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Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art 蓝色男孩：莫里斯-皮亚拉、尼古拉-普桑与艺术作品
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0271
David A. Gerstner
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引用次数: 0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux 布雷迪-科贝的《Vox Lux》中的非真实性是对新自由主义复原力话语的颠覆
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0270
Alice Pember
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引用次数: 0
The Filter and the Viewer: On Audience Discretion in Film Noir 过滤器与观众论黑色电影中的观众自由裁量权
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0273
Steven G. Smith
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引用次数: 0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film 丹尼尔-穆伦扎（2020 年）。瓦尔特-本雅明与电影美学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0276
Hyojin Yoon
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引用次数: 0
Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film 切尔西-伯克斯（2021 年）。极限电影：当代全球电影中的越轨行为与非人形态
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0277
Augustin
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引用次数: 0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works 连海都破碎了：拉赞-萨拉赫录像作品中的回归与失落
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0268
Samira Makki
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引用次数: 0
New Materialist Freedom in Chloé Zhao's Nomadland 赵克洛《游牧民族》中的新唯物主义自由
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0265
Randy Laist
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引用次数: 0
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor Anima(l) Moralia，或正义的愤怒：阿格尼耶斯卡-霍兰的《斯波尔
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0266
Elżbieta Ostrowska
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引用次数: 0
Nietzschean Themes in Béla Tarr's The Turin Horse 贝拉-塔尔《都灵之马》中的尼采主题
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0267
Paolo Stellino
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引用次数: 0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction Chiara Quaranta（2023 年）。欧洲电影中的偶像破坏：图像破坏的伦理与美学
IF 0.2 3区 艺术学
Film-Philosophy Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0274
Francesco Sticchi
{"title":"Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction","authors":"Francesco Sticchi","doi":"10.3366/film.2024.0274","DOIUrl":"https://doi.org/10.3366/film.2024.0274","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 395-399, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"4 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140636213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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