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Journal of British Cinema and Television最新文献

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Lisa Funnell and Christoph Lindner (eds), Resisting James Bond: Power and Privilege in the Daniel Craig Era Lisa Funnell 和 Christoph Lindner（编著），《抵制詹姆斯-邦德：丹尼尔-克雷格时代的权力与特权》（Resisting James Bond: Power and Privilege in the Daniel Craig Era）。
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0706
Andrew Spicer
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引用次数: 0
Melanie Williams, A Taste of Honey 梅兰妮-威廉姆斯，《蜜糖的滋味
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0703
Caroline Langhorst
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引用次数: 0
Matthew Melia, ed, ReFocus: The Films of Ken Russell 马修-梅里亚编，《ReFocus》：肯-罗素的电影
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0708
Kevin M. Flanagan
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引用次数: 0
‘Once you are in number 9 you are stuck in this space’: Constraint, Creativity and Inside No. 9 一旦进入 9 号，你就会被困在这个空间里"：限制、创造力与 9 号内
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0698
Duncan Petrie
{"title":"‘Once you are in number 9 you are stuck in this space’: Constraint, Creativity and Inside No. 9","authors":"Duncan Petrie","doi":"10.3366/jbctv.2024.0698","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0698","url":null,"abstract":"In this article, I will explore the ways in which the critically acclaimed British TV comedy anthology series Inside No. 9 (BBC Two, 2014–), created and written by Steve Pemberton and Reece Shearsmith, uses constraints to facilitate creativity. While the generative properties of constraint have been explored by a wide range of scholars, their application to understanding the creative process in film and television has been limited, with studies of pedagogical approaches at the National Film School of Denmark and their influence on Danish cinema and television being the key example. While frequently described as ‘dark comedy’, Inside No. 9 embraces a wide range of subject matter and genre conventions, ranging from gothic horror to naturalistic drama. But the primary distinguishing characteristic of the show is that the self-contained stories are confined entirely or predominantly to a single location – frequently the No. 9 in question – and feature a limited cast. In addition to this foundational premise, the series embraces the generative properties of constraints in a rich variety of ways – including spatial, temporal, narrative and intertextual. This article will explore how these have functioned to create one of the most innovative and critically successful British TV shows of the last decade.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"10 1","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139394137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Lewd, pornographic filth’: Managing Culture through Local Film Censorship in Britain, 1948–1968 猥亵、色情的污秽"：1948-1968 年英国通过地方电影审查管理文化
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0699
Sian Barber
{"title":"‘Lewd, pornographic filth’: Managing Culture through Local Film Censorship in Britain, 1948–1968","authors":"Sian Barber","doi":"10.3366/jbctv.2024.0699","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0699","url":null,"abstract":"Film censorship in the UK is predicated on a two-tier system whereby the British Board of Film Classification (formerly British Board of Film Censorship Censorship) (BBFC) recommends a classification for a film and this classification is then implemented by local authorities. In cases where local authorities disagree with a BBFC decision they can change the classification or ban the film entirely. Conversely, they can also screen a film which has no BBFC certificate. This local decision-making is permitted under the powers granted to local authorities to oversee cinema exhibition and licensing. Using The Snake Pit, Rock around the Clock and Ulysses, and offering a broad historical and geographic sweep, this article explores local council archives and local press reporting to map local censorship across the UK, drawing attention to inconsistencies in different areas and how councils justified the decisions they took on specific films.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"234 7","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139395247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema 联盟分子的螺丝钉英国和爱尔兰电影中对北爱尔兰统一主义者的描述
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0700
Richard Gallagher
{"title":"Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema","authors":"Richard Gallagher","doi":"10.3366/jbctv.2024.0700","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0700","url":null,"abstract":"This article explores the representation of Northern Irish unionists in British and Irish cinema by investigating a dominant way that the community has been portrayed in fiction films: as prison officers and orderlies. Specifically, Northern Irish unionists have been portrayed as prison officers and orderlies employed in the Maze and Armagh prisons during the period of republican unrest which culminated in hunger strikes in 1981, and a mass prison escape in 1983. The films that depict, to varying degrees, these characters as belonging to the Northern Irish unionist community include Some Mother’s Son (1996), H3 (2001), Silent Grace (2001), Hunger (2008) and Maze (2017). In these films, the typical representation of Northern Irish unionists reflects both the community’s general ‘othering’ in cinema and the film-makers’ primary interest in Irish nationalism when depicting Northern Ireland. Thus, unionist characters are usually depicted abjectly and feature only as adjuncts to narratives that are principally about Irish nationalists. This study aims to build upon a range of critical work in this area and to add to broader debates that have identified this cinematic deficit whereby Northern Irish unionists are depicted more critically and less frequently than Irish nationalists.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" 3","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139392960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Charles Barr, British Cinema: A Very Short Introduction 查尔斯-巴尔，《英国电影：非常简短的介绍
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0701
James Shelton
{"title":"Charles Barr, British Cinema: A Very Short Introduction","authors":"James Shelton","doi":"10.3366/jbctv.2024.0701","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0701","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" 31","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139393546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Johnny Walker, Rewind, Replay: Britain and the Video Boom, 1978–92 约翰尼-沃克，《倒带，重放》：英国与 1978-92 年的视频热潮
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0704
Julian Petley
{"title":"Johnny Walker, Rewind, Replay: Britain and the Video Boom, 1978–92","authors":"Julian Petley","doi":"10.3366/jbctv.2024.0704","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0704","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"49 S238","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139393854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Caitlin Smith and Stephen Wyatt, Hurst on Film 1928–1970; Lance Pettitt, The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema 凯特琳-史密斯和斯蒂芬-怀亚特，《赫斯特电影 1928-1970》；兰斯-佩蒂特，《最后的波希米亚人：布赖恩-德斯蒙德-赫斯特、爱尔兰电影、英国电影》。
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0702
Ruth Barton
{"title":"Caitlin Smith and Stephen Wyatt, Hurst on Film 1928–1970; Lance Pettitt, The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema","authors":"Ruth Barton","doi":"10.3366/jbctv.2024.0702","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0702","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"51 3","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139394560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Matthew Smith, The Child in British Cinema 马修-史密斯，英国电影中的儿童
IF 0.9 1区 艺术学
Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0707
Robert Shail
{"title":"Matthew Smith, The Child in British Cinema","authors":"Robert Shail","doi":"10.3366/jbctv.2024.0707","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0707","url":null,"abstract":"","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":" 5","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139392574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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