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Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film 切尔西-伯克斯（2021 年）。极限电影：当代全球电影中的越轨行为与非人形态
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0277
Augustin
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引用次数: 0
New Materialist Freedom in Chloé Zhao's Nomadland 赵克洛《游牧民族》中的新唯物主义自由
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0265
Randy Laist
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引用次数: 0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works 连海都破碎了：拉赞-萨拉赫录像作品中的回归与失落
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0268
Samira Makki
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引用次数: 0
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor Anima(l) Moralia，或正义的愤怒：阿格尼耶斯卡-霍兰的《斯波尔
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0266
Elżbieta Ostrowska
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引用次数: 0
Nietzschean Themes in Béla Tarr's The Turin Horse 贝拉-塔尔《都灵之马》中的尼采主题
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0267
Paolo Stellino
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引用次数: 0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction Chiara Quaranta（2023 年）。欧洲电影中的偶像破坏：图像破坏的伦理与美学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0274
Francesco Sticchi
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引用次数: 0
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger 暧昧的电影世界超越早期海德格尔的电影沉浸
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0252
Ludo de Roo
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引用次数: 0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory 现象学的电影排演：论本体论模式与海德格尔电影理论
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0256
John Rhym
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引用次数: 0
Eugenie Brinkema (2022). Life-Destroying Diagrams 尤金妮-布林克玛（2022）。毁灭生命的图表
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0262
Archie Wolfman
{"title":"Eugenie Brinkema (2022). Life-Destroying Diagrams","authors":"Archie Wolfman","doi":"10.3366/film.2024.0262","DOIUrl":"https://doi.org/10.3366/film.2024.0262","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 1, Page 144-147, February, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"22 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139407744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World 海德格尔式的无聊情绪？作为世界存在的电影观众
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0253
Chiara Quaranta
{"title":"In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World","authors":"Chiara Quaranta","doi":"10.3366/film.2024.0253","DOIUrl":"https://doi.org/10.3366/film.2024.0253","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 1, Page 31-46, February, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"14 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139407747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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