{"title":"Reading Pierre during the Pandemic","authors":"Samantha O'Connor","doi":"10.1353/scr.2021.0040","DOIUrl":"https://doi.org/10.1353/scr.2021.0040","url":null,"abstract":"","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"115 - 119"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41729498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Now is the Time for A Connecticut Yankee in King Arthur's Court","authors":"Sandy Feinstein","doi":"10.1353/scr.2021.0032","DOIUrl":"https://doi.org/10.1353/scr.2021.0032","url":null,"abstract":"All that is original in us, and therefore fairly creditable or discreditable to us, can be covered up and hidden by the point of a cambric needle, all the rest being atoms contributed by, and inherited from, a procession of ancestors that stretches back a billion years to the Adam-clam or grasshopper or monkey from whom our race has been so tediously and ostentatiously and unprofitably developed.1 Education still \"trains\" students by setting up certain expectations: to be passive receptacles, \"told\" or \"shown\" what they should know and become, wherever it takes place, inside classrooms or out. The students picked it up when they opted to test the boundaries, not just of the educational space, but of the now conventional wisdom from our latest \"trainers\": that literature has no relevance or place in this age of engineering, science, business interests, and technology. The guerdon would be in discovering that familiar issues of our own time, both personal and professional, would figure in the literature: a female author's medieval French poem featuring a \"lady\" who seduces a male knight without being judged or punished for acting on her desires juxtaposed to Arthur's queen who later questions the sexuality of that same knight when he refuses her offer of an assignation.. Midnight being come at length, I read another tale, for a nightcap— (2) M.T. tours England's past and present both through Malory and by visiting an actual castle: as a reader, he goes back in time, entering the putative chivalric world of King Arthur;in the novel's present, he has just returned from touring historic Warwick Castle.","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"65 - 69"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43561315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Re-emerging Relevance: Did we just re-live the apocalyptic novel World War Z?","authors":"Lisa Beckelhimer","doi":"10.1353/scr.2021.0023","DOIUrl":"https://doi.org/10.1353/scr.2021.0023","url":null,"abstract":"An Oral History of the Zombie War, the book follows the pattern of Studs Terkel's The Good War: An Oral History of World War Two2 by reporting documentary-style on a global zombie pandemic through a series of first-person interviews with survivors. \"3 Students assigned to read the novel for English composition and rhetoric class have sometimes questioned World War Z's sense of realism, arguing that while the style of writing draws comparisons to nonfiction, the outrageous events are uber-fictional. [...]isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?\"5 As I re-read World War Z during the Covid-19 pandemic, I considered how key scenes and characters mirrored the current and real threats to Max Brooks' notion of the \"human factor,\" not only in a literal and physical sense through the virus, but also by diminishing our abilities to care for our most vulnerable and to interact civilly with those who hold perspectives other than our own. \"12 In October 2020, the American Hospital Association called the accusations \"malicious, outrageous, and completely misguided,\" and both they and the CDC issued lengthy explanations of how underlying medical conditions and deaths due to Covid-19 are reported.13 Early in the pandemic, Brooks was treated by media as something of an expert on apocalypse;while researching for World War Z, he had studied diseases such as the Black Death and influenza, toured the CDC, and examined disaster preparedness plans. \"19 It's worth noting that quisling is a real term, meaning a traitor or one who collaborates with an enemy and named for Norwegian war-time leader Vidkun Quisling, who collaborated with Adolph Hitler.20 America 2020 exhibited many examples of this zombification of citizens' thinking: followers or supporters of a particular candidate or philosophy were called \"sheep,\" for example, which became a social media insult complete with an animal emoji meant to inflict further offense.","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"17 - 22"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46797174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Till We Have Faces as Spiritual Autobiography","authors":"Lex O. McMillan III","doi":"10.1353/scr.2021.0039","DOIUrl":"https://doi.org/10.1353/scr.2021.0039","url":null,"abstract":"","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"109 - 114"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48141419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"My Canon and a Heresy","authors":"P. Caputo","doi":"10.1353/scr.2021.0025","DOIUrl":"https://doi.org/10.1353/scr.2021.0025","url":null,"abstract":"","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"29 - 29"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47386429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On Alice in Wonderland","authors":"P. Bruckner, Nathan Bracher","doi":"10.1353/scr.2021.0024","DOIUrl":"https://doi.org/10.1353/scr.2021.0024","url":null,"abstract":"","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"23 - 28"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42580897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of Pandemics and Pilgrims: Reconciling Grief and Death in Cormac McCarthy's The Road","authors":"Shreya Rastogi, Srirupa Chatterjee","doi":"10.1353/scr.2021.0042","DOIUrl":"https://doi.org/10.1353/scr.2021.0042","url":null,"abstract":"The novel's setting, variously described as a \"spectacle\" of the \"dying of life on the planet,\"1 a \"nuclear grey winter,\"2 and \"ecodystopic,\"3 has become particularly and disturbingly relatable over the past year-and-a-half. Since in addition to the raging global pandemic, we have been witnessing visuals of incinerated sylvan terrains from California to the Amazon along with marooned centers of commerce, tourism, and conviviality under lockdowns, and above all the normalization of masks and bio-hazard suits which accompany panic to hoard and hustle commodities, The Road's apocalyptic theme for eerily mirroring ruin and extinction appears especially relevant now. Yet the swelling death tolls are only part of the current dystopia, and to the surviving, the protracted nature of the pandemic amidst social isolation and loneliness feels poignantly like the \"onset of some cold glaucoma dimming away the world. [...]like contemporary post-apocalyptic narratives the emphasis here is switched \"to the survivor rather than the savior and how […] faith and community can provide hope for possible futures. \"13 Here the word 'discalced' along with the image of dried cadavers arguably evokes the Capuchin Crypt which houses the physical remains of deceased monks (a discalced order) arranged in artistic arches and patterns. Since the Capuchin friars tacitly resign to the constant presence of their dead brethren all around them, they arguably represent a reconciliation with their own mortality and necessitate the overcoming of grief.","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"126 - 132"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43954140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rereading Joseph Heller's Catch-22","authors":"S. Chesters","doi":"10.1353/scr.2021.0026","DOIUrl":"https://doi.org/10.1353/scr.2021.0026","url":null,"abstract":"There was a tension in the air unlike anything I'd experienced, even during hurricane season in Houston. The threat of demise comes from an undiscerning virus that is motivated only by the evolutionary directive to infect any organism that it can and replicate. Last November, when my mother came down with coronavirus and her oxygen levels dropped, she delayed going to emergency room because she was certain she would leave the hospital in a body bag. [...]what difference does that make?\"3 In other words, within this protracted battle to defeat the virus, an overwhelming global threat has come to feel very personal. Months into the lockdown, I was entrenched in the bureaucracy of the federal and state governments, the Centers for Disease Control, and the World Health Organization, all providing ever-changing guidelines","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"30 - 34"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49117984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Self and the Screened World: Walker Percy's The Moviegoer","authors":"Bill R. Scalia","doi":"10.1353/scr.2021.0044","DOIUrl":"https://doi.org/10.1353/scr.2021.0044","url":null,"abstract":"Because cinema is made of the world (photography is always denotative) a phenomenology of cinema is also a phenomenology of being in the world. Percy frames the novel with two relationships that have the most immediate effect on Binx's relation to the world and his sense of self;one is with his (truly) alienated cousin Kate, who has been under psychiatric treatment since witnessing the death of her fiancée;the other is with his half-brother Lonnie Smith, whose selfless love for Binx transforms Binx by breaking through his self-isolation and engendering an authentic engagement with the world of others. \"4 Binx lives at Kierkegaard's aesthetic stage, similar to Marcel's mere \"recording apparatus\";he lacks Marcel's ingathering. [...]Binx perceives the loss of the world as the world's receding from him;that is, the world has lost itself. The world is neither affected, nor diminished, nor stands in need of translation or interpretation. [...]the world of the film is carried through time and space before us, without our action (which is another barrier between us and the world of the film;anyone who has ever leaned to one side in a theater seat to see around a corner or a door in a film has experienced this phenomenon).","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"138 - 145"},"PeriodicalIF":0.0,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42569187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}