Alma's (Not) Normal: Normalising Working-Class Women in/on BBC TV Comedy

IF 0.2 1区 艺术学 0 FILM, RADIO, TELEVISION
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Abstract

This article examines the BBC sitcom Alma's Not Normal and its representation of white working-class femininities in/on British TV comedy. After The Royle Family creator Caroline Aherne's death in July 2017, the BBC created a bursary in memory of the comedy star, awarding £5,000 to the successful applicant to develop a pilot comedy script. Though open to people of all backgrounds and genders, the three winners so far have been working-class women – Sophie Willan, Amy Gledhill and Kiri Pritchard-McLean – an important shift from the recent success of female-fronted and female-authored middle-class comedies on the BBC such as Miranda and Fleabag. This article examines the award's first winner: Boltonian Sophie Willan and her series Alma's Not Normal. While Phil Wickham argues that contemporary working-class sitcoms in Britain display the ‘hidden injuries of class’, something that is felt but no longer acknowledged, I contend that Willan exposes class wounds by explicitly referencing and drawing attention to social issues in her TV series. More specifically, I argue that, as a working-class woman in the North West, Willan uses comedy to interrogate the intersections of class and gender. This textual analysis will then be used as a framework to conceptualise the labour of working-class women in British television comedy, mainly because class has been overlooked as a social category in contemporary scholarship on feminism and humour.
Alma的(不)正常:在BBC电视喜剧中使工人阶级女性正常化
本文探讨了英国广播公司情景喜剧《阿尔玛的不正常》及其在英国电视喜剧中对白人工人阶级女性主义的表现。《罗伊尔家族》的创作者卡罗琳·阿赫恩于2017年7月去世后,英国广播公司设立了一项助学金来纪念这位喜剧明星,向成功申请开发喜剧试播剧本的人奖励5000英镑。尽管对所有背景和性别的人都开放,但到目前为止,三位获奖者都是工薪阶层女性 – Sophie Willan、Amy Gledhill和Kiri Pritchard McLean – 这与英国广播公司最近成功的女性主演和女性创作的中产阶级喜剧(如《米兰达》和《弗莱巴格》)有着重要的转变。这篇文章考察了该奖项的第一位获奖者:波尔顿的索菲·威兰和她的系列作品《阿尔玛的不正常》。Phil Wickham认为,英国当代工人阶级情景喜剧展示了“阶级的隐性伤害”,这是人们感受到但不再承认的,但我认为,Willan在她的电视剧中明确提到并引起人们对社会问题的关注,从而暴露了阶级创伤。更具体地说,我认为,作为西北部的工人阶级女性,威兰用喜剧来审问阶级和性别的交叉点。这种文本分析将被用作英国电视喜剧中工人阶级女性劳动的概念化框架,主要是因为在当代女权主义和幽默学术中,阶级作为一个社会类别被忽视了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of British Cinema and Television
Journal of British Cinema and Television FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
11.10%
发文量
53
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