Film-PhilosophyPub Date : 2025-01-20DOI: 10.3366/film.2025.0297
Conall Cash
{"title":"The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema","authors":"Conall Cash","doi":"10.3366/film.2025.0297","DOIUrl":"https://doi.org/10.3366/film.2025.0297","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 169-198, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"70 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142989820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film-PhilosophyPub Date : 2024-09-25DOI: 10.3366/film.2024.0283
Benjamin Dalton
{"title":"Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré's Heal the Living","authors":"Benjamin Dalton","doi":"10.3366/film.2024.0283","DOIUrl":"https://doi.org/10.3366/film.2024.0283","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 534-560, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}