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“Nature-conditioned Non-nature.” “Nature-conditioned Non-nature。”
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0009
Markos Tsetsos
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引用次数: 0
Bernhard Großmann und Hidekazu Yoshida als Vermittler zwischen japanischen Komponisten und dem Darmstädter Musikinstitut 1961–1963 主演的是伯纳德·格拉夫曼和裕史吉田，当时在日本作曲家和达姆城的音乐学院工作
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0015
Joevan de Mattos Caitano
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引用次数: 0
Kühmstedts Fuge Kühmstedts赋格
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0017
M. Heinemann
{"title":"Kühmstedts Fuge","authors":"M. Heinemann","doi":"10.25162/afmw-2021-0017","DOIUrl":"https://doi.org/10.25162/afmw-2021-0017","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Variationen über ein Thema von Vinteuil aus Marcel Prousts À la recherche du temps perdu Marcel Proustsàla recherche du temps perdu的Vinteuil主题变奏曲
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0006
Oliver Huck
{"title":"Variationen über ein Thema von Vinteuil aus Marcel Prousts À la recherche du temps perdu","authors":"Oliver Huck","doi":"10.25162/afmw-2021-0006","DOIUrl":"https://doi.org/10.25162/afmw-2021-0006","url":null,"abstract":"Even though Proust disparages the methods of “musicographies,” his descriptions of and comments on Vinteuil’s violin sonata, including the “petite phrase” as Swann’s favorite theme, are the subjects of this study. By defining the registering of a musical theme as a subjective occurrence, Proust avoids naming any single model; moreover, in the course of writing Recherche, he constantly adds new musical associations. On the one hand, Proust blurs references to his starting point—Saint-Saens’s op. 75—and on the other hand, he manages to individuate the “petite phrase” by superimposing characteristics onto it. While allowing Swann as listener to formulate concrete associations regarding the imaginary “petite phrase,” he stimulates the reader, conversely, to imagine varying kinds of music to these associations.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beethovens Fidelio und Opern Rossinis in Kammermusikbearbeitungen 贝多芬的斐迪里奥和歌剧里的罗西
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/AFMW-2021-0004
H. Schneider
{"title":"Beethovens Fidelio und Opern Rossinis in Kammermusikbearbeitungen","authors":"H. Schneider","doi":"10.25162/AFMW-2021-0004","DOIUrl":"https://doi.org/10.25162/AFMW-2021-0004","url":null,"abstract":"Transcriptions of operas and oratorios for string quartet and quintet respresent a unique category of chamber music. The strings take over the vocal, wind, and string parts respectively. Whereas the quintet version of Fidelio (1815) is complete and includes the melodrama and its spoken text, the quartet versions of Rossini’s Tancredi, Otello, La Gazza ladra, Mose in Egitto, La Dame du lac, Semiramide, Moise en Egypte are lacking some numbers, while long dramatic scenes are often shortened and inserted arias extended. The technical demands on the players are, with occasional exceptions, equal to those found in the opera score. Performed by male instrumentalists, these transcriptions were performed in private homes, salons, and provincial theaters that lacked a full orchestra.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":"42-82"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78532830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stars, Starallüren und Starkult im kaiserzeitlichen Musikbetrieb des Römischen Reiches 罗马帝国帝国音乐业中的明星、明星典故和明星崇拜
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0005
A. Scheithauer
{"title":"Stars, Starallüren und Starkult im kaiserzeitlichen Musikbetrieb des Römischen Reiches","authors":"A. Scheithauer","doi":"10.25162/afmw-2021-0005","DOIUrl":"https://doi.org/10.25162/afmw-2021-0005","url":null,"abstract":"This paper examines the criteria that shaped the opinions of antique authors regarding eccentric and effusive musicians of Imperial Rome. Aiming to dazzle their audiences with their showmanship, they constantly embellished their extravagant costumes and ingratiated themselves to their fans with capriciousness, vanity, and arrogance. Rivalries with colleagues were characterized by jealousy and envy, while their relationship to audiences was fraught with fear and counterbalanced by paid claques. Due to their extraordinary talent and sex appeal, they were mainly admired and adored by women, which led to veritable personality cults that in turn conditioned the interaction between these musicians and their female fans.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Handhabung – Handzeichen – Musikalische Handstücke 操作-手势-音乐手柄
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0008
Martin Zenck
{"title":"Handhabung – Handzeichen – Musikalische Handstücke","authors":"Martin Zenck","doi":"10.25162/afmw-2021-0008","DOIUrl":"https://doi.org/10.25162/afmw-2021-0008","url":null,"abstract":"Signs and graphic characters are frozen acts that can be ascribed to hand and finger movements as well as arm and body gestures. The body’s ability to memorize movements, which are activated externally and informs actions like singing, is called cheironomy in music theory. This ensured an oral-gestic tradition before music was written down in mensural and neumatic notation, a process that was initially welcomed as a rationalizing advancement that fascilitated memory and made a more precise codification of musical meaning visable and readily accessible. The question remains, however, whether notation represents progress compared to a performance using hand gestures (whereby the oral-mimetic impulses of music are mostly lost), or whether present day conducting is able to surpass these original impulses.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Robert Schumanns Schwindelanfälle und „Gehöraffektionen“ 罗伯特·舒曼的眩晕与“听力障碍”
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0011
D. Bächinger
{"title":"Robert Schumanns Schwindelanfälle und „Gehöraffektionen“","authors":"D. Bächinger","doi":"10.25162/afmw-2021-0011","DOIUrl":"https://doi.org/10.25162/afmw-2021-0011","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die Bartók-Rezeption in Japan bis 1945 1945年之前，Bartók在日本的招待会
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0016
Minari Bochmann
{"title":"Die Bartók-Rezeption in Japan bis 1945","authors":"Minari Bochmann","doi":"10.25162/afmw-2021-0016","DOIUrl":"https://doi.org/10.25162/afmw-2021-0016","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tappert, Levi, Porges, Heyse Tappert、Levi、Porges、Heyse
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0012
Felix Diergarten
{"title":"Tappert, Levi, Porges, Heyse","authors":"Felix Diergarten","doi":"10.25162/afmw-2021-0012","DOIUrl":"https://doi.org/10.25162/afmw-2021-0012","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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