{"title":"Die vielen Hände des Émile Gallé: Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine","authors":"L. Kuhn","doi":"10.1515/zkg-2023-2005","DOIUrl":"https://doi.org/10.1515/zkg-2023-2005","url":null,"abstract":"Abstract This essay examines the display of artistic labour embedded in Émile Gallé's glass objects. As a starting point, it takes the telling discrepancy between Gallé's representation as an artist working in the solitude of his studio in the well-known portrait painted by Victor Prouvé in 1892 and the actual involvement of many hands organized under a strict division of labour in his glass manufactory. His glass objects thus exist somewhere between the logic of the singular work of art and that of serial production. The essay looks closely at Gallé's exhibition practice at the Salon du Champ-de-Mars as well as at his public statements about the making of his glass works in order to trace contemporary negotiations of the relationship between art and industry and, more broadly, notions of what constituted an adequate modern art around 1900.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"224 - 252"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48140514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Mano: una lascivia di Michelangelo e i suoi effetti","authors":"F. Saracino","doi":"10.1515/zkg-2023-2003","DOIUrl":"https://doi.org/10.1515/zkg-2023-2003","url":null,"abstract":"Abstract This essay presents the hitherto unknown copy of a drawing by Michelangelo representing a hand performing a lascivious act, and assesses the consequences of this invention in the artist's circle. It is an image that fits well into the burlesque tendencies of the Renaissance, and perhaps pertains to the ideology of the procreative artist; its scheme was even adapted to devotional and narrative contexts by some painters who observed the drawing among the papers of the “divine” – such as the Master of the Manchester Madonna, Battista Franco, and Girolamo Muziano. Michelangelo's Hand involved layered motivations and gives insight into some aspects of the master's imagination during his early maturity.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"195 - 211"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47598520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cristofano Allori dans son dessin : le sujet dans le procédé d’étude","authors":"Éric Pagliano","doi":"10.1515/zkg-2023-2004","DOIUrl":"https://doi.org/10.1515/zkg-2023-2004","url":null,"abstract":"Abstract In a book entitled The Subject in Painting, Daniel Arasse highlighted the anomalies and gaps likely to contain the “marks of the personality of their author” in works by Mantegna, Piero di Cosimo, Bellini, and Titian. He intended to show “how in the subject of a work the subject who painted it shines through.” This particular study is done in the footsteps of Arasse, but instead of starting from a completed work I will consider a preparatory drawing by the Florentine painter Cristofano Allori (1577–1621) as a point of departure. The challenge of this article is, thus, to show that the research methods specific to drawing employed to put in place a “subject-theme” can indeed refer to the “subject-artist” and even contain him or her: Allori studies his subject while “revealing himself” as a subject, and in this case his personal story is one of a tumultuous and passionate relationship with his mistress, La Mazzafirra.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"212 - 223"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43062525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Augmented Species: Digitale Ökofiktionen als Strategie künstlerischen Engagements","authors":"Ursula Ströbele","doi":"10.1515/zkg-2023-2006","DOIUrl":"https://doi.org/10.1515/zkg-2023-2006","url":null,"abstract":"Abstract The essay aims to explore how eco-fiction unfolds speculative futures of potential worlds in digital images and how this acts as a strategy of artistic engagement, following György Kepes's demand for “ecological consciousness.” Using Tamiko Thiel, Jakob Kudsk Steensen, Sofia Crespo and Feileacan McCormick as well as and Sommerer and Mignonneau as examples, the article shows how artists are turning away from the seemingly dystopian narrative of the Anthropocene in favor of positive and playful narratives via digital eco-fiction. Their works formulate a claim of artistic commitment which is to be methodically and historically reflected and critically questioned with regard to the seductive branching off into parallel illusory worlds. Opposed to the immediacy and promise of authenticity of “real nature,” their programmed, fabulated imaginary worlds lead to an overlapping of different realities.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"253 - 271"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47860573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un nouveau catalogue des sculptures du Bernin","authors":"S. Loire","doi":"10.1515/zkg-2023-2007","DOIUrl":"https://doi.org/10.1515/zkg-2023-2007","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"272 - 277"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42548003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Complicated Position of Ethnic Roma in Art and Culture Today","authors":"Jasmina Tumbas","doi":"10.1515/ZKG-2023-1003","DOIUrl":"https://doi.org/10.1515/ZKG-2023-1003","url":null,"abstract":"","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"2 - 14"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42806928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Tapestry Series The Life of Man for Cosimo I de’ Medici: A Reconstruction and a Hypothesis as to Its Purpose","authors":"Henk Th. van Veen","doi":"10.1515/ZKG-2023-1005","DOIUrl":"https://doi.org/10.1515/ZKG-2023-1005","url":null,"abstract":"Abstract In 1559 Cosimo I de’ Medici commissioned eight tapestries on the subject The Life of Man. These tapestries were destined for the room in the Palazzo Vecchio where Cosimo and his family dined during the winter season. Giorgio Vasari designed the series and Jan van der Straet was responsible for its cartoons; the tapestries were woven by Benedetto di Michele Squilli and Giovanni di Bastiano Sconditi. Until now three tapestries of the series are known to have been preserved. In this article I shall argue that a fourth tapestry can now be added to these three. I will also reconstruct the original appearance of the full series on The Life of Man and put forth a hypothesis as to the purpose it may have served in its original setting.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"86 1","pages":"50 - 67"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44210775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}