Journal of British Cinema and Television最新文献_第2页

Rapid Evidence Analysis of Diversity in UK Public Service Television: What Do We Know and What Should We Find Out? 英国公共服务电视多样性的快速证据分析：我们知道什么，我们应该发现什么？

IF 0.9 1区艺术学

Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0697

Lee Edwards, Giles Moss

{"title":"Rapid Evidence Analysis of Diversity in UK Public Service Television: What Do We Know and What Should We Find Out?","authors":"Lee Edwards, Giles Moss","doi":"10.3366/jbctv.2024.0697","DOIUrl":"https://doi.org/10.3366/jbctv.2024.0697","url":null,"abstract":"This article reports the results of a rapid evidence analysis (REA) of academic research focused on diversity in UK public service television broadcasting, published between 2016 and 2021. The aim of the REA was to establish the scale and quality of academic research on diversity in the context of public service television production, representation and reception, as well as to understand trends in research and gaps in knowledge that need to be addressed. The findings show that research is both sparse and fragmented. It is dominated by studies of on-screen diversity, rather than production or reception, and BBC content receives most attention, while other public service broadcasters are analysed much less frequently. In light of the findings, we propose a number of new directions for research, including a broader range of topics and methods and a more inclusive approach to the broadcast landscape. Analyses should facilitate an understanding of the impact of diversity across production, on-screen and among audiences, and adopt a longitudinal design, so that progress towards diversity over time can be evaluated.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"140 4","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139393650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio 克里斯-帕兰特，《超越 Bagpuss》：小电影动画工作室的历史

IF 0.9 1区艺术学

Journal of British Cinema and Television Pub Date : 2024-01-01 DOI: 10.3366/jbctv.2024.0705

Christopher Holliday

引用次数: 0

Jingan Young, Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948–1963 杨静安:《银幕上的Soho: 1948-1963年波西米亚与世界主义的电影空间》

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0691

Steve Chibnall

引用次数: 0

Beyond the Pastoral Paradise: Orienting Black and Muslim People in British Rural Space 田园天堂之外:英国乡村空间中黑人与穆斯林的定位

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0686

Lélia Tavakoli Farsooni

{"title":"Beyond the Pastoral Paradise: Orienting Black and Muslim People in British Rural Space","authors":"Lélia Tavakoli Farsooni","doi":"10.3366/jbctv.2023.0686","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0686","url":null,"abstract":"While there is an increasing number of Black and Muslim stories in urban settings, cultural imaginations of the British rural as linked to whiteness are pervasive. Despite there being a long-established presence of Black and Muslim people in British rural areas, their bodies are excluded or made to disappear to make the rural and, by extension, the nation (supposedly) safe. Drawing on Sara Ahmed’s notion of white habit worlds, this article explores the specific ways in which popular imaginations of rural spaces in the UK orient Black and Muslim bodies in relation to rurality. I will argue that whiteness as the racialisation of the pastoral form is closely imbricated with the Christian pastoral notion of Eden by close reading season five of the TV crime drama Shetland, the feature film Four Lions (2010) and the documentary Arcadia (2017). By asking how these configure British rural space through their orientation of Black and Muslim bodies and how they contest or reinforce the (lack of) belonging of bodies considered ‘non-white’/‘non-Christian’ in rural spaces, I inquire how these productions complement each other in what they have to say about the presence of Black and Muslim bodies in British rural space and how this relates to wider debates about immigration and national identity.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135368270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘They know my face’: Surveillance Comedy in Scot Squad “他们认得我的脸”:《苏格兰小队》中的监视喜剧

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0689

Stephanie Clayton

引用次数: 0

Melvyn Stokes, Matthew Jones and Emma Pett, Cinema Memories: A People’s History of Cinema-going in 1960s Britain 梅尔文·斯托克斯，马修·琼斯和艾玛·皮特，《电影回忆:20世纪60年代英国的电影历史》

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0692

Richard Farmer

引用次数: 0

James Downs, Anton Walbrook: A Life of Masks and Mirrors 詹姆斯·唐斯，《安东·沃尔布鲁克:面具与镜子的一生

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0690

Sue Harper

引用次数: 0

No Time to Die, the Bond Franchise and Global Hollywood: Film Release Patterns during Covid-19 《无暇赴死》、《007》系列电影和全球好莱坞:新冠肺炎期间的电影发行模式

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0685

Andrew Higson, Miya Treadwell

{"title":"<i>No Time to Die</i>, the Bond Franchise and Global Hollywood: Film Release Patterns during Covid-19","authors":"Andrew Higson, Miya Treadwell","doi":"10.3366/jbctv.2023.0685","DOIUrl":"https://doi.org/10.3366/jbctv.2023.0685","url":null,"abstract":"No Time to Die ( NTTD), the 25th entry in the Bond franchise, became central to the plight of theatrical film exhibition during the Covid-19 pandemic. Produced as one of MGM’s and the wider industry’s biggest commodities, a tent-pole film, it was due to be released in April 2020. One of the first big film casualties of the global lockdowns, NTTD endured several delays before finally reaching cinemas in September 2021. The Bond franchise and the disruption to NTTD’s release are symptomatic of developments in global Hollywood and the entertainment business. Covid-19 had a huge impact on film exhibition and provoked all sorts of radical experiments by the Hollywood studios with online releases for blockbuster films that would previously have been key players at the global box office. As EON and MGM held out for a theatrical release, the hype around the film in the UK and the USA suggested it might single-handedly save the film exhibition business and finally bring audiences back to cinemas. Indeed, its eventual success at the box office suggested to some that Covid, streaming platforms and the home entertainment business had not after all killed off cinemagoing. But the writing was on the wall, and the extended periods of lockdown in the UK, the USA and elsewhere allowed the digital disruptors to establish an even firmer foothold. Amazon’s purchase of MGM and the Bond IP are prime indicators of that shift.","PeriodicalId":43079,"journal":{"name":"Journal of British Cinema and Television","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135367679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist Amelia Watts和Phil Wickham(编)，Bill Douglas:一个电影艺术家

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0693

Paul Newland

引用次数: 0

‘Praise these daring men’: ACT Films Ltd, 1950–1963 “赞美这些勇敢的人”:ACT电影有限公司，1950-1963

1区艺术学

Journal of British Cinema and Television Pub Date : 2023-10-01 DOI: 10.3366/jbctv.2023.0688

Martin Spence

引用次数: 0