{"title":"受污染的树木:揭开德国中世纪五月和古树崇拜的长期阴影","authors":"Gregory C. Bryda","doi":"10.1515/ZKG-2022-3004","DOIUrl":null,"url":null,"abstract":"Abstract This article revisits sources on German maypoles and tree cults in the ancient, medieval, and modern periods. It opens important historiographic horizons on at least three fronts, from the church’s relationship to tree-oriented customs throughout the Middle Ages, to the National Socialist appropriation of eighteenth- and nineteenth-century folkloric scholarship, and to the consequent postwar aversions to any trace of modern admiration for an alleged premodern veneration of trees. It shows how postwar art historians have remained so hesitant to perpetuate narratives about pre-Christian, homogenous belief systems that revered the forests of northern Europe that they have overlooked some of the few surviving physical traces in art from Slavic Eastern Europe, whose ancient ties to nature Germans toiled to erase in both the medieval and modern eras.","PeriodicalId":43164,"journal":{"name":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","volume":"85 1","pages":"337 - 362"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tainted Trees: Uncovering the Long Shadow over Germany’s Medieval Maypoles and Ancient Tree Cults\",\"authors\":\"Gregory C. Bryda\",\"doi\":\"10.1515/ZKG-2022-3004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article revisits sources on German maypoles and tree cults in the ancient, medieval, and modern periods. It opens important historiographic horizons on at least three fronts, from the church’s relationship to tree-oriented customs throughout the Middle Ages, to the National Socialist appropriation of eighteenth- and nineteenth-century folkloric scholarship, and to the consequent postwar aversions to any trace of modern admiration for an alleged premodern veneration of trees. It shows how postwar art historians have remained so hesitant to perpetuate narratives about pre-Christian, homogenous belief systems that revered the forests of northern Europe that they have overlooked some of the few surviving physical traces in art from Slavic Eastern Europe, whose ancient ties to nature Germans toiled to erase in both the medieval and modern eras.\",\"PeriodicalId\":43164,\"journal\":{\"name\":\"ZEITSCHRIFT FUR KUNSTGESCHICHTE\",\"volume\":\"85 1\",\"pages\":\"337 - 362\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ZEITSCHRIFT FUR KUNSTGESCHICHTE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/ZKG-2022-3004\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ZEITSCHRIFT FUR KUNSTGESCHICHTE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/ZKG-2022-3004","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Tainted Trees: Uncovering the Long Shadow over Germany’s Medieval Maypoles and Ancient Tree Cults
Abstract This article revisits sources on German maypoles and tree cults in the ancient, medieval, and modern periods. It opens important historiographic horizons on at least three fronts, from the church’s relationship to tree-oriented customs throughout the Middle Ages, to the National Socialist appropriation of eighteenth- and nineteenth-century folkloric scholarship, and to the consequent postwar aversions to any trace of modern admiration for an alleged premodern veneration of trees. It shows how postwar art historians have remained so hesitant to perpetuate narratives about pre-Christian, homogenous belief systems that revered the forests of northern Europe that they have overlooked some of the few surviving physical traces in art from Slavic Eastern Europe, whose ancient ties to nature Germans toiled to erase in both the medieval and modern eras.
期刊介绍:
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