Film-PhilosophyPub Date : 2026-08-17DOI: 10.3366/film.2026.0356
Kelli Fuery
{"title":"The Existential Ambiguity of Authentic Love in Alice Diop's Saint Omer","authors":"Kelli Fuery","doi":"10.3366/film.2026.0356","DOIUrl":"https://doi.org/10.3366/film.2026.0356","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 2-3, Page 466-487, June, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"21 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148729326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2026-08-17DOI: 10.3366/film.2026.0360
David H. Fleming
{"title":"Glen W. Norton (2025). Lived Moments: Phenomenology, Neorealism, and the New Wave","authors":"David H. Fleming","doi":"10.3366/film.2026.0360","DOIUrl":"https://doi.org/10.3366/film.2026.0360","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 2-3, Page 556-558, June, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148729328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2026-08-17DOI: 10.3366/film.2026.0355
Kate Ince
{"title":"What Can Cinema Do? Saint Omer and French Existentialist Disclosure as Film Theory","authors":"Kate Ince","doi":"10.3366/film.2026.0355","DOIUrl":"https://doi.org/10.3366/film.2026.0355","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 2-3, Page 448-465, June, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"49 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148729322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2026-08-17DOI: 10.3366/film.2026.0344
Marguerite La Caze
{"title":"L’Avenir and Simone de Beauvoir on Independence, Freedom and Happiness","authors":"Marguerite La Caze","doi":"10.3366/film.2026.0344","DOIUrl":"https://doi.org/10.3366/film.2026.0344","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 2-3, Page 209-228, June, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148729340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}