Film-Philosophy最新文献

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The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi 自娱自乐的快感:马拉博、(性)无政府状态和阿涅斯-瓦尔达的《Sans toit ni loi》(《Sans toit ni loi》)。
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-09-25 DOI: 10.3366/film.2024.0285
Monique Rooney
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引用次数: 0
Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short 衍生欲望与塑料教学法:马拉博、精神分析和《大空头
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-09-25 DOI: 10.3366/film.2024.0284
Scott Krzych
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引用次数: 0
When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty 当风轻轻拂过:电影与自然美学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0264
Julian Hanich
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引用次数: 0
David Martin-Jones (2022). Columbo: Paying Attention 24/7 大卫-马丁-琼斯(2022 年)。科伦坡全天候关注
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0275
Timna Rauch
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引用次数: 0
Home Movies as Reliquaries of Memory: A Phenomenological Perspective 作为记忆遗物的家庭电影:现象学视角
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0272
Lourdes Esqueda Verano
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引用次数: 0
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith 每一个完全的他者:伊莎贝尔-罗卡莫拉信仰中的后世俗多元主义
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0269
Mark Cauchi
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引用次数: 0
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art 蓝色男孩:莫里斯-皮亚拉、尼古拉-普桑与艺术作品
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0271
David A. Gerstner
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引用次数: 0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux 布雷迪-科贝的《Vox Lux》中的非真实性是对新自由主义复原力话语的颠覆
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0270
Alice Pember
{"title":"Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux","authors":"Alice Pember","doi":"10.3366/film.2024.0270","DOIUrl":"https://doi.org/10.3366/film.2024.0270","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 294-321, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"22 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140635957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Filter and the Viewer: On Audience Discretion in Film Noir 过滤器与观众论黑色电影中的观众自由裁量权
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0273
Steven G. Smith
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引用次数: 0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film 丹尼尔-穆伦扎(2020 年)。瓦尔特-本雅明与电影美学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0276
Hyojin Yoon
{"title":"Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film","authors":"Hyojin Yoon","doi":"10.3366/film.2024.0276","DOIUrl":"https://doi.org/10.3366/film.2024.0276","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 405-408, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"232 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140636120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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