Film-PhilosophyPub Date : 2025-10-15DOI: 10.3366/film.2025.0323
Konstantinos Retsikas
{"title":"Balkan Transits: Becoming-Other in Theo Angelopoulos’s The Suspended Step of the Stork","authors":"Konstantinos Retsikas","doi":"10.3366/film.2025.0323","DOIUrl":"https://doi.org/10.3366/film.2025.0323","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 630-653, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"97 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2025-10-15DOI: 10.3366/film.2025.0321
Kevin Hunt
{"title":"Finding Sunbeams in the Darkness: Michel Serres's Analogical Thinking and the Ethics of Listening in The Zone of Interest","authors":"Kevin Hunt","doi":"10.3366/film.2025.0321","DOIUrl":"https://doi.org/10.3366/film.2025.0321","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 575-599, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"25 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2025-10-15DOI: 10.3366/film.2025.0327
Mynt Marsellus
{"title":"Desire for Life: Stanley Cavell, Martin Scorsese and the Gangster Genre","authors":"Mynt Marsellus","doi":"10.3366/film.2025.0327","DOIUrl":"https://doi.org/10.3366/film.2025.0327","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 731-752, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"84 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2025-10-15DOI: 10.3366/film.2025.0322
Ben Tyrer
{"title":"(Don’t) Look Back: Three Portraits of a Lady on Fire","authors":"Ben Tyrer","doi":"10.3366/film.2025.0322","DOIUrl":"https://doi.org/10.3366/film.2025.0322","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 600-629, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"31 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2025-10-15DOI: 10.3366/film.2025.0330
Daniel E. Smith
{"title":"Jussi Parikka (2023). Operational Images: From the Visual to the Invisual","authors":"Daniel E. Smith","doi":"10.3366/film.2025.0330","DOIUrl":"https://doi.org/10.3366/film.2025.0330","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 804-808, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"102 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2025-10-15DOI: 10.3366/film.2025.0325
Alexander Dickow
{"title":"The Proliferation of Representation in Antonin Artaud's Theatre of Cruelty and Sergei Parajanov's The Colour of Pomegranates","authors":"Alexander Dickow","doi":"10.3366/film.2025.0325","DOIUrl":"https://doi.org/10.3366/film.2025.0325","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 677-700, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"30 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2025-05-27DOI: 10.3366/film.2025.0312
Missy Molloy
{"title":"Indigenous Screen Sovereignty in the Genre Films of Lisa Jackson, Elle-Máijá Tailfeathers and Danis Goulet","authors":"Missy Molloy","doi":"10.3366/film.2025.0312","DOIUrl":"https://doi.org/10.3366/film.2025.0312","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 2, Page 425-451, June, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144153602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}