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Journal of British Cinema and Television最新文献

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Memories of Home: The Belfast Films of Mark Cousins and Kenneth Branagh 《家的回忆:马克·考辛斯和肯尼斯·布拉纳的贝尔法斯特电影》
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-07-01 DOI: 10.3366/jbctv.2023.0679
R. Barton
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引用次数: 0
‘Skip the warts’: Personal Branding and Pornification in The Look of Love “跳过缺点”：《爱的样子》中的个人品牌和色情
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0667
Matthew Robinson
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引用次数: 0
Charles Drazin, Making Hollywood Happen: The Story of Film Finances 查尔斯·德拉赞，《让好莱坞成真:电影融资的故事》
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0672
Justin Smith
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引用次数: 0
‘The Billings verdict’: Kine Weekly and the British Box Office, 1936–62 “比林斯的判决”：《Kine周刊》和英国票房，1936–62
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0668
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引用次数: 0
Benjamin Halligan, Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society 本杰明·哈利根：《许可的温床：英国魅力电影与许可社会》
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0673
Barnaby Falck
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引用次数: 0
Sarah Godfrey, Masculinity in British Cinema, 1990–2010 莎拉·戈弗雷:《1990-2010年英国电影中的男子气概》
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0671
A. Spicer
{"title":"Sarah Godfrey, Masculinity in British Cinema, 1990–2010","authors":"A. Spicer","doi":"10.3366/jbctv.2023.0671","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0671","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43355279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alma's (Not) Normal: Normalising Working-Class Women in/on BBC TV Comedy Alma的（不）正常：在BBC电视喜剧中使工人阶级女性正常化
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0665
{"title":"Alma's (Not) Normal: Normalising Working-Class Women in/on BBC TV Comedy","authors":"","doi":"10.3366/jbctv.2023.0665","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0665","url":null,"abstract":"This article examines the BBC sitcom Alma's Not Normal and its representation of white working-class femininities in/on British TV comedy. After The Royle Family creator Caroline Aherne's death in July 2017, the BBC created a bursary in memory of the comedy star, awarding £5,000 to the successful applicant to develop a pilot comedy script. Though open to people of all backgrounds and genders, the three winners so far have been working-class women – Sophie Willan, Amy Gledhill and Kiri Pritchard-McLean – an important shift from the recent success of female-fronted and female-authored middle-class comedies on the BBC such as Miranda and Fleabag. This article examines the award's first winner: Boltonian Sophie Willan and her series Alma's Not Normal. While Phil Wickham argues that contemporary working-class sitcoms in Britain display the ‘hidden injuries of class’, something that is felt but no longer acknowledged, I contend that Willan exposes class wounds by explicitly referencing and drawing attention to social issues in her TV series. More specifically, I argue that, as a working-class woman in the North West, Willan uses comedy to interrogate the intersections of class and gender. This textual analysis will then be used as a framework to conceptualise the labour of working-class women in British television comedy, mainly because class has been overlooked as a social category in contemporary scholarship on feminism and humour.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42284417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Liminality and the End of Empire in The 7th Dawn 黎明的黎明与帝国的终结
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0669
Paul Cornelius, Douglas Rhein
{"title":"Liminality and the End of Empire in The 7th Dawn","authors":"Paul Cornelius, Douglas Rhein","doi":"10.3366/jbctv.2023.0669","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0669","url":null,"abstract":"This article reassesses the impact of The 7th Dawn, a British adventure drama from 1964 about the Malayan Emergency. Using a contextual methodology, it examines the film as a product of the Cold War and against the background of previous British films made about the Emergency. Key to understanding the film is its representation of Malaya as a liminal space undergoing a transition to independence and a reflection of that political and physical state in the leading protagonist as a liminal individual undergoing a psychological transition. Among the contextual issues addressed are how colonialism during a time of transition to Malayan independence is seen through the film’s imagery, how ethnic differences are portrayed and how individual roles came to stand for political ideologies. Through formal textual analysis, the study of biographies, memoirs and original texts, as well as through references to film history, the article asserts that this hitherto neglected film should be seen as reflective of a turning point in the depiction of colonialism and attitudes towards race and ethnicity in English language feature films about South East Asia.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47918182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Hall, Revue and Modernity in Victor Saville's Evergreen 维克多·萨维尔的《常青》中的音乐厅、讽刺剧和现代性
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0666
Simon Featherstone
{"title":"Music Hall, Revue and Modernity in Victor Saville's Evergreen","authors":"Simon Featherstone","doi":"10.3366/jbctv.2023.0666","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0666","url":null,"abstract":"Victor Saville's Evergreen (1934) has long been regarded as an innovative British film musical in its aspirations to the idioms and production values of American cinema of the period and in its integration of continental European artistic design. Complementing these features, this article argues, is a less noted but unusually specific engagement with popular British performance practices and their historical contexts. An examination of the film's representation of music hall and revue, both in its narrative and in its diegetic dance and song sequences, suggests their importance for Gaumont-British's attempt to establish Jessie Matthews as a distinctively novel performer in changing contexts of both British and American film production. More broadly, it also complicates the dominant model of the alleged decline of popular theatre in the period as a result of its competitive engagement with cinema, presenting instead a nuanced sense of their interaction in the 1930s that prefigures the importance of domestic performance traditions for a later period of British national cinema.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42249750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front matter 前页
1区 艺术学
Journal of British Cinema and Television Pub Date : 2023-04-01 DOI: 10.3366/jbctv.2023.0664
{"title":"Front matter","authors":"","doi":"10.3366/jbctv.2023.0664","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0664","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135274616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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