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Journal of British Cinema and Television最新文献

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Geoffrey Macnab, The British Film Industry in 25 Careers: The Mavericks, Visionaries and Outsiders Who Shaped British Cinema 杰弗里·麦克纳布，《25个职业中的英国电影业:塑造英国电影的特立独行者、梦想家和局外人》
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2022-01-01 DOI: 10.3366/jbctv.2022.0606
A. Spicer
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引用次数: 0
Return, Remembrance and Redemption: Hauntology and the Topography of Trauma in The Virtues and This Is England ’88 回归，记忆和救赎:《美德》和《这就是英格兰》中幽灵学和创伤地形
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2022-01-01 DOI: 10.3366/jbctv.2022.0603
Jack Anderson
{"title":"Return, Remembrance and Redemption: Hauntology and the Topography of Trauma in The Virtues and This Is England ’88","authors":"Jack Anderson","doi":"10.3366/jbctv.2022.0603","DOIUrl":"https://doi.org/10.3366/jbctv.2022.0603","url":null,"abstract":"This article takes a hauntological approach to explore Shane Meadows's preoccupation with (post)traumatic return, focusing on the TV series The Virtues (Channel 4, 2019) and This Is England ’88 (Channel 4, 2011), which are correlatives in their sophisticated explication of hauntological trauma. Using Jacques Derrida's theoretical neologism ‘hauntology’, the haunting cycles which are signatures in Meadows's work are understood as spectres of an unresolved past and symptoms of repressed knowledge. As explored by Meadows, the psychological breakdowns of key characters Joseph and Lol are articulated as a ghostly resurfacing of unprocessed trauma from the past. By highlighting Meadows's use of return, remembrance and redemption as a triadic narrative pattern, the article will show how Meadows depicts the transformative efficacy of traumatic return through using the haunting as a potentially restorative device.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49011444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mark McKenna, Nasty Business: The Marketing and Distribution of the Video Nasties 马克·麦肯纳:《下流生意:下流视频的营销和发行》
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2022-01-01 DOI: 10.3366/jbctv.2022.0610
J. Petley
{"title":"Mark McKenna, Nasty Business: The Marketing and Distribution of the Video Nasties","authors":"J. Petley","doi":"10.3366/jbctv.2022.0610","DOIUrl":"https://doi.org/10.3366/jbctv.2022.0610","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43892184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Kevin McNally: Recreating Classic Sitcom Performances 凯文·麦克纳利:再现经典情景喜剧表演
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2022-01-01 DOI: 10.3366/jbctv.2022.0605
Richard Hewett
{"title":"Kevin McNally: Recreating Classic Sitcom Performances","authors":"Richard Hewett","doi":"10.3366/jbctv.2022.0605","DOIUrl":"https://doi.org/10.3366/jbctv.2022.0605","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45355743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jamie Bennett and Victoria Knight, Prisoners on Prison Films Jamie Bennett和Victoria Knight，监狱电影中的囚犯
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2021-10-01 DOI: 10.3366/jbctv.2021.0595
Nic Groombridge
{"title":"Jamie Bennett and Victoria Knight, Prisoners on Prison Films","authors":"Nic Groombridge","doi":"10.3366/jbctv.2021.0595","DOIUrl":"https://doi.org/10.3366/jbctv.2021.0595","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49652710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cat Mahoney, Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War Cat Mahoney，新自由主义后女权主义电视剧中的女性：代表第二次世界大战的性别经历
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2021-10-01 DOI: 10.3366/jbctv.2021.0596
B. White
{"title":"Cat Mahoney, Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War","authors":"B. White","doi":"10.3366/jbctv.2021.0596","DOIUrl":"https://doi.org/10.3366/jbctv.2021.0596","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44730989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Independent Miss Craigie: Narration and the Archive in a Documentary Biopic 独立的克雷格小姐:记录片传记片中的叙述和档案
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2021-10-01 DOI: 10.3366/jbctv.2021.0589
Lizzie Thynne
{"title":"Independent Miss Craigie: Narration and the Archive in a Documentary Biopic","authors":"Lizzie Thynne","doi":"10.3366/jbctv.2021.0589","DOIUrl":"https://doi.org/10.3366/jbctv.2021.0589","url":null,"abstract":"This article explores the process of making a documentary about Jill Craigie which drew, in particular, on the collection of her papers at the Women's Library and on documents belonging to Craigie and her family. Independent Miss Craigie (2021) seeks to examine the scope and synergies of film-making and politics in a career which encompassed independent production, journalism, broadcasting, television and writing. Our documentary aims to evoke the tensions between Craigie's own (rather diverse) accounts of her career, the evidence of it in her papers and in the contemporary reception of her work. This article about the making of the film provides space to reflect on how archival materials can be used to construct a narrative of a woman director's career. In doing so, it highlights the inevitable gaps and elisions in archival sources and, indeed, in the interpretation of Craigie's films and come to some conclusions about Craigie's disparaging attitude to her own work in later life.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43755045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘How to pack a hall’: Civic Film Culture in Wartime Britain and MoI Mobile Film Shows for the Women's Institute “如何挤满一个大厅”:战时英国的公民电影文化和MoI为妇女研究所举办的流动电影展览
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2021-10-01 DOI: 10.3366/jbctv.2021.0590
Hollie Price
{"title":"‘How to pack a hall’: Civic Film Culture in Wartime Britain and MoI Mobile Film Shows for the Women's Institute","authors":"Hollie Price","doi":"10.3366/jbctv.2021.0590","DOIUrl":"https://doi.org/10.3366/jbctv.2021.0590","url":null,"abstract":"In the 1930s, the documentary film movement had experimented with non-theatrical distribution and this was championed by John Grierson, who claimed that the ‘future of cinema … may creep in quietly by way of the YMCAs, the church halls and other citadels of suburban improvement’. This article explores the wartime evolution of this idea by expanding on the Ministry of Information's (MoI) organisation of mobile film shows in practice: uncovering archival evidence of Helen de Mouilpied's work organising the regional film exhibition scheme, and focusing on the programming of film shows for women, including those held on a regular basis for the Women's Institute (WI) in the ephemeral spaces of village halls. By taking into consideration records of de Mouilpied's distribution work at the Ministry and the often insubstantial, fragmentary and regional traces of film shows in Ministry records, the local press and the WI journal Home & Country, this article offers a new view of the non-theatrical operation's role as ‘useful cinema’ in the MoI Films Division's propaganda programme, and its encouragement of a civic film culture on the home front that has been overshadowed in histories of British documentary and wartime cinema.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47660797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘I owe it to those women to own it’: Women, Media Production and Intergenerational Dialogue through Oral History “我欠那些女性拥有它”:通过口述历史的女性，媒体制作和代际对话
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2021-10-01 DOI: 10.3366/jbctv.2021.0593
M. Bell
{"title":"‘I owe it to those women to own it’: Women, Media Production and Intergenerational Dialogue through Oral History","authors":"M. Bell","doi":"10.3366/jbctv.2021.0593","DOIUrl":"https://doi.org/10.3366/jbctv.2021.0593","url":null,"abstract":"While the academy is faced with increasing calls for its research to be socially relevant, a long-established principle of feminism has been the discovery and use of knowledge produced by, for and about women. Informed by feminist debates, the Histories of Women in the British Film and Television Industries project undertook a number of engagement activities drawing on the oral histories of women who had worked in the British media industries. These included workshops with trade union members and media practitioners which explored continuity and change in women's experiences of the media workplace. This article reflects on this suite of engagement activities, their successes and failures, and the possibilities and limitations of feminist-informed impact in and through the academy.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43436137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘I am not particularly despondent yet’: The Political Tone of Jill Craigie's Equal Pay Film To Be a Woman “我还没有特别沮丧”:吉尔·克雷吉的同工同酬电影《成为女人》的政治基调
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2021-10-01 DOI: 10.3366/jbctv.2021.0588
Sadie Wearing
{"title":"‘I am not particularly despondent yet’: The Political Tone of Jill Craigie's Equal Pay Film To Be a Woman","authors":"Sadie Wearing","doi":"10.3366/jbctv.2021.0588","DOIUrl":"https://doi.org/10.3366/jbctv.2021.0588","url":null,"abstract":"To Be a Woman is a short campaigning film made in 1950–1 by documentary film-maker Jill Craigie. This article offers an account of the film which aims to recover the affective life of both the film text and the archival correspondence between Craigie and the General Secretary of the National Union of Women Teachers, which refers to its production history. The article analyses the ‘feeling tones’ of the letters that describe both Craigie's attempts to get the film made and her difficulties in distributing it. It is argued that paying attention to these affective aspects of the archive and the film together enables a recalibration of (in a variant of Raymond Williams's formulation) the structure of feminist feeling in both the film and, to an extent, the wider public realm in the immediate post-war period. Paying attention to the film's affective dynamics in this way is also revealing, it is suggested, of its class and race positionality, enabling a more nuanced critical account of its politics.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41964827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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