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First Nations Australian Cinema and the Unrepresentable: The Sublime in Warwick Thornton’s Sweet Country 澳大利亚原住民电影与不可再现：沃里克·桑顿《甜蜜乡村》中的崇高
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0335
Carl Reinecke
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引用次数: 0
Francesco Casetti (2023). Screening Fears: On Protective Media 弗朗西斯科·卡塞蒂（2023）。筛选恐惧：关于保护性媒体
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0341
Tobijah Rogers
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引用次数: 0
Tanya Shilina-Conte (2025). Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine Tanya Shilina-Conte（2025）。黑幕，白框：吉尔·德勒兹与电影制作机器
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0338
Chiara Quaranta
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引用次数: 0
Kierkegaard and the Education of Anxiety in A Fortunate Man: A Labyrinth of Inwardness 克尔凯郭尔与《一个幸运的人：内心的迷宫》中的焦虑教育
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0334
Rafael Garcia Pavon, Catalina Elena Dobre
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引用次数: 0
The Crisis of Voice in the Songs of Pyaasa 《皮亚萨之歌》中声音的危机
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0332
Tanya Desai
{"title":"The Crisis of Voice in the Songs of Pyaasa","authors":"Tanya Desai","doi":"10.3366/film.2026.0332","DOIUrl":"https://doi.org/10.3366/film.2026.0332","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 21-44, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"90 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hegel and the Hollywood Western: Violence, Law and the Right of Heroes in The Man Who Shot Liberty Valance 黑格尔与好莱坞西部片：《枪杀自由的人》中的暴力、法律与英雄的权利
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0337
Dylan Shaul
{"title":"Hegel and the Hollywood Western: Violence, Law and the Right of Heroes in The Man Who Shot Liberty Valance","authors":"Dylan Shaul","doi":"10.3366/film.2026.0337","DOIUrl":"https://doi.org/10.3366/film.2026.0337","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 139-161, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"94 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Extremely Tiny and Indivisible Dust: Cinematic Buddhist Studies and the Spatial Experience of Seeing Hans Richter’s Rhythmus 21 极小而不可分割的尘埃：电影佛教研究与观看汉斯·里希特的《节奏21》的空间体验
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0331
Ao Chen
{"title":"Extremely Tiny and Indivisible Dust: Cinematic Buddhist Studies and the Spatial Experience of Seeing Hans Richter’s Rhythmus 21","authors":"Ao Chen","doi":"10.3366/film.2026.0331","DOIUrl":"https://doi.org/10.3366/film.2026.0331","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 1-20, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"5 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dominic Lash (2023). Robert Pippin and Film: Politics, Ethics, and Psychology After Modernism 多米尼克·拉什（2023）。罗伯特·皮平与电影：现代主义之后的政治、伦理与心理学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0340
Logan Canada-Johnson
{"title":"Dominic Lash (2023). Robert Pippin and Film: Politics, Ethics, and Psychology After Modernism","authors":"Logan Canada-Johnson","doi":"10.3366/film.2026.0340","DOIUrl":"https://doi.org/10.3366/film.2026.0340","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 171-174, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"5 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Francesco Sticchi (2025). The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World 弗朗西斯科·斯蒂奇（2025）。当代电影中怪物人物的政治：女巫、僵尸和电子人重新魅惑世界的尽头
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0339
Nikolaj Lübecker
{"title":"Francesco Sticchi (2025). The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World","authors":"Nikolaj Lübecker","doi":"10.3366/film.2026.0339","DOIUrl":"https://doi.org/10.3366/film.2026.0339","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 167-170, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"92 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aesthetic Experience, Film Comedy and Suffering in Sullivan’s Travels: The Prisoners’ Laughter 苏利文游记中的审美体验、电影喜剧与苦难：囚犯的笑声
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0336
Scott Robinson
{"title":"Aesthetic Experience, Film Comedy and Suffering in Sullivan’s Travels: The Prisoners’ Laughter","authors":"Scott Robinson","doi":"10.3366/film.2026.0336","DOIUrl":"https://doi.org/10.3366/film.2026.0336","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 115-138, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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