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Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators Jean Ma（2022）。在睡眠的边缘：移动的图像和昏昏欲睡的观众
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0303
Juan Camilo Velásquez
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引用次数: 0
Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie 詹娜·吴（2021）。通过虚拟现实、全息图和光投影的后屏幕：屏幕边界所在
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0305
Shaopeng Chen
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引用次数: 0
Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment 安德烈·兹维亚金采夫《归来与放逐》的电影神话建构
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0294
Louis Samuel Mealing
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引用次数: 0
The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment 动作模式：《22英里》和高度中介化体现的张力
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0295
Jonah Jeng
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引用次数: 0
The Ethics of Refusal in Terrence Malick’s A Hidden Life 泰伦斯·马力克《隐秘生活》中的拒绝伦理
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0293
Marguerite La Caze, Magdalena Zolkos
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引用次数: 0
Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship Julian Hanich & Martin P. Rossouw（编辑）（2023）。电影有什么好处？论旁观的价值
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0302
Francesco Sticchi
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引用次数: 0
Victor Fan (2022). Cinema Illuminating Reality: Media Philosophy through Buddhism Victor Fan（2022）。电影照亮现实：佛教中的媒介哲学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0304
William Brown
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引用次数: 0
Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies 整形外科：皮肤下，缝合，破坏性可塑性和后电影本体
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0301
Greg Hainge
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引用次数: 0
Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement 克拉考尔与塔可夫斯基的救赎性异化电影
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0292
Daniel Sullivan
{"title":"Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement","authors":"Daniel Sullivan","doi":"10.3366/film.2025.0292","DOIUrl":"https://doi.org/10.3366/film.2025.0292","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 46-71, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"31 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142990210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema 门槛上的居民：白色、家庭与古典电影的终结
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0297
Conall Cash
{"title":"The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema","authors":"Conall Cash","doi":"10.3366/film.2025.0297","DOIUrl":"https://doi.org/10.3366/film.2025.0297","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 169-198, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"70 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142989820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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