Frame in the Mid-Trecento","authors":"M. Marusic","doi":"10.1515/ZKG-2022-4003","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4003","url":null,"abstract":"Abstract The paper analyzes the wooden frame of Paolo Veneziano’s monumental Crucifixion, the largest trecento composition in the Adriatic to survive, on the triumphal arch of the church of St. Dominic in Dubrovnik. By including the scrolls’ foliage, the Old Testament prophets, and censing angels, this frame transforms a stylistically inventive yet typologically conventional “croce dipinta” into one aligned with the iconography of the arbor vitae by way of an unprecedented shift of attention to its margins. The full power of the Crucifixion is vested both in the body of the crucified Christ and its frame. At the same time, its overarching theme of the genealogy of Christ and his Passion can be subject to different readings, i.e. “doctrinal,” “liturgical,” or, as the paper tentatively proposes, “Dominican.”","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"440 - 464"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45217298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ein »geistreicher Grashüpfer« “机智的蚱蜢”
IF 0.2 2区 艺术学
ZEITSCHRIFT FUR KUNSTGESCHICHTE Pub Date : 2022-11-23 DOI: 10.1515/ZKG-2022-4008
Stephanie Marchal
{"title":"Ein »geistreicher Grashüpfer«","authors":"Stephanie Marchal","doi":"10.1515/ZKG-2022-4008","DOIUrl":"https://doi.org/10.1515/ZKG-2022-4008","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"556 - 562"},"PeriodicalIF":0.2,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46012506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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