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Introduction: Critical Race Theory and Film-Philosophy 导论：批判种族理论与电影哲学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0306
William Brown, Mila Zuo
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引用次数: 0
Can the West Speak? (Picturing the Quilting Point in Cambodian and Palestinian Films) 西方会说话吗？（描绘柬埔寨和巴勒斯坦电影中的绗缝点）
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0314
Mila Zuo
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引用次数: 0
Existential and Phenomenological Horror in Les Diaboliques 《恶魔》中的存在主义与现象学恐怖
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0291
Daniel Tilsley
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引用次数: 0
Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger 《居住在深渊：赫尔佐格和海德格尔的社会》
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0296
Haotian Wu
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引用次数: 0
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood 谦逊的芭比：理想、真实和对真实自我的追求
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0290
John Michael Corrigan, Justin Prystash
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引用次数: 0
Eternity Descending into Time: Badiou and the Cinematic Temporality of Love 永恒降入时间：巴迪欧与爱情的电影时间性
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0299
Lu Zeng
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引用次数: 0
Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve 思辨转换：黑格尔、约翰·休斯顿的《白鲸记》和《溶解》
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0298
Joshua Harold Wiebe
{"title":"Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve","authors":"Joshua Harold Wiebe","doi":"10.3366/film.2025.0298","DOIUrl":"https://doi.org/10.3366/film.2025.0298","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"45 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142990254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators Jean Ma（2022）。在睡眠的边缘：移动的图像和昏昏欲睡的观众
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0303
Juan Camilo Velásquez
{"title":"Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators","authors":"Juan Camilo Velásquez","doi":"10.3366/film.2025.0303","DOIUrl":"https://doi.org/10.3366/film.2025.0303","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 288-291, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"27 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142989818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie 詹娜·吴（2021）。通过虚拟现实、全息图和光投影的后屏幕：屏幕边界所在
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0305
Shaopeng Chen
{"title":"Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie","authors":"Shaopeng Chen","doi":"10.3366/film.2025.0305","DOIUrl":"https://doi.org/10.3366/film.2025.0305","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 296-299, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"22 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142989815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment 安德烈·兹维亚金采夫《归来与放逐》的电影神话建构
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0294
Louis Samuel Mealing
{"title":"Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment","authors":"Louis Samuel Mealing","doi":"10.3366/film.2025.0294","DOIUrl":"https://doi.org/10.3366/film.2025.0294","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 94-118, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"140 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142989754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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